The Light at the Edge of the World

3 stars for the cinematography by Henri Decaë--a beautiful, windswept, remote, rocky coastline in Spain, standing in for the story's location. This is an odd kind of adventure film, with sudden and numerous violent deaths of innocent victims. Those scenes create a downbeat, even depressing atmosphere that never leaves the mind. Acting powerhouses Kirk Douglas and Yul Brynner are not really used to advantage. They're just there to keep the plot going with a relentless, mutual antagonism. Some special effects are impressive, others not so much. An oddly romantic score by Piero Piccioni seems meant for a different movie. See it for the locations.

One of my favorite films of all-time. Unusual because the pirates depicted in this movie are all too real. None of the romanticizing Errol Flynn or Jack Sparrow stuff. These pirates were shockingly ruthless and a real sense of danger permeates the film. Yul Brynner and Kirk Douglas bring intensity to their roles. Brynner as the egotistic sociopath who is the leader of the cutthroats and Douglas as a man who must deal with a desperate situation in a fight for survival. Samantha Eggar as a woman with flawed instincts for her own preservation evokes frustration and pity. From the brutal opening scenes, the message is clear that these pirates don't play. A sense of urgency then takes over until the final outcome. A great movie!

Surprising that Jules Verne would write such a story. Even more surprising that Hollywood would produce it. Yul Brynner is unbelievably good as a man freed of all bounds of convention, free to indulge his taste for cruelty and domination. Douglass is an excellent counterpoint, a courageous individual who's chosen simple solitude as a way to deal with the complications and turmoil society had imposed on him. And Samantha Egger's character is the capper, a woman willing to sacrifice far too much for comfort and safety. Inotherwords, everyman. The movie does show its age and is limited by the conventions of time and place and technology of the time. If you're looking for special effects and action as substitutes for thought, look elsewhere.

Pirates led by the supremely evil Yul Brynner, take over a lighthouse run by Kirk Douglas, Fernando Rey on a rocky island. They then execute a devious plan to cause ships to run aground, pillaging their wrecks. Douglas survives, and he desperately fights their plot whilst plotting and planning to avoid Brynners gang of demented bloodthirsty savages, Sammantha Eggar is the shipwrecked maiden that avoids the pirates slaughter soon complicates the situation. 'The Light At The Edge Of The World' is based on a novel by Jules Verne. It is nothing short of thrilling and for it's time shocking, It deserves a little more recognition.

Or maybe this film could be seen as a kind of DIE HARD ancestor, just a little bit, but with some ingredients that have nothing to do with the John McTiernan's movie. Though Yul Brynner's character, splendid mixup between cruelty and refinement, made me think of Alan Rickman's character as Hans Gruber in DIE HARD. An exquisite villian as I love in a film. Yes this movie is a very curious but terrific piece of work, awesome, gruesome on many scenes too, a feature which is very difficult to describe. A scheme that also made me think of Gordon Douglas' BARQUERO, the lead character facing a bunch of villains lead by the main character's Nemesis, here Yul Brynner instead of Warren Oates. Yul Brynner outstanding in the heavy leader. A movie that astonished me the first time I saw it, a wrecker scheme, as in Charles Brabant's LES NAUFRAGEURS. This film is adapted from a Jules Verne's book, I am so surprised. Kirk Douglas in a scene with Renato Salvatori, which is the same as Steve McQueen with Mako in the SAND PEEBLES. A shooting from a distance scene.