The Hunting Party

A cruel rancher called Brabt Rage : Gene Hackman and his nasty companions as G. D. Spradlin, Simon Oakland use extremely long range rifles to hunt the gang: Mitchell Ryan, LQ Jones.. led by Frank Calder: Oliver Reed, who abducted his wife : Candice Bergen .

Violent Western in Peckinpah style with thrills, chills, noisy action, go riding and crossfire. A twilight western following the wake of the late sixties and seventies westerns as Wild Bunch, Bite the bullet, 100 rifles and taking parts of "The dangerous game" by Richard Connell. Gene Hackman gives a terrific acting as the ruthless owner who seeks a merciless vengeance. Along with Oliver Reed as Frank Calder, a bandit who wants to learn reading. And Candice Bergen is top-notch as the beautiful and sweet kidnapped teacher. It displays a very good support cast such as LQ Jones, Simon Oakland, Mitchell Ryan, Bernard Kay, GD Spradlin, William Watson, and several others.

Thrilling and moving musical score by the Italian Riz Ortalani. Atmospheric cinematograhy by Cecilio Paniagua, though being really necessary a perfect remastering . Cecilio was one of the best Spanish cameramen who photographed a lot of international films shot in Spain as 100 rifles, Custer's last adventure or Custer of the West, Dr Coppelius, Island of the doomed, Commando, Balearic caper, Mathias Sandorf, Mission in Morocco, among others.Well produced by the tandem Arnold Laven, Jules Levy, Arthur Gardner who produced several westerns. The motion picture was professionally directed by Don Medford. Don was a good director who worked essentially in TV, directing a great number of famous television series as Dynasty, Colbys, Air wolf, Alfred Hitchcock presents, Mrs Columbus, FBI, Cannon, Baretta, Untouchables, Suspicion, Decoy. And occassionaly he directed for big screen as "The organization" with Sidney Poitier as Inspector Tibbs and this Hunting party. Rating 7out of 10.Well worth watching. Better than average.

When you go hunting with Brandt Ruger, you go first-class all the way. But when you steal his "property", you sign your own death warrant.

That is something that a notorious outlaw (Oliver Reed) and his gang have to learn in the worst way possible in THE HUNTING PARTY, a 1971 British/American western that, even by 21st century standards, is still incredibly violent. Reed kidnaps a local schoolteacher (Candice Bergen) in the (now faint) hope that he'll be taught how to read. When Bergen warns him about her husband, he tells her "It don't matter whose wife you are." A fatal misjudgment on his part, for her husband Brandt Ruger (Gene Hackman) is not one to fool around with. While out on a hunting party with a few of his friends, the dictatorial and very abusive land baron learns of Bergen's kidnapping, and thus gets blood in his eyes. And rather than going after game, he and his boys instead go after Reed and his gang, picking them off one at a time with high-power rifles that can hit from a distance of 800 yards. The result is a sagebrush variation of THE MOST DANGEROUS GAME, done with some of the most brutally violent shootouts this side of THE WILD BUNCH and SOLDIER BLUE. And as he is a man driven by extreme jealousy (Bergen is his personal "property", whom he physically abuses on more than one occasion), the fact that Bergen is beginning to develop a rapport with Reed now gives him whatever license he feels he needs to kill her as well, though he drags it out for the sheer sadistic fun of it to a very cynical and blood-splattered conclusion.

There isn't too much doubt that THE HUNTING PARTY was made to take advantage of the "market" opened up by THE WILD BUNCH and its director Sam Peckinpah's choreography of violent action, as well the spaghetti westerns of Sergio Leone. The shootouts are extremely bloody, and they clearly mirror those of THE WILD BUNCH in the use of slow motion and quick cutting. Where THE HUNTING PARTY falls short, however, is in a crucial area that Peckinpah knew was vital to his film being successful: the action and plot must be character-driven and made to feel real to an audience. Veteran TV director Don Medford (who, among other things, directed the classic 1961 Twilight Zone episode "Death's Head Revisited) and screenwriters Gilbert Ralston, William Norton, and Lou Morheim know how to do the Peckinpah-inspired gunfights, but they don't seem to have taken too much time to really delineate any complexities in the three main characters. Bergen is merely a damsel in distress, caught between two men who are basically bastards, one merely semi-controlling (Reed), the other a sadistic control freak of the highest order (Hackman). Absent the complex psychological and character-driven narrative that propelled THE WILD BUNCH to a controversial but well-deserved glory, THE HUNTING PARTY can so easily be tagged, as more than a few critics have done (albeit perhaps too zealously), as an extremely bloody sagebrush shooting gallery in which violence is staged for the sake of violence.

The film does succeed in giving us good performances from the three leads (notably Hackman, whose role is credibly sadistic to the highest degree); good cinematography done on location in Spain (as a stand-in for Texas); and supporting roles for L.Q. Jones (a member of Peckinpah's stock company); Simon Oakland; Mitchell Ryan; and William C. Watson. And one can't fault the long-distance shooting that occurs, or the way it so ingeniously borrows a great old-world story (THE MOST DANGEROUS GAME) and puts it into a WILD BUNCH-type western format. Had the filmmakers only paid a bit more attention to complex characters and motives here as Peckinpah had in his epic film, however, THE HUNTING PARTY might have been a bit more than a good, if incredibly and graphically violent, post-Peckinpah/Leone addition to a Western genre that was rapidly changing during the late 1960s and early 1970s.

Hunting Party, is violent and bloody. Just like most Westerns. I really like Oliver Reed in this film. He is great as the rough and tumble cowboy who kidnaps the woman of the richest man in the territory. Best part is his tenderness. She never had someone treat her tenderly, and love her. Did not care for Candice Bergen's acting. She was just was not believable in the part. She walked through the film with her mouth gaping open. But the film was worth seeing, I watched it over about 3 times, mainly because of Oliver Reed. Gene Hackman played his part well of a controlling and manipulating husband. You will see many character actors who had bit parts who became bigger actors in the present. All in all it is a must see film.

Others see this film as bland or metaphorical. I saw it after considerable reading about the West as it truly was, not as a Zane Grey work of fiction or morality play. What I saw in this film was a fictional story powerfully based on accurate historical fact. Many of those facts are not pleasant or moral and violence is as much a part of this Western movie as it is of most others. What is unique here is the accurate inclusion of the actual methods and attitudes surrounding that violence. The Lone Ranger it is not. Neither is it metaphorical. My interest in, and modest knowledge of, the methods and technology of that time led me to be strongly involved when watching this movie. Some of the scenes brought out a strong feeling of dread: dreamlike realism. In that way, it is, in my mind, one of the most honest Westerns of all time.

THE HUNTING PARTY is really good, but it seems, that everybordy is saying bad things about it. Maltin´s home Movie Guide rate it as a BOMB, but whats really the BOMB is Maltin. It´s a cool flick about an outlaw (Reed) who kidnappes rich farmers (Hackman) wife, but soon find himself attracted to his beatyfull hostage, while he finds himselv mercyless hunted by the enraged husband. But the film has much more to offer, than just the the dark gloomy atmosphere and hardcore violence: It´s also very much about who is good and who is evil. Just because your on the right side of the law, doesn´t per se make you a good person. Basically it is a film about evil, how easily good can be destroyed by evil. THE HUNING PARTY is violent, but it´s not, as often claimed, violent without sense. It´s a pre-Lucasian reminder to us all; STAY AWAY FROM THE DARK SIDE OF THE FORCE, and it´s a damn good one too.