The Cannibal Man

"Cannibal Man" by Eloy de la Iglesia is a notorious Spanish shocker about slaughterhouse worker named Marcos.He works in a canning plant attached to the local slaughterhouse.One night,he kills a taxi driver in self defense and then strangles his girlfriend,the only witness to the crime.Desperate with fear,he murders several other people."Cannibal Man" is a slow-paced Spanish shocker that contains some graphic gore.The film is also extremely stylish and the atmosphere of decay and frustration is simply overwhelming.It certainly gained some notoriety as a former video nasty in the UK,but it's nowhere nearly as explicit as for example Lucio Fulci's gorefests.However the most interesting fact is that Eloy de la Iglesia was one of the major directors to push Spanish censorship boundaries with this film and a number of powerful gay-oriented films like "El Diputado" or "Los Placeres Ocultos".So if you are a fan of Spanish horror give it a try.8 out of 10.

I finally watched this overlooked Spanish film and I have to say that I enjoyed it a lot, much more than I expected. I rarely heard anything from it and the reason I saw it was because I'm collecting VHS tapes released by Anchor Bay during the late 1990s and CANNIBAL MAN was part of those horror films. It's a horror film but the horror aspects are not what makes it work. It's more the tone, the actors and the whole look which are all excellent and unique. In fact, the horror elements are at times pretty weak and unconvincing and anyone watching it as a horror film will probably be disappointed. The killings or the repetitive reasons for the man in question to kill are not always convincing but that's because the film is totally symbolic of the time it was made. When you view CANNIBAL MAN as that, the film becomes unique and almost brilliant. I won't describe anything about the film itself. I'll just leave it up to you to see and decide.

The closest thing I can compare it to is APARTMENT ZERO, which I now believe was probably , eh, "inspired" by CANNIBAL MAN. The ending is a bit murky but the better for it. It gives me something to think about. Well worth watching for fans of quirky cinema.

I recently watched the Spanish film 🇪🇸 Cannibal Man (1972) on Shudder. The storyline follows a man and his girlfriend who are attacked by a taxi driver, leading to the man accidentally killing the driver. As he tries to cover up his crime, he begins to go mad, making matters worse.

Directed by Eloy de la Iglesia (El pico I & II), the film stars Vicente Parra (Cotolay), Emma Cohen (Cross of the Devil), Eusebio Poncela (Matador), and Vicky Lagos (Five Dollars for Ringo).

The movie feels realistic and features a solid, authentic lead performance. The events are fascinating and unpredictable, with a certain tragic element. The protagonist's mental deterioration is compelling to watch. There are a few notable kills, including a worthwhile throat slash, but most are mediocre, with the blood resembling red paint. The soup subplot is gross and hard to fathom, and the ending felt a bit like a copout.

In conclusion, Cannibal Man has enough unique elements to make it worth a watch for horror enthusiasts but not enough to stand out in the genre. I would score this a 6/10 and recommend seeing it once.

I saw this for the first time recently.

I think Abel Ferrara's The Driller Killer borrowed idea from this movie n improved on the idea of an ordinary fella slowly descending into madness.

Coincidentally both the movies landed in the "video nasties" list.

I found both the movies darkly comical n at times poignant too.

The stress list n reasons for going bonkers were too many for the lead character in Driller Killer, whereas in this movie Marcos was just trying to hide his crime.

Most commentary I have seen on Cannibal Man focuses on the psychological horror, but the political side of the story seems more important to me. The film seems to place more blame on the society of Spain under Franco than even on the killer, the ultra cool swimming pool sequence is very reminiscent of Chaplin's "the Great Dictator".