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6.0/10
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Lurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing t... Read allLurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing the deadly conspiracy.Lurcio, a Roman slave, stumbles upon a scroll exposing a plot to assassinate Emperor Nero. While catering to his master's decadent guests, erupting Vesuvius unleashes mayhem, overshadowing the deadly conspiracy.
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This film is rubbish! I know - I've seen it 23 times! Perhaps you need to be British even to understand it. Just reading the names of the characters makes me smile.
The film has its origin in a British TV Series and was certainly much better in 30 minute chunks but, at least when they made the film, they took the effort to come up with a plot, puerile though it is. The cast is pretty well unchanged from the TV Series too.
Frankie Howerd (Lurcio) based his whole theatrical career on dodgy double intendres and this film is full of them. His habit of making asides directly to the audience via the camera is hilarious. In fact, most of the comedy lies in those two attributes. The visual side of the film, the physical comedy, is more or less one long chase scene with breaks and is not really that funny.
There are some very funny scenes though. The orgy and its aftermath and the wrestling match stand out. The ending is very clever too.
Worth a watch and far better than the two sequels it spawned, 'Up The Chastity Belt' and 'Up The Front'.
The film has its origin in a British TV Series and was certainly much better in 30 minute chunks but, at least when they made the film, they took the effort to come up with a plot, puerile though it is. The cast is pretty well unchanged from the TV Series too.
Frankie Howerd (Lurcio) based his whole theatrical career on dodgy double intendres and this film is full of them. His habit of making asides directly to the audience via the camera is hilarious. In fact, most of the comedy lies in those two attributes. The visual side of the film, the physical comedy, is more or less one long chase scene with breaks and is not really that funny.
There are some very funny scenes though. The orgy and its aftermath and the wrestling match stand out. The ending is very clever too.
Worth a watch and far better than the two sequels it spawned, 'Up The Chastity Belt' and 'Up The Front'.
Frankie Howerd will be forever remembered as the creator of the knowing glance. He develops a relationship with the audience that lets us know that he thinks this stuff is bad too. Somehow that allows us to forgive the corny puns, lame jokes and sexist humour. "Just bear with me," he seems to be saying, "It'll all be over soon." Somehow it all worked, and Up Pompeii managed to rise above its seventies comedy contemporaries to become a classic.
The film perhaps lacks the freshness of the TV series due to the loss of the studio audience. Howerd was able to react to them in a way that made the whole show appear to be improvised. This was of course down to his genius, as everything was very well rehearsed. Despite this it's still a very enjoyable film. My only complaint is that Hammer starlet Madeline Smith is not in it more!
The film perhaps lacks the freshness of the TV series due to the loss of the studio audience. Howerd was able to react to them in a way that made the whole show appear to be improvised. This was of course down to his genius, as everything was very well rehearsed. Despite this it's still a very enjoyable film. My only complaint is that Hammer starlet Madeline Smith is not in it more!
This film has the best "hangover" scene I have ever seen. The morning after the orgy is a must.
Poor Frankie didn't have a lot of luck in the world of film - making a string of Norman Wisdom type of comedies in the 50's, two Carry Ons in the sixties, and then this, the first of a trilogy of "Up..." films. This is probably his best starring vehicle. Scripted by Dave Freeman, Sid Colin and Talbot Rothwell, this, at least fairs better than the average sitcom-to-film venture; for this doesn't rely on the string of half-hour stories lifted from the television show to support the 90 mins. The reason is simple, all the writers were already experienced with writing films. All that has been lifted from the show is the majority of double entendre groan-worthy gags which, thankfully, when performed by Howerd, still raise a titter. With fine support from Patrick Cargill, Michael Hordern, Bernard Bresslaw, Hugh Paddick, Julie Ege etc. this is bound to make you laugh... even if it's just a bit.
Spin off from the 70's sitcom of the same name this film spins out the same gags over an hour and twenty minutes run time and gets away with it but only just. Frankie Howerd is again Lurcio the roman slave in ancient Pompeii getting involved in the evil machinations of the emperor Nero (Patrick Cargill) and the evil Brutus and his henchmen (Lance Percival).
If you liked the TV series you'll like this is the basic rule here, to a modern audience I doubt it would play well, Frankie Howerds routine is very much of it's time and place. But its very entertaining some of the gags are sign posted miles away but Frankie's personality, playing to the audience and comic timing are what make this entertaining.
The movie feels too much like a stretched out episode to be a classic like many TV shows spun off into movies in the 70's (On the Buses, Rising Damp, Porridge etc.) but its certainly worth a look for Up Pompei or Frankie Howerd fans.
Mostly funny, occasionally hilarious 7/10
If you liked the TV series you'll like this is the basic rule here, to a modern audience I doubt it would play well, Frankie Howerds routine is very much of it's time and place. But its very entertaining some of the gags are sign posted miles away but Frankie's personality, playing to the audience and comic timing are what make this entertaining.
The movie feels too much like a stretched out episode to be a classic like many TV shows spun off into movies in the 70's (On the Buses, Rising Damp, Porridge etc.) but its certainly worth a look for Up Pompei or Frankie Howerd fans.
Mostly funny, occasionally hilarious 7/10
Did you know
- TriviaBernard Bresslaw provided the voice for the unknown prisoner asking for meat and gravy.
- GoofsThe shadow of a camera can be seen when Lurcio is being confronted by the guards.
- ConnectionsFeatured in Seriously Funny: An Argument for Comedy (1996)
- How long is Up Pompeii?Powered by Alexa
Details
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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