IMDb RATING
6.1/10
7.5K
YOUR RATING
A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.
- Directors
- Writers
- Stars
Akira Yamanouchi
- Dr. Toru Yano
- (as Akira Yamauchi)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.17.4K
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Featured reviews
Psychedelic
This psychedelic Goji entry features a very formidable opponent in Hedorah and some very memorable trippy imagery.
It has an environmental message and is truly unlike any Goji film.
Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.
8 Smog Clouds out of 10!
Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.
8 Smog Clouds out of 10!
A Retro Godzilla Film.
When the Godzilla series entered the 1970s, a retro and hippie feeling could be seen in this movie. This film starts off with a singer, played by Keiko Mari, singing a song titled "Save the Earth." Like 1964's Godzilla vs. Mothra, this film delivers a message of environmental danger. The story's about heavy pollution problems occurring in Japan. When an alien spore from outer space enters Earth and lands on a pile of toxic waste in the sea, a towering monster of sludge, crap, smog, and goo attacks Japan. This is the first Godzilla (Gojira) film in many years that depicts numerous human casualties. Scenes of humans deforming are a gruesome sight and echo elements in the original Gojira film. Like a viewer said, the fish tank scene is a similar scene of the fish tank in the original Gojira film.
The central character in this movie is a boy, played by Hiroyuki Kawase, who idolizes Godzilla. Godzilla, by this time, is portrayed as a "defender of Earth," rather than a destructive force. Mostly, there are no hints of fears from the people upon Godzilla's appearances. The line "Get'em Godzilla!" is a real charmer, making the monster look more and more like a hero and defender of Japan.
Yoshimitsu Banno did a good job directing and assembling the cast out, staging them in places like nightclubs, hills and amusement parks. The retro feel could be seen in the nightclub scene, where the singer sings the title song as blobs of retro paint move in a movie screen behind her. Also, the scene of the teenagers "celebrating" on a hill like a woodstock is also a retro feel.
Takeshi Kimura gave us a dark and scientific story, but some lighthearted scenes can be seen, like the scene where Godzilla flies (I think this is the only time we see Godzilla fly). Teruyoshi Nakano's special effects were believable; plenty of monster battles, albeit slow in some parts. Some of the problems I have with the monster battles is the part where Godzilla and Hedorah virtually move towards each other, staring at each other for several minutes. The movie's cinematography lacks a little spirit and color, making this movie look a little dull, and the overall momentum of the film was a little slow. And, this film lacks an effective music score. The music is not really harmonic or melodic and lacks charm to it. Riichiro Manabe composed a theme for Godzilla-a theme played by overblown trumpets. Though somewhat wacky, this theme sounds heroic for Godzilla.
Overall, a somewhat slow but an interesting Godzilla movie, returning you to the darker and more serious themes of the series.
Grade C+
The central character in this movie is a boy, played by Hiroyuki Kawase, who idolizes Godzilla. Godzilla, by this time, is portrayed as a "defender of Earth," rather than a destructive force. Mostly, there are no hints of fears from the people upon Godzilla's appearances. The line "Get'em Godzilla!" is a real charmer, making the monster look more and more like a hero and defender of Japan.
Yoshimitsu Banno did a good job directing and assembling the cast out, staging them in places like nightclubs, hills and amusement parks. The retro feel could be seen in the nightclub scene, where the singer sings the title song as blobs of retro paint move in a movie screen behind her. Also, the scene of the teenagers "celebrating" on a hill like a woodstock is also a retro feel.
Takeshi Kimura gave us a dark and scientific story, but some lighthearted scenes can be seen, like the scene where Godzilla flies (I think this is the only time we see Godzilla fly). Teruyoshi Nakano's special effects were believable; plenty of monster battles, albeit slow in some parts. Some of the problems I have with the monster battles is the part where Godzilla and Hedorah virtually move towards each other, staring at each other for several minutes. The movie's cinematography lacks a little spirit and color, making this movie look a little dull, and the overall momentum of the film was a little slow. And, this film lacks an effective music score. The music is not really harmonic or melodic and lacks charm to it. Riichiro Manabe composed a theme for Godzilla-a theme played by overblown trumpets. Though somewhat wacky, this theme sounds heroic for Godzilla.
Overall, a somewhat slow but an interesting Godzilla movie, returning you to the darker and more serious themes of the series.
Grade C+
Godzilla vs Hedorah (1971)
This is a surreal experience and the strangest Godzilla film I've seen... I laughed so hard at this film out of pure enjoyment rather than mockery.
It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.
Godzilla is hilarious in this film.
Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.
Godzilla is hilarious in this film.
Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
This is a psychedelic Godzilla movie!
This film has a really post modern feel to it. It begins with a song in Japanese called Save the Earth that (like The Lost Continent song) you won't stop singing (Kaishan! Kaishan! Kaishan!). The opening credits mix in shots of a girl singing the song with shots of a sludge clogged Tokyo harbor. Things get stranger from here. It opens with an annoying kid and his dad going swimming. The kid's father's face is disfigured and the kid gets his hand burned off by a smog monster named Hedorah who spits acid balls and inhales the fumes off smokestalks. Things get even stranger from there. Theres a Save the Earth concert or something with this girl in spandex with stuff painting on singing, this lava lamp like thing on the wall (definitely hippies) and this teenager who gets drunk and starts halucinating and sees everyone with fish masks on (when I saw this the first time when I was six, couldn't get why everyone started wearing fish masks and why the teen seemed so disturbed about it) until Hedorah suddenly attacks after sucking up fumes. Well Godzilla comes and saves everybody and they start fighting really bizarrely (similar to the Saturday night wrestling scenes from King Kong vs. Godzilla. They wrestle and wrestle some more. Though released in 1971, this is very sixties. Director Yoshimitsu Banno blends mind twisting images, real scenes of Tokyo bay covered with sludge, the scenes with the hippies, disturbing scenes with dying babies on mutiple screens, gory scenes of Hedorah's victems being reduced to skeletons, scenes with the kid and his scientist father trying to figure out how to stop the monster, and scenes with a newscaster. This is very poetic, bizarre, beautiful, and sometimes extremely disturbing and has about the strongest anti pollution messages I've ever seen (Japan was polluted the most back then). This is one colorful film. P.S. I don't know how this film got a G rating with all the disturbing images in it.
Faaaaaaaaaaaaaar out!!!
"Godzilla vs. Hedorah" is probably my favorite Godzilla from the 1970s (the others being the one with Gigan in them, he RULES TOO!). There sure is alot going on in this crazy movie.
There are:
ACID TRIPS! Strange anime sequences! Really upbeat soundtrack and theme song (KAAAAAAAAISEN!)! Kids in hot pants! Ecology made fun! Haiku! Nightclubs! Hippies galore! Godzilla flying! Hedorah, the strange looking beast of Smog!
This film has everything a B-movie enthuaist wants!
Even though a lot of people hated Hedorah, but I don't. He is one of the most interesting looking and powerful foes in Godzilla's old days. He pretty much hacks up on Godzilla a lot, changes shape at will, plus, it FARTS out acid!
Anyways, watch "Godzilla vs. Hedorah"! You'll have a B-movie blast!
There are:
ACID TRIPS! Strange anime sequences! Really upbeat soundtrack and theme song (KAAAAAAAAISEN!)! Kids in hot pants! Ecology made fun! Haiku! Nightclubs! Hippies galore! Godzilla flying! Hedorah, the strange looking beast of Smog!
This film has everything a B-movie enthuaist wants!
Even though a lot of people hated Hedorah, but I don't. He is one of the most interesting looking and powerful foes in Godzilla's old days. He pretty much hacks up on Godzilla a lot, changes shape at will, plus, it FARTS out acid!
Anyways, watch "Godzilla vs. Hedorah"! You'll have a B-movie blast!
Did you know
- TriviaDirector Yoshimitsu Banno has mentioned that Hedorah's eyes in the film were deliberately made to resemble female genitalia, with Banno joking that the vaginally inspired look made it more unsettling. During Godzilla's battle with Hedorah, strange white orbs are ripped out of Hedorah's dried-out body. According to Banno, they are meant to be Hedorah's eyes, which he considered the most important part of a person's body. The film has a running theme of eyes being injured with several of its characters. However, the reason they do not resemble Hedorah's actual eyes is due to rushed production and a smaller budget. Banno mentioned that not only had Toho given him less than half of the budget of the prior Godzilla films, but he was also only given 35 days to shoot the entire film (both the drama scenes and the special effects scenes). Making matters even more challenging for Banno was the fact that he had to make do with a single film crew.
- GoofsWhen Hedorah throws sludge at Godzilla during the Mt. Fuji fight scene, the sludge hits Godzilla's right eye, however, after Hedorah mocks Godzilla by laughing, it's the left eye that's damaged.
- Quotes
Yukio Keuchi: There's no place else to go and pretty soon we'll all be dead, so forget it! Enjoy yourself! Let's sing and dance while we can! Come on, blow your mind!
- Crazy creditsIn the AIP version of this film, its entire cast is mysteriously uncredited.
- Alternate versionsThere are two distinct versions of the American International Pictures version of this film, which is titled "Godzilla vs. the Smog Monster." The first version, presumably the original 35mm theatrical version, features an English language cartoon sequence (reworked from a similar Japanese language one in the Japanese version). A similar insert replaces a shot of a newsreader with an English language map of Fuji City. In addition, AIP removed all of the Japanese text from the scenes of various "science lessons" given by Dr. Yano. This is the version that was released on VHS and LaserDisc by Orion Home Video in 1989. The second version, however, has none of these unique shots. The Hedorah cartoon and newsreader scene are unchanged from the Japanese version and Dr. Yano's science lessons feature onscreen Japanese text. This version seems to have been the standard 16mm release for television distribution and can be seen mostly in unlicensed home video releases of the film, such as the 1990 Simitar VHS release from the U.S. and the Digital Disc DVD release from Canada.
- ConnectionsEdited into Godzilla vs. Gigan (1972)
- SoundtracksKaese! Taiyô wo
("Return! The Sun")
Main Title Theme
Music by Riichirô Manabe
Lyrics by Yoshimitsu Banno
Sung by Keiko Mari, the Honey Knights and the Moon Drops
Details
- Release date
- Countries of origin
- Language
- Also known as
- Godzilla contra monstruos del smog
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $250,000 (estimated)
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