Dr Robert Neville has developed an experimental vaccine which makes him the only immune survivor of a biological catastrophe. A gang of homicidal mutants blame science for their condition an... Read allDr Robert Neville has developed an experimental vaccine which makes him the only immune survivor of a biological catastrophe. A gang of homicidal mutants blame science for their condition and attempt to kill him.Dr Robert Neville has developed an experimental vaccine which makes him the only immune survivor of a biological catastrophe. A gang of homicidal mutants blame science for their condition and attempt to kill him.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Anna Aries
- Woman in Cemetery Crypt
- (scenes deleted)
DeVeren Bookwalter
- Family Member
- (as De Veren Bookwalter)
Denny Arnold
- Family Member on Wine Rack
- (uncredited)
Rachel Benson
- Family Member
- (uncredited)
Stewart East
- Family Member
- (uncredited)
Steve Goldstein
- Last Boy
- (uncredited)
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Featured reviews
One of these days soon we will see another remake of Richard Matheson's seminal Horror novella. If we do, I hope the marquee will read: "I Am Legend." This should be done for no other reason than to make it easier for Sci-Fi nerds to argue and champion their personal favorite. But I have this feeling the producers will take the easy way out.
Boris Sagal, the veteran television director, who died under the most grisly of circumstances--he walked into a helicopter blade--helms a brilliant adaptation of the book. Sure, they changed the vampires into psychotic albinos. And they also injected a heavy dose of the Seventies counter-culture. But the essential themes resist the tampering by the new screenwriters and remain solid story chestnuts. No one handles a weapon with such verve as Mr. Heston. He fires at random and generally hits something. Always a good approach in this type of movie. I enjoy his conversations with Caesar's bust in his "Honky paradise". The sculptures and paintings on the walls are actual reproductions of the immortals they represent. Also, check out the art work on the back of "Dutch's" jacket. It packs a wallop. Ron Grainer's score is legendary and has a elegiac feel punctuated by strange sounds from obscure instruments. The action scenes rival the best. Catch Heston's despair and loneliness when he jogs by a large office building along side a reflecting pool. Every scene is chock full of memorable lines and quirky bits of business. The bodies of the dead pop up randomly with a wild note on the soundtrack. There is a brief nude scene that for once fits into the plot. A standing ovation is in order for anyone left alive.
Boris Sagal, the veteran television director, who died under the most grisly of circumstances--he walked into a helicopter blade--helms a brilliant adaptation of the book. Sure, they changed the vampires into psychotic albinos. And they also injected a heavy dose of the Seventies counter-culture. But the essential themes resist the tampering by the new screenwriters and remain solid story chestnuts. No one handles a weapon with such verve as Mr. Heston. He fires at random and generally hits something. Always a good approach in this type of movie. I enjoy his conversations with Caesar's bust in his "Honky paradise". The sculptures and paintings on the walls are actual reproductions of the immortals they represent. Also, check out the art work on the back of "Dutch's" jacket. It packs a wallop. Ron Grainer's score is legendary and has a elegiac feel punctuated by strange sounds from obscure instruments. The action scenes rival the best. Catch Heston's despair and loneliness when he jogs by a large office building along side a reflecting pool. Every scene is chock full of memorable lines and quirky bits of business. The bodies of the dead pop up randomly with a wild note on the soundtrack. There is a brief nude scene that for once fits into the plot. A standing ovation is in order for anyone left alive.
A vampiric cult called The Family the result of biological warfare, lay siege to the refuge of the last man left alive in a dead post-apocalyptic city.
This is the second cinematic outing for the Richard Matheson novel I Am Legend with Charlton Heston as Robert Neville immune to the plague & fighting for survival. This is an entertaining film if not on a par with some of Hestons other sci-fi movies such as Planet Of The Apes & Soylent Green. Again he gives us an isolated, cynical man who never sets out to be a hero but becomes one.
How would you cope as the only man alive? The superior opening act of this movie answers that with the protagonist wandering through a dead city. Constantly reminded of the past with every step along every street & talking to himself, trying to retain his sanity. Indeed one of the best scenes of the whole movie is here when he watches Woodstock in an empty cinema, reciting the dialogue. Just how many times has he done this? Then the film goes down familiar action movie routes with The Family a bizarre religious anti-technology cult & Nevilles attempts to combat their attacks.
The Omega Man doesn't have as much depth amongst the action as Planet Of The Apes but has a great & tangible sense of isolation. The Family may not be the most threatening bad guys ever (one of the films flaws) but look good in their cowls & capes, a religious theme which is played out in the wonderful final image at the films climax which offers hope for the future.
Overall this film is enjoyable with its slightly comic book sensibilities, good score & strong religious overtones. A good slice of 70s sci-fi fun!
This is the second cinematic outing for the Richard Matheson novel I Am Legend with Charlton Heston as Robert Neville immune to the plague & fighting for survival. This is an entertaining film if not on a par with some of Hestons other sci-fi movies such as Planet Of The Apes & Soylent Green. Again he gives us an isolated, cynical man who never sets out to be a hero but becomes one.
How would you cope as the only man alive? The superior opening act of this movie answers that with the protagonist wandering through a dead city. Constantly reminded of the past with every step along every street & talking to himself, trying to retain his sanity. Indeed one of the best scenes of the whole movie is here when he watches Woodstock in an empty cinema, reciting the dialogue. Just how many times has he done this? Then the film goes down familiar action movie routes with The Family a bizarre religious anti-technology cult & Nevilles attempts to combat their attacks.
The Omega Man doesn't have as much depth amongst the action as Planet Of The Apes but has a great & tangible sense of isolation. The Family may not be the most threatening bad guys ever (one of the films flaws) but look good in their cowls & capes, a religious theme which is played out in the wonderful final image at the films climax which offers hope for the future.
Overall this film is enjoyable with its slightly comic book sensibilities, good score & strong religious overtones. A good slice of 70s sci-fi fun!
This movie rocks, right from the opening scene where our hero leaps from his car and sprays mutants with a machine gun, to the final frame where... but enough of that. A great flick, one in a line of Charlton Heston post-apocalyptic movies. If you like this you'll love Soylent Green and, of course, the first two Apes films. Heston's like John Wayne in space. Nobody does it better. In this one disease-ravaged mutants stand in for the hippies- that fixes up society's problem with the riff raff, and Charlton has an inter-racial relationship. So there are mixed messages. Charlton Heston chews the scenery in every frame. Oh well, damn you all to hell.
This movie scared the utter CRAP out of me when I first saw it at age 12. The mutants haunted my dreams for months afterward. Extremely creepy stuff! After all these years, "The Omega Man" still holds up as a thoughtful and chilling cautionary tale. Admittedly, it's now more campy and dated and has some unintentionally funny scenes, but that tends to simply add another dimension to the entertainment value. Great period detail and Charlton Heston in fine form.
There have been rumors of a remake/revision of the film (actually of the source novel, "I Am Legend," by Richard Matheson). May I suggest John Carpenter as a possible director?
There have been rumors of a remake/revision of the film (actually of the source novel, "I Am Legend," by Richard Matheson). May I suggest John Carpenter as a possible director?
Such a good 70's flick with many flaws. Just enjoyable on many levels
Did you know
- TriviaThe production company wanted a locale that looked like an abandoned metropolitan area, but it was too costly to build. The producer drove through downtown Los Angeles one weekend and discovered there were no shoppers, so the majority of the film's exteriors were shot there on weekends.
- GoofsIn a city supposedly laid waste, Neville has to resort to running a generator any time he requires electricity. He does so to power his apartment; he does so to power up the projector inside the cinema when he goes to watch the film. But this city with no surviving infrastructure (in the opening scenes, as he's driving around in the red convertible), all the traffic lights are powered up.
- Quotes
Little Girl: Are you God?
Lisa: Let's find out if he's even a doctor before we go promoting him, okay?
- Crazy creditsThe opening credits feature the credit "Based on a book by Richard Matheson", and does not give the title of the actual book, I Am Legend.
- Alternate versionsIn the common version of this film, the scene where Richie tells Neville that he should either kill the Family or cure them takes place inside Neville's apartment. In an alternate version, the scene takes place on the rooftop, where Neville has a large water tank and a .50 caliber machine gun.
- ConnectionsFeatured in The Last Man Alive (1971)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- La última esperanza
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $8,720,000
- Runtime
- 1h 38m(98 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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