A professor's wife falls in love with her husband's assistant. When she learns he's planning to move to another city, she does everything she can to avoid it, with no success. Soon afterward... Read allA professor's wife falls in love with her husband's assistant. When she learns he's planning to move to another city, she does everything she can to avoid it, with no success. Soon afterwards, he's found dead, in obscure circumstances.A professor's wife falls in love with her husband's assistant. When she learns he's planning to move to another city, she does everything she can to avoid it, with no success. Soon afterwards, he's found dead, in obscure circumstances.
- Maria - Maid
- (as Teresa Guayda González)
Featured reviews
Directed by Tulio Demicheli (Ricco) and written by Pedro Mario Herrero and Mario di Nardo who carry out this ¨Two faces of fear¨, it is a film that never really gets going, but at least it has a great cast including Fernando Rey (Tristana, That Dark Object of Desire), Anita Strindberg (The Scorpion's Tail, Forbidden Vices), Luciana Paluzzi (Thunderball, The Green Slime, The Klansman) and George Hilton (Sartana and several giallo films), in addition to these notorious actors of the time, includes a realistic surgery scene. Starring George Hilton playing a surgeon who is married to Luciana Paluzzi (to this day the only one in the casting who is still alive) and she owns the clinic where he works and while she suffers from a weak heart. Luis Davíla wants to marry Anita Strindberg, but first he is shot dead while Fernando Rey steals the show as an ironic and bossy police inspector who has to solve the case, even though he has just quit smoking. And since this is a Spanish-Italian film, what we can see is a real open heart surgery, directed by Dr. Martínez Bordiu, none other than the son-in-law of the dictator Francisco Franco, who is thanked for his work in the credits. The actual open heart surgery incorporated into this film is quite the opposite, it's pretty unappetizing. In any case, Fernando Rey provides comic relief here with his talent, while at the same time appearing deadly serious in the most absurd situations; his assistant is also played somewhat comically by the Spanish Manuel Zarzo who tries to undermine some clues to a cockatoo supposedly witness to the events. Some critics suspect that a 'pulp' crime story was written around this authentic material, and the story is not particularly original, also only offering two short murder scenes staged in an extravagant Italian style.
It was filmed in Rome between July and September 1971 as a Spanish-Italian co-production and 50 years later impresses above all with its excellent cast and one of the best scores of its time, but otherwise it remains very low in blood and tension. Even a slightly overlong scene in the operating room, in which we follow open heart surgery, turns out to be unremarkable, and was marketed at the time as a small sensation or great visual spectacle value, but it really does a disservice to the film as a whole. But at the end of the day, the viewer is rewarded with exuberantly beautiful images of the beautiful women, two Eurotrash goddesses : Luciana Paluzzi and Anita Strindberg. And adding Fernando Rey, who managed to shape a career spanning six decades and television roles, here giving us some comic relief as a quirky cop. There are two short and quite energetically staged murder scenes that do honor to the giallo. However, this is not a very bloody Giallo, being more of a police thriller, and was not released until March 9, 1972, not sweeping audiences in the co-producing countries Italy, Spain or other European nations at that time. But the illustrious cast and rarity value make it a notable contribution to the genre.
But at the very least, the attractive colors from cameraman Manuel Rojas , the ensemble cast as a whole, and Franco Micalizzi's great score are simply lovely. The film was usually directed by Tulio Demicheli, although it has some touches of distinction, which is why you forgive the unoriginal story with the uneven resolution. Veteran director Demicheli offers us a colorful aesthetic that extends beautifully crafted into wide images with many close-ups and detail shots of eyes, fingertips, cigarettes, oversized glasses and ladies in exquisite lingerie. Spanish-nationalized Argentine writer and filmmaker Tulio Demicheli so consistently mixed the good with the mediocre that it was almost impossible to know what to expect from him next. Demicheli had a long and prolific career, working since the 40s, he directed all types of genres such as drama like ¨La herida luminosa¨, Thriller like ¨Ricco¨, adventures like ¨Son of Captain Blood¨, ¨First Adventure¨, Spies subgenre like ¨Il Nostro Agente a Casablanca¨, ¨Dirty Play in Panama¨, ¨Lisbon Mission¨; Giallo as ¨Coartada en disco rojo or Two Faces or Fear¨, Terror as ¨Monstruos De Terror or Assignment Terror" and he also directed Paella/Spaghetti Westerns as ¨Tequila¨, ¨Arriba Sabata¨, ¨Un Hombre, un Colt¨ and ¨ Gunmen of Río Bravo¨. His best film was ¨Carmen de Ronda¨ with Sara Montiel. Rating: 5.5/10. Passable and acceptable.
The movie boasts with footage from an actual heart surgery (not that I ever wanted to see that so closely), but doesn't manage to provide as many surprising twists and turns as other classic giallo movies. Thus it becomes only an average contribution to the genre, although with a great cast also including Eduardo Fajardo and Anita Strindberg.
Did you know
- TriviaGeorge Hilton's birth name was Jorge Hill Acosta y Lara in Uruguay..
- Quotes
Inspector Nardi: [to all present, loudly, as if to convince himself] And I don't smoke!'
- ConnectionsFeatured in Detective Montalbano: Una Faccenda Delicata (2016)
Details
- Runtime
- 1h 28m(88 min)
- Aspect ratio
- 2.35 : 1