Happy Birthday, Wanda June

Yes, I have to toss my two thumbs up into the heavens for this film as well. Seen a few times at a very young age. Bit of a slow start as Harold returns home and all. But soon as the cake is introduced with 'Happy Birthday Wanda June' on the counter, the surreal begins! A brilliantly funny, but I'm sure 'unpolitically correct' view of 'heaven' - even at my young virgin age, I was kinda shocked. Wanda June, cute as a bugs ear - but tragically hit by a truck before her birthday. Assistited by a fatherly Nazi to help explain the utopia of their afterlife. Like Nazis and Jesus playing shuffleboard all day in heaven? And you know Jesus is like really good, because he has the satin jacket and all that. Then back down to New York, where Harold and his buddy try desperately to reintegrate themselves into a world that now seems so foreign. I wouldn't say it was a 'feminist' movie, nor was it glorifying or lambasting the idea of brutality and war. I'd say it was simply about 'time' itself. As in 'time is fleeting', 'time heals all wounds', 'remember the good times and forget the bad'. As irrational and surreal as it was - long before Updike treatments. It's probably the one that comes off the most sane and human out of the lot. Kings, Heros, Madmen, and the wakes of their plunder and destruction. Queens, Innocent beauty, and youth. All but ripples on the shore that cannot stand up to natural currents and waves - only help contribute to them until the tides change. And that you can set your watch to. Brilliant film!

"Happy Birthday Wanda June" is out there...somewhere, because a print has just surfaced in San Francisco for a small festival showing in August of 2007. I first read about this film way back in Cinefantastique and of course it hasn't surfaced since, not on VHS or DVD.

Written probably as Vonnegut was really hitting his stride, around the time of "Slaughterhouse 5" it explores the meaning of humanity on this planet, the madness of men (the gender) and the blindness of following what we thing is valuable but isn't.

Smaller in scale than "S5" or "Sirens of Titans" this originally was a play and the film shows this provenance. It's practically one-set, and the acting is rather broad. Mark Robson seems to be making sure everyone pitches it out to the back rows. The child and the 2 male friends of Susannah York's character are particularly grating. But Rod Steiger, whose role is a bombastic man's man (somehow reminiscent of Ernest Hemingway or John Huston), manages to play his loud and obnoxious role with a graceful (if unhumble) bravado. He is perhaps more in on the joke - that he is a fool and a dinosaur embracing out-of-date ideas - than he initially proclaims.

The flashes to Heaven, mentioned in previous posts, makes this vintage absurdist Vonnegut, with the underlying message that everyone goes to Heaven, so murdering someone is actually not a bad thing - you're doing them a favor. It makes the complains down in the Manhattan apartment about whether they should kill animals, be "savage" or civilized, rather moot in retrospect.

An important work that deserves reviving. It's dated and a bit obvious in its symbolism (the violin hanging like a corpse above the fireplace) but beats "Visit to a Small Planet" anytime. And William Hickey is great as Steiger's sidekick who also returns after 8 years.

Interesting side note when Steiger reveals he was drugged on "blue soup" for 7 1/2 of the 8 years. Did he actually see what life without the "action, the killing" might be like...and recoil in horror? And the last shot - not what you would expect, also raises an ironic eyebrow that will keep this film in your mind for days.

Bill Hickey is fabulous as Col. Harper, Rod Stieger chews the scenery as Harold Ryan. This movie is very confusing, I have only met one person who saw it in a theater, ABC used to show it late at night, the last time I saw it they showed the reels out of order, nice guys, no way you could possibly have a clue.

It is the Homecoming of Odesius from the Trojan Wars, Penelope (Susanah York) has two lovers, a doctor and a vacuum cleaner salesman. Ryan and Harper have been lost for seven years, and they return without warning having found diamonds the size of grapefruits.

I have not been able to locate this film other than on 1 inch video tape, I would love to get a good copy of it.

This is one of my favourites, so I admit to being terrible biased about its merit. As a movie it's a bit clunky in places, but the cast is wonderful. For me the best of these is William Hickey. He often has the best lines in the fashion of the fool in Shakepeare. A drunken broken man whose one defining moment (in his friend's eyes anyway) he regrets totally. The movie is worth a look just for him. If you don't understand or enjoy Kurt Vonnegut's cynicism you won't enjoy this film. All of the "living" characters leave something to be desired, and there is little to inspire here. But it is funny in an ironic kind of way, and so indicative of humanity. The deceased characters (who all play shuffleboard in heaven on Jesus' team) are a hoot as well.

I saw this film in, maybe 1975-6. I was working the graveyard shift in a hotel and they had an "in room movie" feature that consisted of a Video Tape Deck that used 2" on big reels. While I was settling all of the accounts, I had to change the reels for the next movie. Anyway, H.B.W.J. was one of the vast array of maybe 25 films they had. If I could get done early I could watch a movie. There were never more than two or three people in a day that watched any of the crappy films. Well I watched it and loved it! I brought friends and we watched it, maybe twentyfive times. I had a tape from the local ABC affiliate which was shown out of order. This was a very strange and complicated film made totally incomprehensible.

al:^)