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5.8/10
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A babysitter is terrorized by the child's father, escaped from an asylum.A babysitter is terrorized by the child's father, escaped from an asylum.A babysitter is terrorized by the child's father, escaped from an asylum.
Maurice Kaufmann
- Inspector
- (as Maurice Kaufman)
Lewis Alexander
- Man in Restaurant
- (uncredited)
Aileen Lewis
- Woman in Restaurant
- (uncredited)
Frank Maher
- Plainclothes Policeman With Revolver
- (uncredited)
Brook Williams
- Victim on Television
- (archive footage)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I remember seeing this cult British flick many years ago and remember how it sent genuine chills up my spine..... Susan George gives a brilliant performance as the young, tormented babysitter in this very atmospheric chiller. Ably supported by stalwart British actors (George Cole, Dennis waterman & the ever fabulous Honor Blackman. Some of the dialogue is rather "hammy" and check out the hilarious "dancing" in the nightclub - LOL. Apart from these small points this is a very well crafted little thriller. This film is now available on region 1 DVD and is well worth investing in if you love cult horror movies. Turn out the lights, lock the door and sit back and prepare for "FRIGHT" !!!!You won't be disappointed !!!
Looking for a dark, moody, even solemn movie? Give this one a turn. Fright is a thriller that relies more on sheer spookiness than out-and-out action.
Young Amanda is left alone to baby sit at a house in rural England. In the dead of night everything seems to put her on edge; noises outside the windows, a light bulb goes out, the creaking of the old house. Amanda tries to tell herself she is only being a chicken about it all, but what if there really is someone outside? What would she do-- if there was a knock at the door or a pale face peering through the window? That's just what she'll find out.
The title of this film turns out to be quite fitting as Fright grows from spooky atmosphere to intense suspense and finally a dramatic conclusion that's almost saddening. Collinson's direction is splendidly tight and builds to tremendous tension. Kudos go to a great cast, a haunting theme song, and to writer Tudor Gates for being the first to come up with the babysitter vs. madman thriller.
A dark film if there ever was one, Fright is a powerful and atmospheric thriller that should please anyone seeking some good chills without gory violence.
*** out of ****
Young Amanda is left alone to baby sit at a house in rural England. In the dead of night everything seems to put her on edge; noises outside the windows, a light bulb goes out, the creaking of the old house. Amanda tries to tell herself she is only being a chicken about it all, but what if there really is someone outside? What would she do-- if there was a knock at the door or a pale face peering through the window? That's just what she'll find out.
The title of this film turns out to be quite fitting as Fright grows from spooky atmosphere to intense suspense and finally a dramatic conclusion that's almost saddening. Collinson's direction is splendidly tight and builds to tremendous tension. Kudos go to a great cast, a haunting theme song, and to writer Tudor Gates for being the first to come up with the babysitter vs. madman thriller.
A dark film if there ever was one, Fright is a powerful and atmospheric thriller that should please anyone seeking some good chills without gory violence.
*** out of ****
Susan George seemed to have spent a large part of 1971 being terrorised in rural houses by maniacs; in Straw Dogs she suffered violence at the hands of vicious country yokels and in Fright she is threatened by an escaped lunatic with murder on his mind.
Unfortunately, despite a great cast including George Cole, Honor Blackman and Dennis Waterman, and direction from Peter Collinson (who gave us the classic The Italian Job) this somewhat tedious thriller/horror rarely manages to be anything more than average.
Susan George (looking a lot like Sarah Michelle Gellar to me only much sexier) is great as Amanda, the babysitter who must protect baby Tara when his homicidal father drops by for a visit; she convincingly portrays the terror of the situation (whilst simultaneously looking great in a very short dress), but even her performance cannot save the film; the histrionics in the latter part of the film undermine all that goes before and the finale, in which Amanda exacts revenge on the killer, is quite ridiculous.
Director Collinson manages a few nice touches (I particularly liked the intercutting between Susan George and Honor Blackman to show how the maniac was unable to discern between the two women), but the tension of the housebound action is dissipated by some dreadfully dull scenes set in a nearby restaurant and the local police station.
With a little more action, a bit less talk and maybe one or two more deaths, this could have been a classic little chiller as it stands, it is just another so-so horror film which is unlikely to cause anyone sleepless nights.
Unfortunately, despite a great cast including George Cole, Honor Blackman and Dennis Waterman, and direction from Peter Collinson (who gave us the classic The Italian Job) this somewhat tedious thriller/horror rarely manages to be anything more than average.
Susan George (looking a lot like Sarah Michelle Gellar to me only much sexier) is great as Amanda, the babysitter who must protect baby Tara when his homicidal father drops by for a visit; she convincingly portrays the terror of the situation (whilst simultaneously looking great in a very short dress), but even her performance cannot save the film; the histrionics in the latter part of the film undermine all that goes before and the finale, in which Amanda exacts revenge on the killer, is quite ridiculous.
Director Collinson manages a few nice touches (I particularly liked the intercutting between Susan George and Honor Blackman to show how the maniac was unable to discern between the two women), but the tension of the housebound action is dissipated by some dreadfully dull scenes set in a nearby restaurant and the local police station.
With a little more action, a bit less talk and maybe one or two more deaths, this could have been a classic little chiller as it stands, it is just another so-so horror film which is unlikely to cause anyone sleepless nights.
This movie scared the crap out of me when I first saw it as young teenager.
Susan George was really good in as the babysitter (Amanda). She is terrorized by the baby's estranged father. This movie has a really creepy feeling to it. It was filmed in England, and most of the really old houses there just seem to have that eerie look about them. This is a movie worth checking out......
Susan George was really good in as the babysitter (Amanda). She is terrorized by the baby's estranged father. This movie has a really creepy feeling to it. It was filmed in England, and most of the really old houses there just seem to have that eerie look about them. This is a movie worth checking out......
A young woman goes to a secluded large house to babysit a little boy however once there she is terrorized by her employers ex husband.
The first half of the film is by far the best, the suspense is very good (if a little creeky), there is a couple of good jump scares and tension builds well. Acting is also very strong, George as the film's central character holds everything together well she as always delivers, Bannan as the demented maniac is chilling at times and Honor Blackman is also very good. What holds the film back however is Collinsons direction in the 2nd half, instead of keeping the audience on the edge by staying in the confines of the house we keep leaving and going to nothing scenes at the restaurant or police station. This could have been a really terrifying experience given the story and situation but sadly only occasionally delivers the goods.
One of the first of the babysitter stalker movies made so it does deserve some credit and its definitely not a bad film it just didn't reach the level I was expecting.
The first half of the film is by far the best, the suspense is very good (if a little creeky), there is a couple of good jump scares and tension builds well. Acting is also very strong, George as the film's central character holds everything together well she as always delivers, Bannan as the demented maniac is chilling at times and Honor Blackman is also very good. What holds the film back however is Collinsons direction in the 2nd half, instead of keeping the audience on the edge by staying in the confines of the house we keep leaving and going to nothing scenes at the restaurant or police station. This could have been a really terrifying experience given the story and situation but sadly only occasionally delivers the goods.
One of the first of the babysitter stalker movies made so it does deserve some credit and its definitely not a bad film it just didn't reach the level I was expecting.
Did you know
- TriviaAmong horror fans this film is considered the first film to come up with the popular horror convention of a lone babysitter terrorized by a psychotic murderer.
- GoofsAt the house it is always dark (night-time) but when Helen and Jim rush from the pub to the house there is daylight.
- Quotes
Inspector: How do you spell that word, "psychotic"?
Dr. Cordell: You may have to spell it M-U-R-D-E-R, murder, if you don't get someone over there quickly!
- ConnectionsFeatured in Grindhouse Universe (2008)
- How long is Fright?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- I'm Alone and I'm Scared
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $169,246
- Runtime
- 1h 27m(87 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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