Search

A very nice set-up for a series that looked like it was going far. In the pilot (The film 'Probe') the controller, B.C. Cameron (The late Burgess Meredith)warns Probe 1 (Hugh Lockwood, played by Hugh O'Brian) that he should avoid a head-cold as it messes with the electronics. Well I think that the Network got a head cold over this ahead-of-its-time semi-sf spy series. Like another reviewer, I would love to see the series restarted, perhaps someone could persuade a network to buy the rights? Leslie Stephens created several series like this (Invisible Man etc), and it seems a pity to waste such inventiveness.

As to casting, I wouldn't dare to put forward a suggestion, except that, as a Brit, I wouldn't mind them filming an episode or two in the U.K. with a British 'Probe'...

This was one of the great shows that didn't last.

The teamwork shown by the group working behind the scenes was perhaps too "upbeat" for people. You didn't watch the show expecting the good guys to fail, but instead tried to guess which specialist or gadget would get them out of a jam this time.

I don't remember how good the writing and dialog was, but I clearly remember Burgess Meredith's character as a very compelling influence in the "control room". I would love this show to return to the air or come out on DVD, but I suppose it has been gone for so long that any chance of that happening is pretty low.

In any case, it is good to see the show immortalized to some extent by being listed properly here (I searched for "Search" a long time ago and couldn't find it).

I learned of this show even before it aired on NBC back in 1972 (prepublicity), and decided I liked it even before seeing it. One thing that I thought was really cool was how Probe Control communicated to the agents via an implanted audio pickup through radio telescope communications. Of course, Burgess Meredith was essentially the show stealer every time; not many other actors could give an engaging performance sitting at a computer panel. He had this funny way of adjusting his micro headset and almost punching his console when flustered. I managed to record many episodes onto a handy cassette machine. A couple of years ago a local TV station rebroadcast the pilot episode, co-starring John Gielgud (sp?), and I caught the whole thing on VHS. When they decided to cancel the series, I was actually put out enough to send in a letter of protest. (Well, it was a perfect show for a 12-year-old boy). After all, it had cool effects, mostly involving things that could be seen in other parts of the spectrum, picked up by the agents' ring-bound scanners.

I don't remember a single plot from this series, so don't expect any spoilers! I was a big computer geek long before the personal computer (never mind the Internet) so this show got me where I lived. I haven't seen it in many, many years, so I have no idea what I'd think of it today. Obviously the technology would seem quaint, at best, but I recall the stories as being quite good. I'm afraid I'd laugh too much at their computers though (has anyone seen "Colossus: The Forbin Project" lately?) "Search" is definitely a candidate for a modern-day make-over though! It's "Mission: Impossible" tailor-made for the Internet Age...instead of a team that goes into a situation, a single person does...supported by a team somewhere else who have the world's information and expertise at their fingertips. The only question is, in this day and age, would the viewers be amazed at what the "agents" can do with the help of their geeky behind-the-scenes comrades, or would they just think "Big deal...anybody could do that stuff these days!"

"Search" is a series that failed to find its audience mainly because most of that audience was already in bed (time slot 9 or 10 PM on a school night; it was the first series I got to stay up late for!). It's also a series that could not have existed before the world watched Neil Armstrong set foot on the Moon, since the concept of a room full of specialists monitoring and assisting the agent is, of course, based on the room full of specialists in Houston who monitor and assist our astronauts.

Note that Bob Justman (of Star Trek fame) was involved; undoubtedly it was because of Star Trek's influence that the aforementioned room full of specialists included African-Americans, Asian-Americans and women.

All in all, it's a shame it didn't catch on, but then again, most of the audience had to be in bed early on school nights. Incidentally, the pilot film used to show up on local stations every year or so, though not for quite a few years.