Mary, Queen of Scots

The story of Scotland's last Queen has been told in many versions throughout the history of cinema, and it might be thought that this one would not be that different. This is true: the major characters remain Mary herself (played by Vanessa Redgrave), and Elizabeth I of England (played by Glenda Jackson). The story progresses through her time as Queen to the sickly Francois of France, to her return to a Scotland dominated by Protestantism and regented by her brother Jamie (played by Patrick McGoohan), through her unfortunate marriage to the weak and selfish fop Lord Darnley (Timothy Dalton) and her eventual deposition following marriage to Lord Bothwell (played with charm by Nigel Davenport).

The script is a little clunky in places, and departs from the true historical record considerably in the name of drama: it is a pity that Darnley in particular is presented as rather one-note for the bulk of the time (although portrayed very well within the limitations of the script). However, Redgrave and Jackson are splendid, while Ian Holm gives a short but affecting portrayal of the doomed minstrel Rizzio.

I've read a lot of the other reviews of this movie and have to add my two cents here. Anybody critical of Glenda Jackson's portrayal of Elizabeth I is just plain wrong! If there is such a thing as reincarnation I suggest that Elizabeth came back as Glenda...not only were many of her lines historically accurate but Glenda has captured the conflict, the caprice, the indecisiveness, the intellect, the willpower, shrewdness and the brilliance of Elizabeth. Her portrayal of England's greatest queen is matched only by her own portrayal of the queen in "Elizabeth R." I guess that a trained shakespearean actress, like Glenda has been immersed in all things Elizabethan and reflects the time in general. Vanessa Redgrave, although a bit too old for the role of Mary in the earlier part of the movie did a good job at capturing Mary's character as well. The movie does well to illustrate the contrast between the women and why one was so successful, the other not. It takes license with history in that Elizabeth and Mary never met and Mary's captivity was almost two decades long. In my view one contrast, whether intentional or not, is that Mary is made to be a much more sympathetic character than Elizabeth--it seems to stress the womanliness of Mary and coldness of Elizabeth and it does quote the historically accurate line about her being barren, I think to reinforce this unfortunate contrast. Elizabeth was far more complex than portrayed and Mary was close to being an empty-headded ninny, at least in the political sense. The movie has beautiful scenery and some great shots. Well worth the watching.

of my favorite movies, especially for the time period! Vanessa Redgrave and Glenda Jackson are thrilling as rival queens in this movie. I felt badly for both of them, they seem to have been caught up in the intrigues of their time. I wish there were more movies like this!

This movie is great! A classic! This is a MUST see if traveling to Scotland. It may take a few liberties with history, but the story line is intact and accurate. The film takes the viewer from Mary as a teenager in France, through her turbulent reign in Scotland, to her death in England. Mary is unapologetic for her faith or her actions, sorry only that she is imprisoned and prevented from seeing her son, who is a pivotal person in the evolution of Great Britian. Redgrave is wonderful and Jackson does her role very well, despite reviews to the contrary. The scenery is lush and the set depicting of the era. This movie needs to be release on DVD as soon as possible.

It is VERY DIFFICULT to find on VHS ANYWHERE and is prohibitively expensive on e-bay.

Imagine that the current Queen of England is a young woman of 25. Imagine that her teenage cousin is not only Queen of a still-independent Scotland but also Queen Consort of a still-Royalist France. The two royal ladies bear a certain resemblance to one another, being tall, fair-skinned, blue-eyed, red-haired and beautiful. In this scenario the two women would doubtless also be the best of friends, their only rivalry revolving around who could achieve the most appearances on the front pages of the world's newspapers. Elizabeth would regularly be voted "World's most eligible single lady" in magazine polls and Mary and her husband King Francois "World's most glamorous couple".

Four and a half centuries ago, however, rather more was expected of a reigning monarch than turning up to the State Opening of Parliament and appearing on the cover of "Hello!". Being a Queen Regnant was a particularly difficult task, as this was a period when many believed that women, even those of royal blood, should not exercise any form of political power. (Mary's arch-enemy John Knox published a pamphlet with the splendidly bilious title "First Blast of the Trumpet against the Monstrous Regiment of Women"). If the Queen remained single as Elizabeth did, she would be accused of failing to provide the realm with an heir. If she married one of her subjects, as Mary did, she would instantly make him hated by a jealous nobility. If she married a foreign prince, as Elizabeth's sister Mary Tudor did, she would raise fears of her country falling under foreign domination. This was the era of the Reformation, so neither the Catholic Mary nor the Protestant Elizabeth could automatically count on the loyalty of those of their subjects who were of the other faith. An extra complicating factor was that Mary was Elizabeth's closest surviving relative and therefore a possible heir to the English throne, although Elizabeth never acknowledged her as such.

Mary has long been a controversial historical figure. Indeed, she was a controversial figure even in her lifetime, being forced to flee Scotland with accusations of being a "harlot" and "murderer" ringing in her ears. These accusations referred to the belief that she was guilty of adultery with her Italian secretary David Rizzio and of conniving at the murder of her estranged husband Lord Darnley, although most modern historians would take the view that there is no evidence to substantiate either charge.

The characterisation of the two Queens is similar to that in the recent film from 2018, although the 1971 version emphasises Mary's Catholic faith more strongly than does the remake. In both versions Mary is played as the more emotional and passionate, governed by her heart whereas Elizabeth is the more self-controlled and dispassionate, ruled by her head. In reality the two never met, but in the film (as in the 2018 version) they meet twice. The scriptwriters, however, are in good company; the classic German dramatist Friedrich Schiller invented a similar confrontation in his play "Maria Stuart".

Vanessa Redgrave and Glenda Jackson were two of Britain's leading actresses of this period; they have often struck me as having rather similar styles of acting, but here they give nicely differenced performances as the two contrasting queens, although Redgrave (aged 34 in 1971) perhaps seems too mature for the youthful Mary, who was only 18 when she returned to Scotland from France and only 24 when she left the country. She did not turn 34 until halfway through her imprisonment in England, a period not dealt with in any detail here.(In Schiller's play all the action takes place in England and we only hear about her life in Scotland at second hand).

I liked Nigel Davenport as Mary's third husband, Bothwell, making him rather more sympathetic than the way in which he is sometimes portrayed. He can be as ruthless as any of his enemies, but at least he comes across as sincerely loyal to Mary when everyone else seems ready to betray her in one way or another. I didn't care, however, for a pre-Bond Timothy Dalton as her second husband, Lord Darnley, who is played as childish, petulant, debauched, drunken, foul-tempered, vindictive and treacherous, with no redeeming virtues- so much so that I found it difficult to believe that Mary could have fallen in love with such a worthless individual, whose only attraction is his looks, especially as the film depicts him as a homosexual, or at least bisexual. In 1971 it was becoming acceptable for film-makers to be explicit about such matters; a decade earlier they would have had to be much more circumspect.

Having seen this film recently, for the first time in many years, I can see how much it influenced the 2018 version, which has a similar structure and similar emphases. Neither, for example, deals with Mary's childhood or her years in France, even though it was this period which formed her views and her character. (Had she been allowed to grow up in Scotland she might have been better equipped to face the challenges which confronted her as Queen). Both films are, despite their title, essentially double biographies of Elizabeth and Mary, dealing with their differing characters and with the different ways they played the hands which fate had dealt them. 7/10