Malpertuis
- 1971
- 2h 5m
IMDb RATING
6.6/10
1.8K
YOUR RATING
A young sailor finds himself trapped in the labyrinthine mansion of his occultist uncle, along with a number of eccentric and mysterious relatives who all seem to be harboring a dark secret.A young sailor finds himself trapped in the labyrinthine mansion of his occultist uncle, along with a number of eccentric and mysterious relatives who all seem to be harboring a dark secret.A young sailor finds himself trapped in the labyrinthine mansion of his occultist uncle, along with a number of eccentric and mysterious relatives who all seem to be harboring a dark secret.
- Awards
- 1 win & 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Disturbing yet wonderful. Unforgettable
Based on a novel by Jean Ray, Malpertuis is a "haunted" house, unescapable by those who live in it. Characters hiding their true nature, disguised as a "family" to which sailor Jean-Jacques returns unwillingly. Susan Hampshire plays 3 different characters beautifully, and Orson Welles is the perfect actor to play the dominating shadow. The film has an unreal, nightmarish atmosphere, and goes far beyond the scope of the book. Malpertuis is a labyrinth whose secrets are kept behind locked doors, and reveals itself as the film reaches its climax. We come to realize that the mind has as many labyrinths as the house itself. Full of mythology, dimly lit and spooky as dreams use to be ("what is life but a dream?"), Malpertuis is a cult. Jung would have loved it.
Fascinating and tiresome, could be shorter
My hopes were high for this film. I'd seen Kumel's Le Rouge aux levres/Daughters of Darkness, the most stylish vampire/kinky sex movie ever made, and I love its sly wit and arresting visuals. Malpertuis is not as effective, alas, and I put that down to an overly-complicated story weighed down by too many classical references taken from the novel. Lampernisse, standing in for Prometheus, just doesn't work as a character. Why introduce the Erinyes, the three women who punished offenders against blood kin, when they don't advance the story? It's not an easy thing to watch a movie with a handbook of classical mythology by your side.
Having said this, I will add that it is wonderful to watch film that shows a great visual sophistication (crowd shots that evoke an Ensor painting, or that wonderful twisting staircase in the house) and never needs F/X. We have lost a great deal by the subservience to CGI today.
Having said this, I will add that it is wonderful to watch film that shows a great visual sophistication (crowd shots that evoke an Ensor painting, or that wonderful twisting staircase in the house) and never needs F/X. We have lost a great deal by the subservience to CGI today.
The International Version is a Masterpiece
An adaptation of a modern gothic tale "Malpertuis", written by Jean Ray aka John Flanders. The acting is good and the story is full of symbolism. There are two versions of this movie: the original (in French or in English) feels more like a horror film but the longer re-edited Dutch version lacks most of the superb atmosphere created by the haunting score of Georges Delerue and is therefore disappointing.
A LOT OF VERSIONS
I saw an english spoken version with 110m informed on the video box, but really 95min in video band. I remember, a long time ago, I saw this film in cinema with more as 110m. A lot of scenes disapeared: The face from Alecta, two times that the antiquaire appears in the film. I remember it was another end too, or maybe I'm wrong? Was ever the last scene a close of Jan's eye? Where is a complete copy of this film? It's very sad this cutting of scenes.
10pppatty
Restored to brilliance
Having seen this film some years ago on television in a dark, dubbed and cut print, I had all but forgotten it. Yesterday I saw Kumel's restored cut in his own Flemish language, running 124 minutes, and my reaction was "brilliant". The picture was actually originally made in English, French, German and Dutch versions and then hacked to bits in the various markets. This film is a "must-see" for any serious film fan with its fabulous photography, stylish composition and surreal overtones - Magritte too was Belgian. It's more than a horror film as it has often been tagged, but a series of dreams or perhaps nightmares with all the illogic of dreams. I am fairly certain that Welles did his own Flemish dialog and that too makes it a must for the connoisseur.
Did you know
- TriviaThis film was Harry Kümel's favorite project for a long time but it was not until his previous film Daughters of Darkness (1971) succeeded at the box office (most notably in the US) that he managed to raise funding for it. Unfortunately, "Malpertuis" did poorly in most countries, though it was even nominated for the Palme d'Or at the Cannes Film Festival.
- Alternate versionsFirst screened at Cannes at 99 minutes. The Director's Cut runs 119 minutes.
- ConnectionsFeatured in Forgotten Scares: An In-depth Look at Flemish Horror Cinema (2016)
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