IMDb RATING
6.9/10
4.9K
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A family of fiercely independent Oregon loggers struggles to keep their family business alive amid changing times.A family of fiercely independent Oregon loggers struggles to keep their family business alive amid changing times.A family of fiercely independent Oregon loggers struggles to keep their family business alive amid changing times.
- Nominated for 2 Oscars
- 2 nominations total
Charles Tyner
- Les Gibbons
- (as Bill Durham)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is one of my favorite movies. It has excellent acting, a great story (by the late great Ken Kesey), and some very intense scenes. I found that Paul Newman's direction was very well done. This is a movie for fans of great character development.
First, Paul Newman, as usual, did an outstanding job. This is my favorite character. He was able to pull off this very icey dominance, even over his own father. He plays his character like he is Hank Stamper. Paul Newman always does a great job in his movies, but I think this one I especially like because he isn't as likeable as Cool Hand Luke or Fast Eddie (which are two other favorite characters and movies of mine).
Then there is Henry Fonda, who plays the eldest Stamper, Henry. He was a very interesting character, and Henry Fonda did a great job at playing him. He and Hank both head the family, and he and Paul Newman have a fractured relationship that is sort of crass, but still fun to see them on-screen together.
Then there is Michael Sarrazin, who plays the outcast Leeland Stamper. He is probably the best character. While all the other Stampers have leather skin and huge scars from wood chips, he has big bushy hair and is not a big barrel chested logger. Hank and Henry treat him like crap almost the whole movie, because he doesn't belong. Leeland just came back from the city, and he came back for the sole purpose of getting even with Hank.
And Finally, there is Lee Remick, who plays Hank's shut out wife Viv. She is probably the most complex character, simply because she only lets on what she thinks of her situation in little bits. She and Hank used to be wild lovers, but Hank is working so hard because of the logger's strike, he pretty much shuts her out, and so she begins to drift away from Hank.
My only problem with this movie is that they didn't have the big rights of passage fight between Hank and Leeland. In the book Leeland fought Hank after everything bad happened to the Stampers, as a way to show Hank that he isn't in control. I think that was the biggest part in the novel, and they left it out. But aside from that, I loved this movie.
Check this movie, or the book out for that matter, if you enjoy strong character development, many tragic events, and stories that take place in the backwoods of Oregon. 9/10
First, Paul Newman, as usual, did an outstanding job. This is my favorite character. He was able to pull off this very icey dominance, even over his own father. He plays his character like he is Hank Stamper. Paul Newman always does a great job in his movies, but I think this one I especially like because he isn't as likeable as Cool Hand Luke or Fast Eddie (which are two other favorite characters and movies of mine).
Then there is Henry Fonda, who plays the eldest Stamper, Henry. He was a very interesting character, and Henry Fonda did a great job at playing him. He and Hank both head the family, and he and Paul Newman have a fractured relationship that is sort of crass, but still fun to see them on-screen together.
Then there is Michael Sarrazin, who plays the outcast Leeland Stamper. He is probably the best character. While all the other Stampers have leather skin and huge scars from wood chips, he has big bushy hair and is not a big barrel chested logger. Hank and Henry treat him like crap almost the whole movie, because he doesn't belong. Leeland just came back from the city, and he came back for the sole purpose of getting even with Hank.
And Finally, there is Lee Remick, who plays Hank's shut out wife Viv. She is probably the most complex character, simply because she only lets on what she thinks of her situation in little bits. She and Hank used to be wild lovers, but Hank is working so hard because of the logger's strike, he pretty much shuts her out, and so she begins to drift away from Hank.
My only problem with this movie is that they didn't have the big rights of passage fight between Hank and Leeland. In the book Leeland fought Hank after everything bad happened to the Stampers, as a way to show Hank that he isn't in control. I think that was the biggest part in the novel, and they left it out. But aside from that, I loved this movie.
Check this movie, or the book out for that matter, if you enjoy strong character development, many tragic events, and stories that take place in the backwoods of Oregon. 9/10
Kesey's superb epic novel with its shifting points of view and verb tense is far too complex a work to adapt directly. Kesey's prose while exceptionally cinematic in its description and action ironically proves unfilmable.
That said, Paul Newman and his production team have created a most admirable and solid, if rather top heavy adaption of Kesey's excellent novel.
The dialogue while rather shallow and weak in spurts (Kesey's rich vernacular is lost)is overcome by a wonderful ensemble cast featuring some of America's finest. Who better that Henry Fonda to play Newman's father? Richard Jaekel richly earns the Oscar nomination as the dim-witted but enthusiastic born again lumberjack Joe-Ben. The famous scene where Newman tries desperately to save Jaekel's character from drowning is heartbreakingly tragic and darkly comic. It is a marvelous example of direction.
Newman spent a great deal of time in my native Oregon researching the part and the film and his homework shows. Kesey's rich descriptions of the land remain largely intact. The sense of time and place is impressively captured in the photography of rusting metal, dripping ferns, rotting wood and mildewed carpets. This is a film that one can almost smell.
Newman is one of the finest artists ever to come out of Hollywood. Not only as an actor, but also as a director. He instinctivly knows how to illicit naturalistic, comfortable and utterly human performances from his casts and Sometimes a Great Notion is no exception. Well worth a look. 7 out of 10 stars.
That said, Paul Newman and his production team have created a most admirable and solid, if rather top heavy adaption of Kesey's excellent novel.
The dialogue while rather shallow and weak in spurts (Kesey's rich vernacular is lost)is overcome by a wonderful ensemble cast featuring some of America's finest. Who better that Henry Fonda to play Newman's father? Richard Jaekel richly earns the Oscar nomination as the dim-witted but enthusiastic born again lumberjack Joe-Ben. The famous scene where Newman tries desperately to save Jaekel's character from drowning is heartbreakingly tragic and darkly comic. It is a marvelous example of direction.
Newman spent a great deal of time in my native Oregon researching the part and the film and his homework shows. Kesey's rich descriptions of the land remain largely intact. The sense of time and place is impressively captured in the photography of rusting metal, dripping ferns, rotting wood and mildewed carpets. This is a film that one can almost smell.
Newman is one of the finest artists ever to come out of Hollywood. Not only as an actor, but also as a director. He instinctivly knows how to illicit naturalistic, comfortable and utterly human performances from his casts and Sometimes a Great Notion is no exception. Well worth a look. 7 out of 10 stars.
The date i don't remember, but the day I do. what i did that day i should say. and the movie is still vividly in my mind. I can see the family interplay pretty clearly, but there is 1 scene clearer then all the others.
And more worried about creating a spoiler,
i will only describe it in general terms.
And that is the Death Scene in the picture, I don't want to mention the players in the scene for fear of spoiling it for others. it isn't a short scene, it felt like an eternity, for me anyway.
It is heart wrenching, and has haunted me all these years.
I would like to see this picture again to feel that emotion again.even now just talking around it i feel emotions welling up in me.
worthwhile movie I would recommend it for anyone.
And more worried about creating a spoiler,
i will only describe it in general terms.
And that is the Death Scene in the picture, I don't want to mention the players in the scene for fear of spoiling it for others. it isn't a short scene, it felt like an eternity, for me anyway.
It is heart wrenching, and has haunted me all these years.
I would like to see this picture again to feel that emotion again.even now just talking around it i feel emotions welling up in me.
worthwhile movie I would recommend it for anyone.
Unfortunately, as much as I love Paul Newman as an actor, the movie version of Ken Kesey's incredible book could have used a more seasoned director for its translation to the big screen. The perfect cast (the book even mentions Hank Stamper as looking like a muscular Paul Newman!), and some great performances (Fonda, Jaeckel, Remick), but the story just doesn't come across on film the way it should. I remember the first time I saw this movie was in the late 70's on TV (Portland's KPTV-12). It was so chopped-up for television that the story, character motivations, and ending made no sense at all to me. I loved Kesey's book "Cookoo's Nest" so read the novel of "Sometimes" to try to make some sense of what the story was all about. The book was an amazingly nuanced work of fiction with a great deal of depth and under-story (reading between the lines); none of which I saw on the TV screening. I later rented the video but even with the unedited version of the film, I found the story very lacking and barely comprehensive. I've recently watched the rental again (2005) and found more in the film than I had remembered, but I still feel that unless you've read the book, you can't truly understand what this movie and the character motivations are all about. They're just barely eluded to in the film version. In spite of all that, it's still a worthwhile movie to watch. If nothing else, it chronicles some great, authentic-looking logging footage. If you can, however, read the novel first and then catch the film. Also, if you ever make it to Newport, Oregon, visit the harbor bar "Bay Haven" where the scenes for the "Snag" were filmed. Tell them the old bartender from the "Embarcadero" sent you. ;-)
I saw this seventies movie for the first time last night. It must be one of the greats. The story line from Kesey's book, and the direction by Paul Newman are so closely woven and with such impact that there are times when one is left emotionally bare. There's not a fault in the casting,and the background of logging is nicely interwoven into the action bringing up surprise after surprise. The only flaw might be the glamorization of Lee Remick - I doubt that her character would show such a degree of grooming and cosmetic sophistication, but, as ever, Ms. Remick gives a performance that is impeccable. If awards were ever to come PaulNewman's way for direction and/or acting surely they should for this masterpiece.
Did you know
- TriviaThis was the first film ever shown on HBO when the service premiered in 1972.
- GoofsIn the fox-hunt scene, when the fox jumps over the fence, it becomes apparent that the fox is wearing a 1/4" black collar with a little tiny bell on it.
- Quotes
Hank Stamper: [singing] Don't ever hit your mother with a shovel. It will leave a dull impression on her mind. Paul Newman said the same line in "Butch Cassidy and the Sundance Kid".
- Alternate versionsIn the earliest video release version, circa 1982, when Leland first arrives, a crane shot reveals Hank looking down below at the family reunion. In the most current VHS release, circa 1994, the crane shot is edited out and replaced with just a single cut from Viv, with an audio bridge to Hank on the roof.
- SoundtracksAll His Children
Lyrics by Marilyn Bergman and Alan Bergman
Music by Henry Mancini
Sung by Charley Pride
- How long is Sometimes a Great Notion?Powered by Alexa
Details
Box office
- Budget
- $3,660,000 (estimated)
- Runtime
- 1h 54m(114 min)
- Aspect ratio
- 2.35 : 1
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