My Dear Killer

"My Dear Killer" is another fun and decent entry in the Italian Giallo thrillers genre and begins interestingly enough with a man standing at a eerie lake and then meets his end with a gloriously twisted tractor accident/murder, and straight away lets the viewer know what's in store for the rest of the movie.

The plot is very interesting for starters as we get the main character a detective trying to solve this crime, which then leads him to a kidnapping case from before where the child and father were both murdered. Then along the way of course everybody who was involved meets some sort of sticky end, which was another aspect that excited and interested me, especially the girl who gets attacked with a buzzsaw, which was both terrifying and well done.

Okay there are some bad points, like for starters the pacing was rather slow at times and some of the characters didn't quite stand out, I couldn't tell some of them apart and there weren't enough colourful characters to fully ingage in. But what saves things are the delightful twists and turns round every corner, and especially loved the scene at the end where the detective gathers round the last remaining suspects in a Agatha Christie kinda way, about the reveal the identity of the killer, which was delightful, especially when the lights go out and then someone screams.

All in all a fairly entertaining addition to the Giallo genre, but not one of the best ones though, but still decent enough.

Director Tonino Valerii is best known in the USA for the spaghetti western "My Name is Nobody," but "My Dear Killer" is no less an excellent example of the giallo genre than "Nobody" was to its own. The plot revolves around a series of murders committed by an unknown assailant intent on keeping the deaths of a small child and her father unsolved. As is the case with most gialli, there's a detective one step behind the murderer, a lush and creepy music score (this time by Morricone), a houseful of suspects, creative and illogical murders, and a downbeat and melancholy plot. What elevates this one above all the others made in that banner year for the genre (1971), though, is the detail given to the script and production. The characters are all fully formed and functional to the story, which itself is well thought-out and clever. The resolution is well-handled, and even if the killer's identity is impossible to guess beforehand, the means in which he (or she) is finally discovered will make you smile. Add to this one of the saddest musical-score main themes in movie history, featuring a woman's voice singing a haunting child's melody, and you have a giallo that fans of the genre should definitely not miss.

A man is decapitated with a steam shovel.It's not an accident,though because steam shovel operator is later found hanged and apparently murdered.When the other bodies begin to pile up Inspector Luca Peretti connects this case with the kidnapping and murder of a little girl and her father."My Dear Killer" by Tonino Valerii is a tightly woven giallo full of surprising twists and turns.There are some interesting flashbacks and very memorable soundtrack by Ennio Morricone.Giallo regular George Hilton shines in his excellent performance as Inspector Luca Peretti.The storyline is extremely complex and demands full attention of potential viewer.If you like Italian gialli you can't miss this classic.8 ransoms out of 10.A brief shot of a young naked girl is quite shocking and unexpected.

From the opening strains of its eerie, baby-lullaby theme song to its haunting final shot of a child's drawing, "My Dear Killer" (1972) is a giallo pervaded with a sense of tragedy. A year before the action depicted in the film, a young child had been kidnapped from her wealthy parents' country villa and left to die, and now a wave of homicides, seemingly connected to this tragedy, opens the case anew. Giallo regular George Hilton plays Inspector Peretti here, a character who surely deserves a medal or promotion of some sort for getting to the bottom of this case; indeed, "My Dear Killer" is one of the most complicated gialli that I have ever seen. It is the type of film that you watch by the skin of your teeth, just barely comprehending the plot as things unspool; a repeat viewing--in my case, anyway--reveals that this seemingly unfathomable plot does make perfect sense. Anyway, Hilton (mustachioed here, for a change) is excellent, as usual, director Tonino Valerii keeps things nice and suspenseful, and the maestro, Ennio Morricone, provides a score that, if not his most memorable, is appropriately nerve jangling (and eerie, as I mentioned up top). While not a particularly violent giallo, a pair of set pieces should make this film of interest to all the gorehounds out there: one decapitation murder using an enormous dredging machine, and, most horribly, the death of a gorgeous schoolteacher with a circular power saw. (Don't all women have this tool lying around their apartment?) This latter scene, although not overly graphic, still proved kind of hard for me to watch. As far as the killer's identity is concerned, I suppose it IS possible to figure this one out, but my advice would be to just relax and enjoy the fun. The DVD that I just watched, by the way, from the fine folks at Shriek Show, looks just fine, but includes no subtitling option...not even with the interview extras, which are all in Italian! A pity...I would have enjoyed Hilton's comments on this very entertaining giallo, all these years later....

This one starts out originally enough. You don't usually see someone getting murdered by being decapitated by the jaws of a hydraulic digger. The dead guy was some sort of insurance investigator (yet again), but why he wished to dredge up a water filled quarry, and why anyone wanted to kill him, is a mystery only George Hilton can solve.

Yep - George Hilton's back in yet another giallo, only this time he has a moustache! Plus, he's playing this one ultra-serious too. First off, he tracks down the driver of the digger only to find he's hanged himself...except he hasn't, as George proves using the actual corpse of the driver to demonstrate!

George has a quarry-sized mystery on his hands here which seems to be tied in with the kidnap and subsequent murder of a little girl some eighteen months prior, and it seems that the killer is trying to rub out all of the people involved. And some that aren't really that involved, for good measure. George has to retrace what happened back then to find out what's happening right now, and you know what means, right? Suspects!

Suspects! include shifty businessman William Berger, his sister, who is married to the one handed guy, and then there's the staff (especially the driver), and there's the guy who likes to paint nude children (can't see that scene occurring these days!) and also has a bunch of statues in his cupboard, similar to the one that the killer used. Patty Shepherd appears as a teacher, but isn't a suspect, so of course the killer cuts her up with a bandsaw in a rather gory scene - while she's watching Django.

The film veers wildly from gory scenes like that to drawn out scenes of policemen standing around, but, although lacking in the usual craziness, still manages to be a decent giallo due to George Hilton (and William Berger), a nice Ennio Morricone soundtrack, and taking the unusual step of having all the suspects gathered in a room for the reveal of the killer. What - no rooftop chase?