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6.0/10
1.3K
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Lurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing t... Read allLurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing the deadly conspiracy.Lurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing the deadly conspiracy.
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Featured reviews
Frankie Howerd at his cinematic best
Poor Frankie didn't have a lot of luck in the world of film - making a string of Norman Wisdom type of comedies in the 50's, two Carry Ons in the sixties, and then this, the first of a trilogy of "Up..." films. This is probably his best starring vehicle. Scripted by Dave Freeman, Sid Colin and Talbot Rothwell, this, at least fairs better than the average sitcom-to-film venture; for this doesn't rely on the string of half-hour stories lifted from the television show to support the 90 mins. The reason is simple, all the writers were already experienced with writing films. All that has been lifted from the show is the majority of double entendre groan-worthy gags which, thankfully, when performed by Howerd, still raise a titter. With fine support from Patrick Cargill, Michael Hordern, Bernard Bresslaw, Hugh Paddick, Julie Ege etc. this is bound to make you laugh... even if it's just a bit.
Naughty Naughty!
Frankie Howerd will be forever remembered as the creator of the knowing glance. He develops a relationship with the audience that lets us know that he thinks this stuff is bad too. Somehow that allows us to forgive the corny puns, lame jokes and sexist humour. "Just bear with me," he seems to be saying, "It'll all be over soon." Somehow it all worked, and Up Pompeii managed to rise above its seventies comedy contemporaries to become a classic.
The film perhaps lacks the freshness of the TV series due to the loss of the studio audience. Howerd was able to react to them in a way that made the whole show appear to be improvised. This was of course down to his genius, as everything was very well rehearsed. Despite this it's still a very enjoyable film. My only complaint is that Hammer starlet Madeline Smith is not in it more!
The film perhaps lacks the freshness of the TV series due to the loss of the studio audience. Howerd was able to react to them in a way that made the whole show appear to be improvised. This was of course down to his genius, as everything was very well rehearsed. Despite this it's still a very enjoyable film. My only complaint is that Hammer starlet Madeline Smith is not in it more!
A sexy comedy that has you wishing they had made more.
Howard has the knack of knowing when to give the audience the eye, with a just perfect leer. This film is one that shows you that it is possible to break the 4th wall to include the audience in the scene. A movie any teenage boy would love and should be viewed by all the staff at "MAXIM". When the film was first shown on TV here in North America it was a little scandalous. The English were not as prudish and had more fun that way.
Only the British make rubbish like this!
This film is rubbish! I know - I've seen it 23 times! Perhaps you need to be British even to understand it. Just reading the names of the characters makes me smile.
The film has its origin in a British TV Series and was certainly much better in 30 minute chunks but, at least when they made the film, they took the effort to come up with a plot, puerile though it is. The cast is pretty well unchanged from the TV Series too.
Frankie Howerd (Lurcio) based his whole theatrical career on dodgy double intendres and this film is full of them. His habit of making asides directly to the audience via the camera is hilarious. In fact, most of the comedy lies in those two attributes. The visual side of the film, the physical comedy, is more or less one long chase scene with breaks and is not really that funny.
There are some very funny scenes though. The orgy and its aftermath and the wrestling match stand out. The ending is very clever too.
Worth a watch and far better than the two sequels it spawned, 'Up The Chastity Belt' and 'Up The Front'.
The film has its origin in a British TV Series and was certainly much better in 30 minute chunks but, at least when they made the film, they took the effort to come up with a plot, puerile though it is. The cast is pretty well unchanged from the TV Series too.
Frankie Howerd (Lurcio) based his whole theatrical career on dodgy double intendres and this film is full of them. His habit of making asides directly to the audience via the camera is hilarious. In fact, most of the comedy lies in those two attributes. The visual side of the film, the physical comedy, is more or less one long chase scene with breaks and is not really that funny.
There are some very funny scenes though. The orgy and its aftermath and the wrestling match stand out. The ending is very clever too.
Worth a watch and far better than the two sequels it spawned, 'Up The Chastity Belt' and 'Up The Front'.
Comedy as only the English can do them.
This film has the best "hangover" scene I have ever seen. The morning after the orgy is a must.
Did you know
- TriviaBernard Bresslaw provided the voice for the unknown prisoner asking for meat and gravy.
- GoofsThe shadow of a camera can be seen when Lurcio is being confronted by the guards.
- ConnectionsFeatured in Seriously Funny: An Argument for Comedy (1996)
- How long is Up Pompeii?Powered by Alexa
Details
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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