Lawman

Director Michael Winner is a controversial figure, at least in his native Britain, partly because of his political opinions, but chiefly on account of the `Death Wish' movies, which were widely seen as advocating wild-west style vigilante justice in a modern urban setting. I was therefore interested to learn that, before making these films, Winner was also responsible for `Lawman', a traditional Western that takes a more subtle, nuanced view of law and order.

Burt Lancaster plays Jered Maddox, the Sheriff of the small Western town of Bannock. Maddox has travelled to another small town, Sabbath, to arrest the cowboys who were responsible for the death of a man in Bannock. The local people of Sabbath, however, are not willing to help him, and the local Sheriff, Cotton Ryan, is a coward whose motto is `anything for a quiet life'. Despite this lack of cooperation, Maddox remains determined to do his duty, come what may.

The above summary might suggest that this is a story of right versus wrong along the lines of `High Noon', with Maddox standing as the lone representative of truth and justice against the forces of evil and cowardice. Things, however, are not so simple. It appears that the death was not deliberate murder, but an accidental shooting resulting from drunken gunplay. The cowboys' employer, a wealthy rancher named Vincent Bronson, is a popular figure in the town. Maddox himself admits that, even if he succeeds in bringing the men back to Bannock, they are unlikely to receive condign punishment, as the local Judge is notoriously corrupt and could easily be bought by a man of Bronson's wealth.

At first Maddox does seem to be a heroic figure, and he certainly shows great physical courage in facing his adversaries. Fearlessness alone, however, is not enough to make a man a true hero, and as the film progresses we begin to question whether he really is doing the right thing. Although the cowboys are likely to be acquitted if tried, and to receive a lenient sentence if convicted, their false pride and obsession with honour means that they cannot bring themselves to surrender without a fight. One by one, unafraid of his reputation as a lethal gunfighter, they challenge Maddox and are shot down. As the death toll mounts, we begin to see that he too is guilty of false pride and an obsession with upholding an abstract idea of justice, no matter what the human cost. `Fiat justitia, ruat caelum', said the Romans- let justice be done, though the heavens fall. When Maddox takes this idea to its absolute limits, the result is tragedy.

There are a number of good performances. Lee J Cobb gives a poignant performance as Bronson; cattle bosses are usually shown as villainous figures in Westerns (Bruce Cabot's character in `Dodge City' being a classic example), but Bronson is a decent man, regarded as a generous benefactor by the people of Sabbath. His tragedy stems from the conflict between his sense of personal honour and a growing realisation that violence is not the answer to life's problems. Robert Ryan is also good as Sheriff Ryan, a once-brave lawman whose character has been corrupted by years of compromise, as are Sheree North as Maddox's love interest and Richard Jordan as a young gunfighter out to make a name for himself. The real star, however, is Burt Lancaster as the steely, inflexible Maddox. This is a role which combines the two distinct sides of Lancaster's talent as an actor. On the one hand, he could play a swashbuckling action hero in Westerns and other films such as `The Crimson Pirate'. On the other, he was also the thoughtful, star of intelligent films like `Birdman of Alcatraz', `The Train' or `The Swimmer'. Maddox is a fearless gunfighter, but he is also a man whose actions give rise to philosophical questions about law enforcement, the nature of justice, and the nature of honour. One could therefore almost say that it is a role that Lancaster was born to play, and he does so brilliantly. The result is a complex film that asks difficult questions without providing easy answers. It is unfortunate that Winner did not make more films like this; none of his other films that I have seen come close to it in quality. 8/10

Towards the end of Lawman, Burt Lancaster says that the towns are getting fewer and fewer who need his kind of services. I guess that's a comment on civilization's leavening influence.

You're a town marshal in the old west. You're doing the job alone, maybe you have a deputy or two. Burt says you got to stick to the rules, but as we see in Lawman he wings it quite a bit.

Lee J. Cobb and some of his employees and retainers from his town of Sabbath shoot up Burt Lancaster's town of Bannock and one of Bannock's citizens is killed. Lancaster trails them to Sabbath and arrives with one of them slung over a pack horse. He gives the names to Sabbath's Sheriff Robert Ryan and the story begins.

Lancaster finds that the men he's trailing are all kinds, some professional gunmen, some family men caught up in the moment. Makes no matter to him, he's bringing them in. One of them is the common law husband of a former girl friend, Sheree North, who's settled in Sabbath.

Lawman is a pretty grim western tale. It's kind of a cross between Edward Dmytryk's Warlock and Clint Eastwood's The Unforgiven. Themes from both of those films can be found here.

Lancaster gets good support from the cast. I particularly liked J.D. Cannon as Sheree North's husband and Richard Jordan as the young cowhand from Lee J. Cobb's spread.

I think more than western fans will appreciate this film.

Here is another great American Western that slipped under my radar.

Where to start, Dircted by Michael Winner, starring Burt Lancaster in whats got to be the best Western I've seen him in so far, with Robert Ryan, Lee J. Cobb, Robert Duval, Albert Salmi, Ralph Waite, JD Cannon, John McGiver, John Hillerman, Wilford Brimley and Sheree North in whats gotta be the biggest & best role I've seen her in. Plus a great supporting cast of all good actors in realistic parts.

This is sort of a psychological/action Western hybrid with an emphasis on very good action, so its got a lot of dialog but its great dialog that sounds true with a good ear for Western slang.

A guy named Ray Moyer did the set design, and this is another standout of this film, a great job, he is as good as Carlo Simi, I couldn't believe how much detail was crammed into this film. Everything looks spot on, the town set is fantastic, the ranch's are great, interiors highly detailed. Roberto Silva & Herb Westbrook did the Art direction and they deserve mention too.

There is a whore house set thats great it features a crippled gambler/pimp who hobbles about on crutches who is a past friend of Maddox, he has this skull clock sitting on his card table that is a nice touch. All the whores are real looking women not caricatured or dressed overly flashy.

The landscape & town sets were all shot in Durango, Mexico and some of the buttes featured were just beautiful, don't remember seeing these locations before but the rock in the outcrops look similar to those seen in the Magnificent Seven.

The story basically revolves around Bannock Marshall Jared Maddox (Lancaster) a "mankiller" he has the nickname "The Widowmaker". Maddox is after a bunch of drovers who shot up his town during a drunken spree killing an old man. The drovers work for big time cattleman Vincent Bronson (Cobb) near the town of Sabbath, New Mexico.

Maddox has a reputation for being quick on the draw, and always getting his man, we first see him riding into Sabbath with a corpse. He ties up at the Sabbath Marshall Cotton Ryan's (Ryan) office and he tells Ryan what happened and who he's after. Ryan tells him that the men all work for Bronson, and that he'll ride out to the ranch & tell them that Maddox wants to bring them back for trial to Bannock. Bronson's men decide to tough it out and face Maddox.

This film even has a love interest thats handled the just the way it should be in that it doesn't detract from or slow down the narrative one iota.

The score is nothing that sticks in head and pretty forgettable, its not an Spaghetti Western , no picaresque characters or humor, but it does have some SW influenced action as do a lot of the post Leone & Peckinpah films of the 70's.

The ending is worth the price of the DVD which I just ordered. Michael Winner best film, IMO.

Check it out you wont go wrong.

Michael Winner's "The Lawman" reveals that a sheriff - traditional officer responsible for law and order, symbol of virtue and right - is 'not' always morally excellent and virtuous or that his prey thoroughly bad...

Burt Lancaster is cast as a merciless avenger, unmoved by love or pity, determined to one end: Exterminate the opposition...

The criminals here are, in fact, some law breakers, drunken cowboys - who by bad luck - have killed an old man during a rough enthusiastic drinking bout...

Lancaster - blind to his faults, unwilling to judge or to be less severe, and with no intention to arrest - hunts his prey down, one by one, until the last man...

There is no poetic eloquence here, no tension as the two protagonists walk slowly towards their duel, no feeling that right is victorious, no good has conquered evil, no decisive clash to capture the audience's imagination... This is pure brutality: Gratuitous graphic sequences - sickening and revolting - of destroyed shoulders and collapsed faces... Uncalled details of death that may damage the sonorous knell of the 'classic Western' with its ideal behavior and precise rules traditionally observed...

The Western showdown is strictly ritual, quick, clean and purely emotional... The outcome predictable... The moment of suspense exciting as anything the cinema has ever produced...

The showdown in "The Lawman" is disturbing in the way of vision... It follows on in the tradition of Palance/Elisha Cook Jr. ultimate confrontation in "Shane," and excels Sam Peckinpah's commitment to an ideal of self-expression through violent death... It may well mean that a film like "Shane," "High Noon," "Vera Cruz," or "The Fastest Gun Alive," can never be made again...

Lawman is directed by Michael Winner and written by Gerry Wilson. It stars Burt Lancaster, Robert Ryan, Lee J. Cobb, Robert Duvall, Sheree North and Richard Jordan. Music is by Jerry Fielding and cinematography by Robert Paynter.

The Lawman of the title is Jared Maddox (Lancaster), who arrives in the town of Sabbath to serve warrants on the group of rowdies responsible for the death of an old man. His cold hearted approach to his work, however, doesn't endear him to the townsfolk.

A man gets caught in his own doing. Can't change what you are, and if you try, something always calls you back.

Traditional Western that deals in the conflict between law and justice, Lawman, like the leading man, broods significantly. The overriding theme of if Maddox's enforcement of the law justify's the means, is tailor made for Winner's affinity for all things vengeance flavoured. Violence is not in short supply, the director gleefully keeping things gory, and the characterisations of the principal players are smartly complex. The excellent cast turn in equally great performances, the Durango locales are beautifully utilised by Winner and Paynter, and the production design is grade "A" quality.

It's an anti-backlash movie of some substance, where spicy and thoughtful dialogue comes forth from the mouths of deftly shaded characters. Highly recommended to Adult Western fans. 8/10