Lady in Waiting
- Episode aired Dec 15, 1971
- TV-PG
- 1h 15m
IMDb RATING
7.2/10
3.6K
YOUR RATING
A young woman who feels oppressed by her successful brother kills him in cold blood and pretends she thought he was a burglar. Lt. Columbo unravels her defense.A young woman who feels oppressed by her successful brother kills him in cold blood and pretends she thought he was a burglar. Lt. Columbo unravels her defense.A young woman who feels oppressed by her successful brother kills him in cold blood and pretends she thought he was a burglar. Lt. Columbo unravels her defense.
Buzz Barbee
- Inquest Spectator
- (uncredited)
Katherine Darc
- Boutique Assistant
- (uncredited)
Fred Draper
- Cab Driver
- (uncredited)
Len Felber
- Bartender at Boutique
- (uncredited)
John Francis
- Waiter
- (uncredited)
Mickey Golden
- Executive
- (uncredited)
Featured reviews
Susan Clark plays an excellent murderess in this movie, stifled and controlled by her brother who manages the family business and the money. Her plan to break free of his control and take over the business herself is well worked out and seems foolproof, but one miscalculation leaves her having to improvise her way out one problem after another. Leslie Nielsen, as her lawyer boyfriend, turns in a fine performance, as he plays a sensible, serious role with humour but without the manic quality that has come to be his trademark. Peter Falk's Columbo does a good job worrying and nibbling at the truth, forcing the killer to come up with more lies and explanations, until the contradictions close in on her and she is caught. The viewer finds himself sympathizing with the murderer at the beginning, but her growing confidence and arrogance as she reaps the fruits of her crime succeed in making her downfall a satisfying one.
A few things are notable about this episode from the first season of the show. It was one of several Columbos written by that great TV writer, Stephen Bochco, and directed by that acting/producing legend, Norman Lloyd. Among many other career accomplishments, Lloyd had worked closely with (and presumably learned a few things about directing from) master director Alfred Hitchcock, as had the supporting actress who plays the mom of Sharon Clark's character here (and of her brother, the victim, Richard Anderson), Jessie Royce Landis (who played Grace Kelly's mom in "To Catch a Thief" and also Cary Grant's in "North by Northwest"). And an early, totally serious role is played by Leslie Nielsen. And the plot is a little different from the typical Columbo setup, in that not only do we the audience know "who dunnit," but all of these the other characters do, too, as Clark admits to it all right off the bat, claiming it was an (unfortunate and understandable) accident. But her excuse doesn't survive our beloved Lieutenant's intense scrutiny. I give this one an extra star for the never less than convincing Ms. Landis, who died just a few months after appearing in this episode.
PLOT: The repressed and overprotected sister (Susan Clark) of an ad agency executive murders her brother (Richard Anderson) and stages it as a mistaken burglary. This takes place right after he threatens to fire her fiancé who works for the company (Leslie Nielsen). She then morphs into a startlingly confident and ruthless power broker.
COMMENTARY: Clark is excellent as the stifled wallflower turned murderess with a semi-mad gleam in her eye while Nielsen is just as good in a convincing serious role. The intriguing plot is original (for Columbo, at least) and the way the rumpled gumshoe pesters the woman with details, even after an inquest declares the killing accidental, is gripping drama. So "Lady in Waiting" is on par with the stronger Columbo outings. But there are glaring plot holes that lower my grade...
Why is there no trace of blood on the floor where her brother falls on the floor? After all, she shot him three times. And why is there no line of blood leading to where the body is dragged, keeping in mind that she had zero time to clean anything up?
Furthermore, since when are American detectives allowed to freely march into a citizen's abode in the middle of the night and confront a suspect in her bedroom? Officers must knock before entering a home, declare their presence, and wait for the inhabitant to come to the door. This is called the "knock-and-announce" rule. The reason for this rule is to allow people a chance to respond so that violence can be avoided and privacy ensured, otherwise police can waltz right into any abode and watch individuals having sex, bathing or going to the bathroom.
Also, do detectives continue pursuing cases after the suspect has been declared innocent by a court of inquiry? Are they paid to keep harassing the individual or do they do this on their free time?
And doesn't Columbo take a great risk at the climax? After all, this woman has proven that she's a little sociopathic (to put it nicely) and more than willing to murder someone in cold blood. Yes, he takes a similar risk in "Columbo Goes to the Guillotine" (1989), but he was much older then and confident of his conclusions on the suspect's character based on decades of experience.
"Lady in Waiting" is an entertaining episode, but there are too many blatant plot issues.
GRADE: B-/C+
COMMENTARY: Clark is excellent as the stifled wallflower turned murderess with a semi-mad gleam in her eye while Nielsen is just as good in a convincing serious role. The intriguing plot is original (for Columbo, at least) and the way the rumpled gumshoe pesters the woman with details, even after an inquest declares the killing accidental, is gripping drama. So "Lady in Waiting" is on par with the stronger Columbo outings. But there are glaring plot holes that lower my grade...
Why is there no trace of blood on the floor where her brother falls on the floor? After all, she shot him three times. And why is there no line of blood leading to where the body is dragged, keeping in mind that she had zero time to clean anything up?
Furthermore, since when are American detectives allowed to freely march into a citizen's abode in the middle of the night and confront a suspect in her bedroom? Officers must knock before entering a home, declare their presence, and wait for the inhabitant to come to the door. This is called the "knock-and-announce" rule. The reason for this rule is to allow people a chance to respond so that violence can be avoided and privacy ensured, otherwise police can waltz right into any abode and watch individuals having sex, bathing or going to the bathroom.
Also, do detectives continue pursuing cases after the suspect has been declared innocent by a court of inquiry? Are they paid to keep harassing the individual or do they do this on their free time?
And doesn't Columbo take a great risk at the climax? After all, this woman has proven that she's a little sociopathic (to put it nicely) and more than willing to murder someone in cold blood. Yes, he takes a similar risk in "Columbo Goes to the Guillotine" (1989), but he was much older then and confident of his conclusions on the suspect's character based on decades of experience.
"Lady in Waiting" is an entertaining episode, but there are too many blatant plot issues.
GRADE: B-/C+
LADY IN WAITING is a solid early episode of the COLUMBO TV show, but not one of my favourites and the reason for that lies in the character of the murderess, as played by Susan Clark. Clark starts out as a mildly sympathetic character at the beginning but undergoes a transformation into one of the most repulsive and annoying characters in the whole COLUMBO canon. I ended up gritting my teeth every time she came on screen - which is a lot - which takes away from the enjoyment a bit.
Otherwise, the mystery is a simple one for Columbo to solve. Clark murders her controlling brother and pretends that she mistook him for a burglar, but her deed doesn't go exactly to plan and Columbo soon smells a rat. Peter Falk is on excellent form here and the scenes in which Clark belittles him are particularly fine. The direction has dated a little, with some cheesy dream effects and overuse of the zoom lens, but the production benefits as a whole from featuring a typically Leslie Nielsen in support back when he was playing it straight.
Otherwise, the mystery is a simple one for Columbo to solve. Clark murders her controlling brother and pretends that she mistook him for a burglar, but her deed doesn't go exactly to plan and Columbo soon smells a rat. Peter Falk is on excellent form here and the scenes in which Clark belittles him are particularly fine. The direction has dated a little, with some cheesy dream effects and overuse of the zoom lens, but the production benefits as a whole from featuring a typically Leslie Nielsen in support back when he was playing it straight.
Before Susan Clark became famous for the sit-com "Webster," she was a highly-touted TV movie of the week star and had a film career as well. In this Columbo, she is a mousy, albeit wealthy young woman who has lived her life under the thumb of her father, and after he dies, her brother (Richard Anderson). She hatches a plot to kill her brother, who is interfering with her plans to marry an employee (Leslie Nielsen) of the family company but if anything could go wrong on the evening of the murder, it does.
Columbo is brought in, and he immediately finds some questionable items, and things become clear as, over time, the lady completely reinvents herself, taking over the company, getting a new hair color and hairdo, a fashion makeover, and a rather unattractive, aggressive change in attitude.
There is a great performance by Jesse Royce Landis as the mother (who greets her daughter by slapping her in the face, and makes Columbo pay her exorbitant cab fare).
It's a shame that Clark does nothing today, but I suppose, sadly, her age is a factor. She seems to have found great happiness in her long marriage to Alex Karras, but her fans miss her. If you're not familiar with her work, catch her in this Columbo episode.
Columbo is brought in, and he immediately finds some questionable items, and things become clear as, over time, the lady completely reinvents herself, taking over the company, getting a new hair color and hairdo, a fashion makeover, and a rather unattractive, aggressive change in attitude.
There is a great performance by Jesse Royce Landis as the mother (who greets her daughter by slapping her in the face, and makes Columbo pay her exorbitant cab fare).
It's a shame that Clark does nothing today, but I suppose, sadly, her age is a factor. She seems to have found great happiness in her long marriage to Alex Karras, but her fans miss her. If you're not familiar with her work, catch her in this Columbo episode.
Did you know
- TriviaThis was Jessie Royce Landis' final acting role before her death on February 2, 1972 at the age of 75.
- GoofsAlthough Bryce is shot three times in the chest, no blood is seen on the body or the carpet after he is dragged across the room.
- SoundtracksLove Theme from 'Red Sky At Morning'
(uncredited)
Composed by Billy Goldenberg
Heard during the bar scene
Details
- Release date
- Country of origin
- Languages
- Also known as
- Schritte aus dem Schatten
- Filming locations
- 1155 Oak Grove Av San Marino, CA 91108, USA(Chadwick's mansion)
- Production company
- See more company credits at IMDbPro
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