Murphy's War

In scanning through these reviews, I'm very pleased to see that this movie is well liked by many people.

I saw it first around the time it came out and even though I was only eleven or twelve, many things about this movie left an impression on me: the sunny, tropical locations, the excellent cast and the impeccable performances.

The very last scene where Murphy is literally consumed by his own revenge is at least as memorable and disturbing as the last scene in The Planet of the Apes (60's version) and drives home the whole point of the movie as perfectly as I've ever seen it done.

See it! You won't be disappointed.

Some films are worth watching if for no other reason than a well-placed novelty that does not distract from the story, but complements it. While I found Murphy's War to be an engaging tale, the sight of an antique float plane in weathered condition humping up and down the river straining to get airborne was exciting (along the lines of a Curtiss Jenny in The Great Waldo Pepper or that '59 finned-automobile in Pink Cadillac). Whether one likes these movies or not, getting a look at a beautiful machine is matchless (unless that object of beauty is Sophia Loren). And how can anyone not be impressed with Mr. Murphy's single-mindedness. Yes, revenge is better left to deities and gods, but oh how sweet it is when realized.

Originally to be directed by Burt Kennedy and starring Frank Sinatra, both of whom opted for 'Dirty Dingus Magee'(!) this loose adaptation of Max Catto's novel has been inherited by Peter Yates and features Peter O'Toole, his wife at the time Sian Phillips, highly respected French actor Philippe Noiret and a strangely cast Horst Janson.

By all accounts this proved to be a difficult shoot not least because of disagreements between the director and producer Michael Deeley which resulted in the break up of their professional partnership and one cannot but feel that the finished product is a far cry from screenwriter Stirling Silliphant's original concept. As an actress whose sporadic film appearances have never done justice to her talent, Miss Phillips does her best with an undeveloped, underwritten role whilst Janson's submarine commander who offers a wounded British officer a cigarette prior to murdering him in his hospital bed does not entirely ring true.

This is essentially a vehicle for charismatic Mr. O'Toole who has a particular talent for portraying madness in its various forms. Here his character resembles a maniacal Oirish version of Bogart's Charlie Allnut in 'The African Queen'. Murphy's gung-ho, obsessive desire for vengeance despite knowing that Germany has surrended ultimately renders his character unsympathetic but this may very well have been the makers' intention.

Beautifully shot in Venezuela by veteran Douglas Slocombe, the aerial sequences are stunning whilst many scenes prove more effective without a score. All-in-all a pretty good adventure yarn which for this viewer at any rate could have been so much more.

The ending, which differs considerably fom Catto's novel, calls to mind Gandhi's 'An eye for an eye leaves the whole world blind'.

Someone commented that this was 'a typical war movie'. It's not in any way though. Murphy's War is complete 100% unrestricted genius. I couldn't imagine going through life without seeing it. The entire foundation of this movie is captured in a deep focus shot of a trashed barge, a p***ed off soldier, and a beached torpedo. If your heart doesn't start beating faster and if you don't have a smile on your face when you see this shot; you need medical attention. Go rent this movie!

I saw this film first time round and, going by the date is was made, I must have been about seven years old. Our cinema in Lochgelly was rather lax about age restrictions.

Scenes still stick in my mind and its themes are still very much with me — the horror and dehumanizing impact of war and the futility of revenge.

I have since seen the film again and I was glad not to be disappointed. Being older and wiser, one is inevitably more critical, but there is so much to enjoy in this film. The performances, setting and story all work together to draw you into its dark and dangerous world.

Most notably of all, the U-boat commander and his men are portrayed as human beings. Efficient, determined, ruthless, but they too have feelings and hate the whole damn war just as much as Murphy. This was unusual in war films up until then, and its progressive, enlightened approach to the war enhances the story. We understand and even feel for Murphy, but we too must understand that sometimes we need to let go, accept our losses, be glad we survived and realise that our enemies are human too.