A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that takes a murderous turn.A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that takes a murderous turn.A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that takes a murderous turn.
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Suzanne Taylor
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- (as Sue Taylor)
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Featured reviews
PAPER MAN OR FLESH AND BLOOD???
This is a TV movie, whose idea, should have been snapped up for a theatrical release. An updated version might work very well in today's more computer oriented society. It's surprising that no one has thought of doing just this. Prankish college students use their computer knowledge to create a "person" to get around credit restrictions on students. Somehow, getting out of hand, their made-up "person" won't allow himself to be "uncreated"!
Suspense! Murder! Finger pointing!!! This movie keeps you guessing till the end and then is still not finished with you. I don't expect "Paper Man" to be shown often or in daylight hours, but if you come across it in the late night TV listings, set the timer on your VCR, it's worth it.......
Suspense! Murder! Finger pointing!!! This movie keeps you guessing till the end and then is still not finished with you. I don't expect "Paper Man" to be shown often or in daylight hours, but if you come across it in the late night TV listings, set the timer on your VCR, it's worth it.......
Killing Machine
After a credit card is mistakenly issued to someone who does not exist, four college students (Stefanie Powers, James Stacy, etc.) take advantage by using the university's computer to create a fictitious person and partake of the benefits thereof. An introverted computer wiz (Dean Stockwell) helps them get away with it. Then cryptic things start happening. James Olson is on hand as a technician who objects to the proceedings.
"Paper Man" (1971) was initially released to theaters, but quickly pulled and cut by 15 minutes, then released to television as a 75-minute movie. It's a cautionary techno-thriller with bits of horror ahead of its time, predicting a world of computer fraud and identity theft at least 25 years before they came into vogue.
The inspiration for the story was likely taken from the 1969 episode of Journey to the Unknown "The Madison Equation" and maybe "2001: A Space Odyssey" (1968). But it's different enough to stand on its own and no doubt influenced the future "Demon Seed" (1977). There's an interesting plot twist that I didn't see coming and Stockwell's character is interesting, as are James Stacy's fiery Vietnam vet and Olson's concerned tech.
On the female front, Stefanie appears as a redhead and sure was a looker back then. William Shatner's beautiful raven-haired wife, Marcy Lafferty, also shows up for a brief bit as a secretary in the last act (they were married from 1973-1996).
The film runs 1 hour, 30 minutes, with the television cut being 1 hour, 15 minutes (I advise seeing the longer version as it fleshes out the characters more). It was shot in Los Angeles.
GRADE: B-/B.
"Paper Man" (1971) was initially released to theaters, but quickly pulled and cut by 15 minutes, then released to television as a 75-minute movie. It's a cautionary techno-thriller with bits of horror ahead of its time, predicting a world of computer fraud and identity theft at least 25 years before they came into vogue.
The inspiration for the story was likely taken from the 1969 episode of Journey to the Unknown "The Madison Equation" and maybe "2001: A Space Odyssey" (1968). But it's different enough to stand on its own and no doubt influenced the future "Demon Seed" (1977). There's an interesting plot twist that I didn't see coming and Stockwell's character is interesting, as are James Stacy's fiery Vietnam vet and Olson's concerned tech.
On the female front, Stefanie appears as a redhead and sure was a looker back then. William Shatner's beautiful raven-haired wife, Marcy Lafferty, also shows up for a brief bit as a secretary in the last act (they were married from 1973-1996).
The film runs 1 hour, 30 minutes, with the television cut being 1 hour, 15 minutes (I advise seeing the longer version as it fleshes out the characters more). It was shot in Los Angeles.
GRADE: B-/B.
Computer Games
When a super computer apparently turns on a group of naughty tech students who've created a bogus identity to essentially commit credit card fraud, the student who wrote the programme (Stockwell) becomes prime suspect in the series of bizarre accidents that follow. Stefanie Powers, James Stacy, Elliot Street and Tina Chen initially profit handsomely from Stockwell's handy-work, but the sheriff (Ross Elliot) suspects that Stockwell may not be as introverted and shy as his reputation suggests. As the "accidents" escalate, a twisted nerve is revealed that might identify the culprit.
While it's dated, the concept of the super computer becoming an all powerful entity of destruction is a theme that's as prolific as they come forty years later. Stockwell (sporting an epic bouffant) is suitably suspicious (and not unlike his character in "Compulsion"), while Powers is an attractive and sympathetic psychology graduate, ex-Marine Stacy the stereotypical jock, Chen providing the ubiquitous ethnicity and Street a likable, computer geek, perhaps creating the "nerd" mould. James Olson has a key supporting role as the computer technician.
I saw the 90 minute version, and the suspense builds nicely to a climax that while not entirely telegraphed, isn't going to shock most armchair sleuths. Nevertheless, the acting is watchable, the dialogue realistic and the narrative consistent. Dated but entertaining mid-week movie.
While it's dated, the concept of the super computer becoming an all powerful entity of destruction is a theme that's as prolific as they come forty years later. Stockwell (sporting an epic bouffant) is suitably suspicious (and not unlike his character in "Compulsion"), while Powers is an attractive and sympathetic psychology graduate, ex-Marine Stacy the stereotypical jock, Chen providing the ubiquitous ethnicity and Street a likable, computer geek, perhaps creating the "nerd" mould. James Olson has a key supporting role as the computer technician.
I saw the 90 minute version, and the suspense builds nicely to a climax that while not entirely telegraphed, isn't going to shock most armchair sleuths. Nevertheless, the acting is watchable, the dialogue realistic and the narrative consistent. Dated but entertaining mid-week movie.
Well done little TV thriller
This is actually an enjoyable little computer thriller that shows off the popular perception of computers in 1971. Aside from enjoying Dean Stockwell's great early-70s hair, it's great to see the characters gather around a hard copy terminal as they enter input, and shuffle through the piles of printed output. Taking advantage of a computer error, a group of college students create computer records for a fictitious persona to use an untraceable credit card - an early attempt at identity theft that becomes dangerous when the students start dying one by one. I am a big fan of these 1970s TV movies, and this is a decent example with the mystery keeping my interest throughout.
Precursor to current crop of hacker/i.d. theft s.f. horror
I saw this on TV when I was 8; it was incredibly scary then. Saw it years later and marveled at the prescient use of computers and identity theft mixed with s.f. horror that could have appeared in "Ring." And there would be no "Videodrome" without it.
Did you know
- TriviaReleased briefly in theaters in 1971. This is why the 20th Century-Fox fanfare plays before the film begins on the video releases. The theatrical release runs 15 minutes longer than the television release version.
- GoofsWhen distraught Jerry meets Karen at his door, his shirt cuffs are all the way down, The camera switches to Karen alone, and after the time it takes for Jerry to ask "Would you like a drink?", the camera is back on him, his cuffs rolled to his elbows.
Details
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- El hombre de papel
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- Runtime
- 1h 15m(75 min)
- Aspect ratio
- 1.33 : 1
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