The Trojan Women

This is a remarkably ineffectual filming of Euripides' magnificent examination of the effects of war on women. Euripides embarrassed Athens with his realism and blatant theatricality, neither of which is on view here. The four-star cast intone their limes reverently, as if reading holy scripture, never becoming real women watching their city burn and awaiting slavery and rape. The staging is stiff and posey,farther distancing a viewer from emotional involvement. The translation is stiff and respectful. One might say that this great play is here respected to death. In short, the film shows astonishingly little invention or imagination. And how is it that all the women of Troy managed to dress in identical matching rags? This is the only film of this immortal play. Someone with feeling and passion, film it again, please.

You must understand the form of classical tragedy to appreciate truly this film. Then you will see that Cacoyannis does, his four major actresses do, and the rest of his cast do, right down to the boy who plays Redgrave's son.

The four actresses have tragic arias -- there is no better word for it -- that they play magnificently. One always knows what is going on in this film because the text is translated so perfectly; the direction is so clear; and the actors play directly to that text. All are brilliant.

Don't look for special effects; there are none. Greek tragedy needed none. There are no chariot chases, no blowing up of the Parthenon as two smart-assed "detectives" grin and compliment each other, no two heroines outwitting all the police in the district and end up driving their chariot into a handy canyon. Sorry, gang, the play's the thing here -- and what a play and how well it is produced and performed.

If you love classics -- text, acting, and production, don't miss this one for any reason!

Euripides has always been regarded as the most 'modern' of Greek dramatists and although, for a man of his time, he took little part in either politics or war, it is surely no coincidence that his Trojan War trilogy was written during the protracted war between the Delian and Peloponnesian Leagues which would eventually subjugate Athens and bring its Golden Age to an inglorious end.

As a pacifist, director Michael Cacoyannis felt a deep affinity with 'The Trojan Women', the first play in the trilogy and had staged it in the 1960's. Having previously filmed a magnificent version of Euripides' 'Electra' in stark black and white with Greek actors, he has here a larger budget, glorious colour and a starry international cast but it is not nearly as effective.

Hecuba is one of those 'woe is me' characters. Granted, she has a great deal to be woeful about but the playing of her presents a daunting challenge to any actress brave enough to take it on. Katherine Hepburn varies the moans and groans well enough and her gritty professionalism sees her through. Her lament over the corpse of her grandson Astyanax is great film acting. The character of Andromache represents fidelity and virtue and this is captured very well by Vanessa Redgrave but she is played as a symbol rather than a flesh and blood character and this dimishes ones sympathy for her. Genevieve Bujold plays 'mad' Cassandra and has an excellent duologue with Hecuba before being carted off. Ironically if Cassandra's prophecies had been heeded and not dismissed as mere ravings the Greeks would not have been able to pull the Trojan Horse trick! The one who comes out best is the Helen of Irene Papas. This stunning artiste had already excelled as Electra for this director and as Antigone for Jorgos Tzavellas and her casting here is inspired as she is the complete antithesis of what we expect the character to be. She is strong, manipulative and sexually confident. If any face could 'launch a thousand ships' this is it! Her betrayed husband Menelaus, intends killing her but she knows and we know that of course he won't!

Cacoyannis has made a noble attempt to bring this powerful and poignant material to a wider audience but the film alas is weakened by poor editing, an intrusive score by Mikis Theodorakis and a female chorus that simply gets in the way. Ah, woe!

This is a great version of Euripides' Trojan women. They got an all-star cast that truly does justice to the original play. The movie is done very much like the play, but this is quite a positive thing, it doesn't end up being some idiotic Keanu Reaves "Much Ado About Nothing".

Katharine Hepburn gives her all as Hecuba, the Queen of the now destroyed Troy, and all of the other actresses give great renditions. Irene Pappas, the national actress of Greece, did a magnificent job as Helen, the woman who started it all. Brian Blessed played the messenger as only he could, and Vanessa Redgrave and Genevieve Bujold truly capture the pain and anguish of these women as they face their inevitable fate.

The music, too, really did set the atmosphere, I could feel a chill up my spine when they played that otherwise simple melody. The costumes are suitably appropriate, and I'd love to know where they found that ancient-looking wall that is meant to represent Troy, it adds a nice touch.

All in all, this is a movie that you have to see at least once in your life, your outlook on the horrors of war will never be the same.

Mr. Rodriquez comment "your outlook on the horrors of war will never be the same" is so true. The only movie that explains it best is Trojan Women. As a victim of WWII the movie is the only thing that truly explains the horrible experience. Once you are a victim of War and no one helps, you continue to be a victim. One is left alone without the familiar support system like family, language and ethnic group. Under all the humiliation and tragedies, you keep saying to yourself "this is so unfair cause I did nothing to deserve this, I merely was born. Whoever came up with the idea: All is fair in love and WAR, must have been a sadistic and selfish human being. Please watch Trojan Women because it is a must for ending wars.