Friends

When I first saw this film on video in a department store... it intrigued me. Considering the fact that I thought I was in love and I was the same age as the youths in this film at the time (although I realize they are now old enough to be my parents), plus the soundtrack being written by Elton John & Bernie Taupin just before they "made it big" here in North America... I figured I had nothing to lose in buying it. I was not disappointed.

So far, I have shown it to many guys I have dated since, and to my current boyfriend... obviously, they didn't find it as lovely as I do... preferring to call it a "chick" movie... but I still laugh and cry. This film was vastly overlooked. It's good to see it's available to rent at one of the local video stores around here so that other people can share the magic.

So maybe it's a bit far fetched... but it gives you a lighthearted sense of innocence... and a renewed faith in love.

An orphaned 14 year-old (Anicée Alvina) arrives at her cousin's (Pascale Roberts) home in Paris having travelled from the South of France. Feeling alone, she soon meets a 15 year-old English boy (Sean Berg) who lives with neglectful businessman father (Ronald Lewis). They impulsively decide to run off to the South of France together and move in to her deceased father's cottage on the Carmargue near Arles where they grow up, fall in love and struggle to survive.

One thing is for sure is that this is a film that would not be made today, with the sexual attraction and the way it is depicted by director Lewis Gilbert that will be perceived as both natural and uncomfortable, with an almost disquieting voyeuristic handling of the relationship. For all this is it is a very charming and tender film with the beautiful landscapes of the Carmargue gorgeously shot by Andréas Winding and a sweet score by Elton John. Followed by a sequel: PAUL AND MICHELLE (1974).

This is a love story of chance and simple purity. There is nothing shocking about this film for love can blossom completely between two teenagers of 14 and 15, and while the law might state otherwise, emotions develop naturally. Two listless teenagers unhappy with their home lives, meet by chance in Paris and develop a casual friendship. One is an English boy (Sean Bury) studying in France and from a rich family. The other is a young girl (Anicée Alvina) whose parents are both dead and has been taken in by her cousin. On a sudden impulse the boy and girl run off to Arles where the girl's father owned a small house nearby. With just each other, the beautiful scenery of the Carmargue, and a growing love between them, they make a new life for themselves. Their simulated marriage ceremony, achieved by following an actual wedding in the local church, shows their acceptance of some of the rules of society. It is just the unencumbered innocence of youth that puts them apart from the adults. Soon a baby is born to them, with the boy acting as midwife without any outside help. Everything is idyllic until the police finally locate the boy's whereabouts.....

I'm rather astonished that this film is still available in the United States, where by decree of our Congress individuals under eighteen are not allowed to be shown having sex. Or for that matter, even permitted to have sexual thoughts.

That being said, you'll like this film, if you can ignore the highly sappy plot and just enjoy the two young stars and the travelogue-like images of South of France. If you had a first love as sweet as Paul or Michelle (I know, 'sweet' is a rare breed these days)you'll particularly smile.

Perhaps the most concerning thing about this film is the way many reviewers only see it as controversial, because it deals with young love. Also the ideals it sets out are how we would like to see the world, but are often prevented from doing so.

Get past all this and you have a simple story of a boy and girl, who become friends and develop into lovers; but mostly outside of society's rules. While they pay lip service to certain conventions, they don't allow the rules to control their daily lives. The need for money requires the boy to get a job, but beyond this they live an idealistic existence in the beautiful surroundings of the Camargue.

If you don't get a warm feeling while watching this film, then you have a cynicism that will spoil any innocent storyline. This may not be the Hollywood blockbuster that makes a lot of money, but it's one of those films whose story is very relevant at any time.