Paper Man

After a credit card is mistakenly issued to someone who does not exist, four college students (Stefanie Powers, James Stacy, etc.) take advantage by using the university's computer to create a fictitious person and partake of the benefits thereof. An introverted computer wiz (Dean Stockwell) helps them get away with it. Then cryptic things start happening. James Olson is on hand as a technician who objects to the proceedings.

"Paper Man" (1971) was initially released to theaters, but quickly pulled and cut by 15 minutes, then released to television as a 75-minute movie. It's a cautionary techno-thriller with bits of horror ahead of its time, predicting a world of computer fraud and identity theft at least 25 years before they came into vogue.

The inspiration for the story was likely taken from the 1969 episode of Journey to the Unknown "The Madison Equation" and maybe "2001: A Space Odyssey" (1968). But it's different enough to stand on its own and no doubt influenced the future "Demon Seed" (1977). There's an interesting plot twist that I didn't see coming and Stockwell's character is interesting, as are James Stacy's fiery Vietnam vet and Olson's concerned tech.

On the female front, Stefanie appears as a redhead and sure was a looker back then. William Shatner's beautiful raven-haired wife, Marcy Lafferty, also shows up for a brief bit as a secretary in the last act (they were married from 1973-1996).

The film runs 1 hour, 30 minutes, with the television cut being 1 hour, 15 minutes (I advise seeing the longer version as it fleshes out the characters more). It was shot in Los Angeles.

GRADE: B-/B.

I'm watching the flick right now. It's fascinating to recall that at the time the flick was made, computers were something very seldom encountered in daily life. Heck, even credits cards like BankAmericard and MasterCharge were only three or four years old. The computer lab is pretty realistic. Sure the computer has waaaaaay more blinky lights than a real one would have and there are two windows behind the computer that are there solely to give it a look of evil eyes. But when the computer students set down to work, they works at teletype consoles!

Four college students (including Stefanie Powers) decide to go on a spending spree when one of them mistakenly receives a credit card for one "Henry Norman" in the mail. When the bank starts to get suspicious and requests "Henry" fill out a background questionnaire (hey, it was the early 70s), the group recruits computer whiz Avery (Dean Stockwell) to create a "real" history for the man in the computer. However, it appears Henry Norman is quite real himself and is angry his credit rating is being ruined so he starts offing the kids via the computer. Engaging TV movie that seems to have been ahead of its time when it comes to computers. Unfortunately, there are two problems. One, the kids are totally unsympathetic and annoying; two, the mystery is pretty dang obvious when you have the five kids whittled down to two and there is only one other character in the story. Still, a fun little computer gone wild flick to enjoy with its big brother COLOSSUS: THE FORBIN PROJECT (1970).

It's kind of neat to watch what the computer world was in the seventies. Those massive machines, producing data from the input of cards. The flashing lights and spools of magnetic tape. This is the story of an early effort to use the computer for evil means. It doesn't start that way. A group of college kids enlist the computer nerd, Dean Stockwell, to help them create and artificial being (made of paper, as in identity only). The purpose is to help them with their financial troubles, to challenge money into and out of accounts. Anyway, Dean Stockwell, looking about as weird as can be with those sunken cheeks and unibrow, becomes the suspect in a series of murders that seem to come from the computer's control. This starts as almost supernatural. A young woman is asked to use her charms to keep him on task by the hunky ex-Vietnam vet. There is more to this than meets the eye. It's hard to pull for Stockwell because he is so strange. He has some deep dark secret that must be revealed at some point. Describing it makes it sound really stupid, but there is really quite a lot to this film and it works reasonably well.

When a super computer apparently turns on a group of naughty tech students who've created a bogus identity to essentially commit credit card fraud, the student who wrote the programme (Stockwell) becomes prime suspect in the series of bizarre accidents that follow. Stefanie Powers, James Stacy, Elliot Street and Tina Chen initially profit handsomely from Stockwell's handy-work, but the sheriff (Ross Elliot) suspects that Stockwell may not be as introverted and shy as his reputation suggests. As the "accidents" escalate, a twisted nerve is revealed that might identify the culprit.

While it's dated, the concept of the super computer becoming an all powerful entity of destruction is a theme that's as prolific as they come forty years later. Stockwell (sporting an epic bouffant) is suitably suspicious (and not unlike his character in "Compulsion"), while Powers is an attractive and sympathetic psychology graduate, ex-Marine Stacy the stereotypical jock, Chen providing the ubiquitous ethnicity and Street a likable, computer geek, perhaps creating the "nerd" mould. James Olson has a key supporting role as the computer technician.

I saw the 90 minute version, and the suspense builds nicely to a climax that while not entirely telegraphed, isn't going to shock most armchair sleuths. Nevertheless, the acting is watchable, the dialogue realistic and the narrative consistent. Dated but entertaining mid-week movie.