The Possession of Joel Delaney

Originally when wide screen films were converted to vhs for home viewing on a square TV, they would cut off some of the image on either side, and restore some of the top and bottom. This is why often you might see a boom mic in the top of the frame on TV that wasn't there in the theatrical version.with this film, this process dramatically altered the content of this film in a way not intended by the director or producers of the film. In the final scene there is considerably more graphic child nudity not seen in the theatrical version, because it happened below the intended cut off line. I'd imagine most of the negative reviews come from those seeing the vhs version. For a time, vhs would be the best chance of seeing it. But now, it's dvd or streaming and will most likely be the original theatrical version. So a lot of those bad reviews really don't apply anymore. This film is rather dated, but still a decent 70s scary film with some great actors. So ignore the reviews.

The Possession of Joel Delaney has a strangeness to it from the opening scene where Nora (MacLaine) and Joel (King) attend a party together, seeming like lovers though they are brother and sister (to the point where other party goers who don't know her well comment on her young boyfriend). This sets the stage for a sort of incestuous undercurrent running through the movie, which is never fully explained or explored. Nora seems unnaturally possessive/protective as Joel and really doesn't know how to accept the changes which begin in him. At first it seems that she thinks he has been hanging around Spanish Harlem for kicks, which she is disapproving of...feeling that the influence is changing his personality when it is actually possession...as other reviewers have mentioned there is the contrast of rich/poor, especially her disdain for the poorer class/Hispanics (though her maid is Puerto Rican). Although slow moving at parts, it does have its shocking moments, which eventually lead up to the very disturbing ending where Nora and her children are trapped in a beach house with Joel/Tonio who terrorizes and humiliates them.... particularly, the children. I must echo the other reviewer with regards to what the 10 year old actor playing her son had to go through. I can't imagine ever happening in a movie today without some serious backlash...without going into detail, I just couldn't believe my eyes! All in all, this is a movie that has stuck with me for a long time...certain scenes replay themselves in my mind, and I would have to say that, despite some flaws, I do recommend it.

This film is often compared to _The Exorcist_ although it was released a couple of years earlier. Certainly _The Exorcist_'s notoriety (and box-office performance) have ecclipsed this film, but horror fans shouldn't miss _The Possession of Joel Delaney_! I first became acquainted with this story when I read the novel in "Reader's Digest Condensed Books" at the age of about eleven years and, yes, it certainly upset me! It isn't as overbearing as _The Exorcist_ and doesn't boast the same shocking plot elements, languages and special effects. On the whole, though, it is somewhat more subtle. The slow process by which Nora Benson comes to realize that her brother is possessed by the spirit of a dead killer is carefully developed and will certainly hold you in suspense. _The Possession of Joel Delaney_ is very much a product of its time (the early 1970s) in its focus on drugs, racial tensions and sexuality. Even though the wardrobe, hairstyles etc. do now appear dated, the film has actually withstood the test of time extremely well. This film really helped to put Perry King "on the map," as it were, and deservedly so: the young actor met the challenges of his role quite competently. As Joel, he comes across as vulnerable, appealing and somewhat shy but, when possessed by Tonio Perez's soul, he conveys malevolence very believably: his facial expressions (aided by lighting and makeup, to be sure) and mannerisms change. The Spanish-accented voice, although dubbed, is chillingly effective and the fact that it's obviously someone else's voice actually works in the film's favor as it underscores the fact that Joel's body has been overtaken by an outside force (just as Mercedes McCambridge's vocality did for _The Exorcist_). The horror genre is often held in low esteem because it doesn't treat "themes of profound significance." Aside from the fact that I think that this statement is ludicrous in many cases (although there is no shortage of really bad horror films), it is also untrue for _The Possession of Joel Delaney_. The film was viewed primarily as a social and political commentary at the time of release. This does not mean, however, that it is "preachy," for you can easily ignore the ideological implications and enjoy the film simply as an excellent example of the horror genre. For something different and offbeat, I recommend _The Possession of Joel Delaney_.

"The Possession of Joel Delaney" (1972) is a story of demonic possession, much on the order of "The Exorcist," but in many ways more believable. A young man, played by Perry King, has his body taken over by the soul of a serial killer. His sister, Shirley McLaine in one of her better performances, tries to find out why his behavior has so drastically changed, and her quest takes her into the Voodoo underground of Manhattan's Spanish Harlem. The plot develops slowly but builds to a powerful, unexpected finish in which McLaine and her two young children are lured to a secluded beach house and threatened by a knife wielding Perry. This includes one of the most shocking scenes involving a minor in American movies. I will not disclose the details of what the actor, ten year old David Elliot, is subjected to but it probably could not be filmed today in our more uptight, politically correct times, at least not with the same directness.

"The Possession of Joel Delaney" is not a better film than "The "Exorcist," but it is well worth watching and does manage to scare us without the use of gimmicks such as pea soup and revolving heads.

This is a sharp supernatural thriller worth seeking out. The pace may be a little slow for some, but those who are patient will be pleased with the use of their virtue. Shirley MacLaine plays a Manhattan socialite who realizes that her brother has in some way changed. For example he now practices the Santaria religion, he speaks very good Spanish, and his health is not quite the same. MacLaine is then warned that her brother may be slowly becoming possessed by the spirit of a Spanish decapitator. Not knowing what or who to believe, she dives into the world of the Santaria faith in an attempt to get some answers on what is happening to her brother. As time goes on, the danger increases and getting the answers she seeks may prove to be fatal. Director Warris Hussein does a good job in building the suspense for the viewer and creating a frightening atmosphere to those who are not familiar with Santaria. The performances, lead as well as supporting, are first rate especially Perry King (who plays the brother) who is truly frightening towards the film's conclusion. This is very well done, and highly recommended.