IMDb RATING
5.3/10
2.5K
YOUR RATING
Two girls on the run get lost in the French countryside, and wind up in a haunted chateau occupied by an ailing vampire and his servants.Two girls on the run get lost in the French countryside, and wind up in a haunted chateau occupied by an ailing vampire and his servants.Two girls on the run get lost in the French countryside, and wind up in a haunted chateau occupied by an ailing vampire and his servants.
Marie-Pierre Castel
- Marie
- (as Marie Pierre Castel)
Mireille Dargent
- Michelle
- (as Mireille D'Argent)
Agnes Jacquet
- La première victime des vampires
- (as Agnès Jacquet)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
5.32.5K
1
2
3
4
5
6
7
8
9
10
Featured reviews
Surreal film
This film was rated higher by others than I would have thought. Vampires usually do a lot of biting and blood sucking. There was more erotic virgin handling and molestation than biting and the like in this one. The use of silence in the film gave it a surreal quality. The whole movie was dream-like. The lure of the victims was not captured. The chase and seduction is the best thing about vampires but those subtleties were lost here. But, I must admit, the film did remind me of Vampyros Lesbos and, to a lesser extent, Suspiria. I must state that vampire films do not have to be bloody etc. But a little blood at the bite would have been welcomed. Not a bad watch if you seek those who walk at night.
Strange, beautiful, and sensual - It's Jean Rollin!
After escaping an auto shootout, two sexy female clowns (yeah) stumble upon a mysterious old castle full of classy vampires and some giant viking-type men. There, they bear witness to the vampyric rituals and are forced to remain as vampires, but they must lose their virginity first to become a real vampire.
Like many Jean Rollin films, Requiem pour un Vampire is a very erotic, dreamlike film that utilizes limited dialogue and unlimited sexy French women. . . even though more than a few of them actually do have hairy armpits (I'm not just stereotyping!). Rollin includes more than a few fantastically cool ideas. . . especially the vampire bats that performed oral sex on the captive women. It's very well shot, Rollin's direction is superb in this picture. And, while it does lack a bit in the story, it still maintains a very enjoyable and likable fairytale-like quality. As any fan of this type of erotic horror will tell you, as long as you've got plenty of hot people getting acquainted, some blood, and a pretty setting. . . you're all set. There's really not too much to say about this film other than. . . enjoy it.
Final verdict: 7.5/10.
Vive La France!
-AP3-
Like many Jean Rollin films, Requiem pour un Vampire is a very erotic, dreamlike film that utilizes limited dialogue and unlimited sexy French women. . . even though more than a few of them actually do have hairy armpits (I'm not just stereotyping!). Rollin includes more than a few fantastically cool ideas. . . especially the vampire bats that performed oral sex on the captive women. It's very well shot, Rollin's direction is superb in this picture. And, while it does lack a bit in the story, it still maintains a very enjoyable and likable fairytale-like quality. As any fan of this type of erotic horror will tell you, as long as you've got plenty of hot people getting acquainted, some blood, and a pretty setting. . . you're all set. There's really not too much to say about this film other than. . . enjoy it.
Final verdict: 7.5/10.
Vive La France!
-AP3-
Vampires, Clowns and Naked Women
A vampire lures beautiful young women dressed as clowns to his castle in Europe.
How many movies have both clowns and vampires? How about clowns with guns? French clowns with guns? And that is only five minutes into a film that has some of the sexiest women Jean Rollin has featured exhibiting his own brand of eroticism (some of which clearly borders on rape).
Being from Rollin, are we surprised that this film faced censorship? The scene where Mireille Dargent is whips Marie-Pierre Castel has two versions. As does the scene where Castel and Dargent make love and the scene where Dargent is being chased by the man. I suppose that two questions can be asked: should we have a director change his vision for decency? And, is there any real purpose to having the women be nude? I will not answer either one.
I would say this film is overall better and more finely constructed than "The Nude Vampire", and has far more cohesion than "Rape of the Vampire". I mean, this one actually has a clear set of heroines and a plot!
How many movies have both clowns and vampires? How about clowns with guns? French clowns with guns? And that is only five minutes into a film that has some of the sexiest women Jean Rollin has featured exhibiting his own brand of eroticism (some of which clearly borders on rape).
Being from Rollin, are we surprised that this film faced censorship? The scene where Mireille Dargent is whips Marie-Pierre Castel has two versions. As does the scene where Castel and Dargent make love and the scene where Dargent is being chased by the man. I suppose that two questions can be asked: should we have a director change his vision for decency? And, is there any real purpose to having the women be nude? I will not answer either one.
I would say this film is overall better and more finely constructed than "The Nude Vampire", and has far more cohesion than "Rape of the Vampire". I mean, this one actually has a clear set of heroines and a plot!
First disappointing Rollin movie I've watched.
'Requiem For A Vampire' is the first disappointing Jean Rollin movie I've watched. It starts off beautifully enough with two girls made up as clowns fleeing a scene which we are later told was a murder. Desperate and hungry they wander the countryside looking for food and shelter. Most of these early sequences feature very little dialogue, and are beautiful and haunting. Both the girls themselves and the landscape they inhabit are perfect and typically Rollinesque. Eventually the girls look for sanctuary in mysterious and apparently abandoned castle. This is where their troubles really begin, because it is inhabited by a vampire and his entourage who force the girls into luring men to their doom. It's around this point that the movie falls apart for me I'm afraid. I that the movie is listed as having a runtime of 95 minutes. The DVD version I watched clocked in at around 75. I can only assume that the footage I missed would have salvaged this one from mediocrity. There was very little nudity, which is unusual for Rollin, and I saw virtually no "Sadeian sex" that the back cover blurb mentioned. I can only comment on the cut I saw (released by Salvation, who are normally very good), and this version was weak and uninspiring. I hope one day to see the complete version and that it is up to the usual high standards of Rollin who has become a great favourite of mine.
Early Jean Rollin Is Not as Good
I have come to the conclusion that this director maintained his own style yet evolved over the years of his film making. Lips of Blood is excellent if not fully coherent, but Requiem for a Vampire - in the same series as The Shiver of the Vampires - is an excuse to make stylish erotica, including controversial scenes of sexual assault.
The first half of this film is mainly a stream of consciousness flow of beautiful and striking images, while the second half is more focused on sadism and nudity.
Two teen girls who were apparently employed as clowns (remember: performance art careers like being a mime, including studying the art at colleges, were still common circa 1970s France) have since fallen into a life of crime, quite spontaneously. The audience is never informed of what exactly happened, but the viewer can imagine something along the lines of a bank robbery or other forms of grand theft, leading to a car chase and a shoot out. Their driver and male companion is murdered in the process, while the girls escape. They burn his body along with their vehicle to hide evidence.
It is made evident that these aren't innocent victims, so this film borders on later morality horror seen in slasher films from the 1980s in the US. They are bad girls, seducing men so that they can steal food and cigarettes, gleefully enjoying the process until they realize they're sleeping rough in a cold rural cemetery.
Stumbling upon the ruins of a chateau, the girls are spooked by the rotting corpse of an apparent suicide victim whose face has been eaten by birds while the body hangs limply from a rope. Stupidly, they waste ammunition on shooting at the corpse, highlighting their youth and immaturity (or maybe just an excuse for Jean Rollin to film gun shots?)
It is all downhill from there, when they encounter the rapey vampires.
The first half of this film is mainly a stream of consciousness flow of beautiful and striking images, while the second half is more focused on sadism and nudity.
Two teen girls who were apparently employed as clowns (remember: performance art careers like being a mime, including studying the art at colleges, were still common circa 1970s France) have since fallen into a life of crime, quite spontaneously. The audience is never informed of what exactly happened, but the viewer can imagine something along the lines of a bank robbery or other forms of grand theft, leading to a car chase and a shoot out. Their driver and male companion is murdered in the process, while the girls escape. They burn his body along with their vehicle to hide evidence.
It is made evident that these aren't innocent victims, so this film borders on later morality horror seen in slasher films from the 1980s in the US. They are bad girls, seducing men so that they can steal food and cigarettes, gleefully enjoying the process until they realize they're sleeping rough in a cold rural cemetery.
Stumbling upon the ruins of a chateau, the girls are spooked by the rotting corpse of an apparent suicide victim whose face has been eaten by birds while the body hangs limply from a rope. Stupidly, they waste ammunition on shooting at the corpse, highlighting their youth and immaturity (or maybe just an excuse for Jean Rollin to film gun shots?)
It is all downhill from there, when they encounter the rapey vampires.
Did you know
- TriviaJean Rollin claimed to have written the treatment in one impromptu burst, stacking incidents on top of each other with little care for plausibility or any other connective tissue.
- GoofsAt the beginning, when the clowns are pouring the gas over the dead friend, you can see him move several times, including twitches and breathing.
- Alternate versionsThe film was rejected for UK cinema by the BBFC in 1972. It was finally released on video in 1993 by Redemption after extensive cuts of 6 minutes 55 secs to heavily edit shots of chained women in a cellar being stripped and raped by vampires, and a scene where Marie is whipped by Michelle.
- ConnectionsFeatured in Celluloid Horror (2004)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Caged Maidens
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 5m(65 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
Contribute to this page
Suggest an edit or add missing content








