Bloody Friday

Excitingly shot against the undeniably picturesque backdrop of Bavaria, Germany, Rolf Olsen's schnapps-sharp 70s shoot 'em up, 'Blutiger Freitag (1972) (aka) 'Bloody Friday' is a bullet-shredded, blazingly brutal, Euro-crime classic! This bona fide, bloody-knuckled German icon of cult Grindhouse cinema benefits greatly from red-headed rapscallion, Raimund Harmstorf's super-masculine charisma, its appealing Munich exteriors, and suitably energized score. Olsen's grimy, full-throttle exploitation epic,'Blutiger Freitag' is certainly no less skull-rattling an experience than equally flint-edged poliziotteschi classics, 'Bloody Payroll', 'Violent Naples', 'Almost Human', and Michael Apted's vastly underappreciated Brit-crime masterpiece, 'The Squeeze'.

With its unleavened thuggery, exhilaratingly cavalier vehicular carnage, close quarters douchbaggery, and an unfiltered, genuinely terrifying performance from the muscular, enigmatic actor, Raimund Harmstorf; a force of corrupted nature, his bellicose, hugely misogynist misfit, Klett frequently indulges in bloody bouts of splenetic, bone-breaking violence; all the while cutting a darkly erotic dash in bespoke grungy, 1970s turtleneck sweater'd, leather-jacketed chic! 'Blutiger Freitag' is one of those rare 70s actioners that more than lives up to the fanboy hype, all its destructive Alpha energies resolutely undimmed! Throw in a sinuous crime-funk score from the estimable composer, Francesco 'New York Ripper' De Masi, and you have an all-time, Top Ten-list making, gun-happy Goliath of German grindhouse madness that deliriously delivers bravura, hard-boiled 70s skulduggery unlike any other German film from then, or now. Prost!!!!

This is a film about a bank robbery, with little concern for other's well being. The lead is a self centered egotistic homicidal maniac. He surrounds himself with people he can control. He has no respect for women. Lots of violence, some shooting & deaths, really low budget. There is a rather interesting sex scene where the lead & a consenting hostage have different views about sex, I thought it had a realistic ring to it. I rented this under the title Violent Offender. I thought that it was enjoyable if you can get past the low budget.

Relentlessly tough and mean-spirited bank robbery drama is straightforwardly made as a sleazy actioner, populated throughout with disagreeable characters, but actually is not any much more than that (despite having gained a certain cult status).

Violent criminal mastermind, Heinz Klett (Raimund Harmstorf) escapes police custody in order to pull off his latest caper. Rejoining his cronies and acquiring heavy military weaponry, the gang sets out to rob a bank.

Unfortunately, everything goes pear-shaped. Surrounded by the police, Klett and company grow more desperate by the second. Then, a kid gets a hold of a grenade and... BOOM!

The true strength of BLOODY FRIDAY is the Klett character. Harmstorf is an imposing figure like a Kodiak bear, only hairier! His enormousness is accentuated by his giant Elvis sunglasses, leather pants, and bomber jacket. Harmstorf gobbles up his role with gusto and sadistic glee.

This is a classic of German / Italian crime cinema...

If you consider the fact that the Italians, back in the seventies, were champions in the eurocrime exploitation genre (poliziotto), than it's no wonder they would have a go at it in other countries as well. Cineproduzione Daunia 70 (from Caliber 9) tried it in Germany with actor/director Rolf Olsen. He made the crime film Wenn es nacht wird auf der Reeperbahn in 1967, and the prostitution drama Der Pfarrer von St. Pauli in 1970, which are both quite good, so you understand why he wrote and directed it.

Bloody Friday is a more German version of the stylistic Italian poliziotto. It is tougher, more direct and also more over the top, I mean, it is sometimes TOO SILLY. The escape of Heinz Klett (great acting by Raimund Harmstorf by the way) on itself might be believable, but why would Heidi incriminate herself suddenly for her boyfriend Luigi, or would her brother do just the same for her? Just robbing a bank with a maniac, what can go wrong?

The heart of the film is this violent character Heinz. He is the cause of everything. How he bluntly accepts these amateurs for nothing less than a bank robbery, that's typical Heinz. He is like a caricature of a man, aggressive, sexist, opportunist and over confident. People who die just deserve it because they are weak, in his opinion.

Bloody Friday might look terrible at some point, but this film isn't as bad as it looks. It actually brings some surprising social undertones to the genre, which are usually lacking in poliziotteschi. The desperation from the other robbers give the film an humanistic context. Heidi and Luigi want to escape from their shitty jobs, while the brother is a deserter. It is also (very loosely) based on a real story, as Germany had to endure a lot of violence in this period – terrorism from extreme left wing organizations and violent bank robberies, not only by professionals, but also by amateurs, like in this film. I rate it 7/10.