The Fifth Cord

The Fifth Cord does not get the respect it deserves among the all time great Giallo films. It's directed quite well with some very beautiful cinematography as all good Giallo's should have.

The acting is of course not the greatest in the world and it takes some time to begin to like(or dislike the characters)

There are some excellent kills in it as all Giallo's must have. The soundtrack is a bit goofy but isn't that part of what gives these particular movies their appeal.

In a nutshell no The Fifth Cord is not the best Giallo you will ever see and is not even director Luigi Bazzoni's best although he does have a short career I still think if you give it a chance and are a fan of the genre you will agree it is actually a fairly good movie.

Sit back and take a watch you won't be disappointed.

Charismatic international star Franco Nero makes all the difference in this well plotted Giallo co-written by director Luigi Bazzoni, based on a novel by David McDonald Devine. As fans of this genre come to expect, it's a good looking film made with some style by Bazzoni. There's no shortage of red herrings, and the story does keep you guessing - and on your toes. It's got some standout sequences, such as a paraplegic murder victim trying to get to a phone without the aid of a wheelchair, the stalking of an innocent child, and the final chase / fight scene between protagonist and killer. This last bit is very atmospheric. Overall the film does move somewhat slowly, and the script is talky, but it resolves itself in a neat enough way.

Nero is well cast as an alcoholic reporter named Andrea Bild. After a young man named Lubbock (Maurizio Bonuglia) is assaulted, this serves as a sign of further violence: a murderer will soon target specific people, and all of them are people whom Andrea knows. Naturally, the police, led by an inspector played by Wolfgang Preiss, are suspicious of Andrea and *he* suspects that they're tailing him. In order to clear his name, he plays detective on his own.

That aspect of the story is certainly very familiar, but in general "The Fifth Cord" is enjoyable if not the most exciting film of its kind. The cast is good: also appearing are Silvia Monti, Ira von Furstenberg, Edmund Purdom (always nice to see this guy in anything), Rossella Falk, Renato Romano, and Luciano Bartoli. Luscious blonde American actress Pamela Tiffin shows off the goods in one scene. Talented and prolific legendary composer Ennio Morricone does typically solid work in terms of the score.

If the viewer is an aficionado of the Giallo, they should find this to their liking.

Seven out of 10.

"The Fifth Cord" (1971) is a rock-solid if meaninglessly titled giallo ("The Fifth Finger" might have made more sense) that, despite the low-cc count bloodwise, should manage to satisfy most viewers. In it, Franco Nero plays a very handsome but hard-drinking reporter (so hard-drinking that he swills J&B from the bottle while driving!) who investigates after a serial killer begins to slay his quickly diminishing circle of friends. Though fans of these gialli should recognize any number of Euro stars in this film, the real stars of the show, in this case, are surely behind the camera. Luigi Bazzoni's direction is stylish and fluid as can be, maestro Ennio Morricone's score is by turns atmospheric and unsettling, and, most importantly, cinematographer Vittorio Storaro's lensing here is truly a work of art. Indeed, this is one of the best-looking gialli that I have ever seen. As far as the plot goes, yes, it does hold together, the murderer does not appear out of far left field at the end, and there are several quite suspenseful sequences. I especially appreciated two near the end, with the killer stalking a young boy, and with Nero chasing and duking it out with the crazed wacko in a deserted building. Despite the presence of seemingly unavoidable red herrings, I was able to look back at this film's story afterward and realize that it did indeed cohere logically. And how nice to see American actress Pamela Tiffin, after her '60s ingenue roles, playing such a sultry sexpot here. Meow! Actually, the only thing that bothered me about "The Fifth Cord" was its time frame. The picture seems to transpire over the course of a mere week or two, and yet by the stated dates of the homicides at the film's end, one realizes that over 4 1/2 months have elapsed! I guess time truly does fly when the viewer is having fun....

Excellent Cinematography & Music. Story is lacking, maybe in the English Translation.

This is the same director and cinematographer who made Footprints on the Moon, excellent movie.

This movie also has great cinematography and the directing/editing is a fine job. Music is good as well. The acting is good. But the story is lacking. Maybe the story is lost in the English translation. Best suspense is when the killer was going after the kid. It's a good thing the kid didn't get killed, that would have been bad, and sick! Maybe in the original Italian, the story holds up better. And maybe some graphic scenes were cut out for the English release. If so, then this is a great film, and great production. But as it stands I can only give it a C, or B -, 6 stars. Worth checking out for the camera work.

Any fan of 1970s Italian Giallo films has seen enough of them to know what to look for, but, of course, everyone sees something different in art. We all know about The Cat o Nine Tails (cool as hell) and Deep Red (bloody amazing), but some lesser-known Gialli have been available for re-discovery courtesy of Blue Underground and Shreikshow labels.

One of the better ones has to be The Fifth Cord starring Franco Nero. For me, the number one thing in these films is not plot points but ATMOSPHERE. This film not only has the great Franco Nero as its protagonist, but is brilliantly shot by Vittorio Storaro. Also, the director knows what to show most of the time, and when and how to show it. The finale is set in one of those funky 1960s European open concept homes with the stairwell to the second floor in the middle of the living room and a huge fireplace fit for Cortina! The kind of films we don't see any more, unfortunately. Without these DVD releases, we'd be stuck with a lot of modern would-be thrillers involving cell-phones and teeny-boppers.