Earth II

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Tom Gries; Screenplay and Produced by Allan Balter and William Read Woodfield for MGM release, telecast by ABC-TV. Photography by Michel Hugo; Editing directed by Buddy Small and executed by Henry Berman; Music by Lalo Schifrin; Special Visual Effects by J. McMillan Johnson;Technical Advisor: R. Buckminster Fuller. Starring: Gary Lockwood, Tony Franciosa, Mariette Hartley, Scott Hylands, Gary Merrill, Hari Rhodes, Inga Swenson, Edgar Bell, Lew Ayres, Bart Burns, John Carter, Diana Webster and James Hong.

Straight sci-fi extrapolation, made with NASA cooperation, extensively uses "2001: A Space Odyssey" techniques (especially docking in space seen externally and internally with models) in telling a story of a space station/"nation" orbiting Earth and facing nuclear bomb difficulties with Red China. Direction is good but story is too straightforwardly told, with soap opera lapses, to be a current theatrical release. Slipups: in the first reel a key plot feature assumes that Red China is not in the UN. Presence of numerous guest stars and a minor episode plot indicate that this is a TV pilot.

A couple of years before Gene Roddenberry was trying to start new series with his movies "Genesis II" and "Planet Earth" (or is that "movie"?), this superior film with the oddly similar name paved the way. Alas, the road came to a dead-end, as all movies of this kind in the early '70s failed to understand that good story is better than bad sfx. This one is about a space station that has a unique social structure intended to eliminate conflict. The concept was handled in a simplistic way, but it nevertheless had a kind of wistful hopefulness about it that seemed not entirely incredible in 1971.

Like Roddenberry's films, this one fits into a short-lived era of TV sf that seemed suspended between Chesley Bonestell's airbrushed vision of the near future of space colonization, and Ralph McQuarrie's grittier, plumber's-nightmare versions that would soon follow. A bit of "2001" can be seen here and there as well (for example, when the characters walk "up" a wall).

If you liked the kind of austere models and similarly inornate acting (scripts, too) of early '70s sf, you'll like this one. The dilemma faced by the characters is familiar, as is its solution (but please overlook the glaring error involving the sun, the Earth, and the station's rotation). Still, there's a lost sense of "coming real soon now" in modern sf that this film might bring back to your memory. In 1971, it seemed we were _all_ going to fly in space and get to walk up walls. You know what happened next, but you didn't see it coming when this movie was new, so you believed it more then than you would today. See it again, if you get the chance, and ask yourself how we lost interest in going into orbit ourselves.

I saw this TV-movie when it aired in 1971. I liked it then and saw it a few times in syndication. Now I own it on DVD.

The premise is that an orbiting space station is created by the United States and then is set up as an independent nation named Earth II. This nation is completely democratic, with a council that executes policies for the station. If someone disagree, they can challenge that decision and all the citizens can vote.

A situation occurs where the "no weapons" policy is challenged. A nuclear bomb is orbit around Earth, and passes close to the station on every orbit. The citizens have to make a choice whether to interfere with the bomb, in order to protect themselves and Earth.

The movie stars Gary Lockwood of "2001: A Space Odyssey" fame, Hari Rhodes and Scott Hylands. In a supporting role is Gary Merrill. Since this was probably a pilot, the guest cast included Tony Franciosa and Mariette Hartley.

While the film is dated and some of the science not so accurate, it is still very well done and for science fiction fans, should be seen.

One complaint is that there are two excellent actors playing Chinese representatives. These are Soon-Tek Oh and James Hong. They are uncredited, which is unfortunate.

Everyone is talking about how EARTH II was ahead of its time with special effects, scientific imaginings, and the like. I was, however, a little more down to earth. The people who worked up this film did not have their feet on the ground.

Here's the premise: An international project sends up a huge space station and populates it with about a hundred people from various nations. The USSR is represented but not China - because the Chinese had a bad attitude about it. Instantly the US President (Lew Ayres) tells the inmates of this space station that they are now a new and independent nation, he (evidently without the advice and consent of Congress) is recognizing it as a new nation and he's going to have the UN make it a member state. This is absurd on a number of levels include any business about the exchange of ambassadors.

Additionally, the technology pretty much does their thinking for them. In a ship-wide video discussion of a crucial problem of international relations, the ship's computers analyze each person's argument and put subtitles on the screen with disparaging labels about their contribution -- e.g. "Appeal to authority".

Apart from this, the interesting stuff (the special effects) is about a Chinese nuclear satellite that is being used to the homelands of the inmates of this space station.

So, comic book logic, impressive special effects.

This was one of the most expensive TV movies of its day. It is heavily indebted to 2001: a Space Odyssey. The action takes place on Earth II which is a space station which orbits Earth and has been designated an independent nation. Its denizens are peace loving and anti-violence but this is thrown into disarray when the Chinese send out a vessel carrying nuclear warheads. For the most part this is a pretty interesting bit of sci-fi, with the Earth II itself making for an interesting setting - I guess the producers thought this too given it was intended for a TV series. The story does get a little too bogged down with the nefarious Chinese vessel though, with the attention of the narrative switching solely onto this for the second half. The set design and model work is the strength here, with the story and dramatics under-cooked. Still, despite its flaws, it still made for a pleasing bit of serious-minded TV sci-fi from the post-2001 days.