Lady in Waiting

Very enjoyable early Columbo with good location and stars, especially the lead actress. Nice fashion too.

Before Susan Clark became famous for the sit-com "Webster," she was a highly-touted TV movie of the week star and had a film career as well. In this Columbo, she is a mousy, albeit wealthy young woman who has lived her life under the thumb of her father, and after he dies, her brother (Richard Anderson). She hatches a plot to kill her brother, who is interfering with her plans to marry an employee (Leslie Nielsen) of the family company but if anything could go wrong on the evening of the murder, it does.

Columbo is brought in, and he immediately finds some questionable items, and things become clear as, over time, the lady completely reinvents herself, taking over the company, getting a new hair color and hairdo, a fashion makeover, and a rather unattractive, aggressive change in attitude.

There is a great performance by Jesse Royce Landis as the mother (who greets her daughter by slapping her in the face, and makes Columbo pay her exorbitant cab fare).

It's a shame that Clark does nothing today, but I suppose, sadly, her age is a factor. She seems to have found great happiness in her long marriage to Alex Karras, but her fans miss her. If you're not familiar with her work, catch her in this Columbo episode.

PLOT: The repressed and overprotected sister (Susan Clark) of an ad agency executive murders her brother (Richard Anderson) and stages it as a mistaken burglary. This takes place right after he threatens to fire her fiancé who works for the company (Leslie Nielsen). She then morphs into a startlingly confident and ruthless power broker.

COMMENTARY: Clark is excellent as the stifled wallflower turned murderess with a semi-mad gleam in her eye while Nielsen is just as good in a convincing serious role. The intriguing plot is original (for Columbo, at least) and the way the rumpled gumshoe pesters the woman with details, even after an inquest declares the killing accidental, is gripping drama. So "Lady in Waiting" is on par with the stronger Columbo outings. But there are glaring plot holes that lower my grade...

Why is there no trace of blood on the floor where her brother falls on the floor? After all, she shot him three times. And why is there no line of blood leading to where the body is dragged, keeping in mind that she had zero time to clean anything up?

Furthermore, since when are American detectives allowed to freely march into a citizen's abode in the middle of the night and confront a suspect in her bedroom? Officers must knock before entering a home, declare their presence, and wait for the inhabitant to come to the door. This is called the "knock-and-announce" rule. The reason for this rule is to allow people a chance to respond so that violence can be avoided and privacy ensured, otherwise police can waltz right into any abode and watch individuals having sex, bathing or going to the bathroom.

Also, do detectives continue pursuing cases after the suspect has been declared innocent by a court of inquiry? Are they paid to keep harassing the individual or do they do this on their free time?

And doesn't Columbo take a great risk at the climax? After all, this woman has proven that she's a little sociopathic (to put it nicely) and more than willing to murder someone in cold blood. Yes, he takes a similar risk in "Columbo Goes to the Guillotine" (1989), but he was much older then and confident of his conclusions on the suspect's character based on decades of experience.

"Lady in Waiting" is an entertaining episode, but there are too many blatant plot issues.

GRADE: B-/C+

Susan Clark gives a fine performance as a male-dominated female who "bumps-off" her brother to protect her relationship with her boyfriend (Leslie Nielsen) and give her back her independence.

This story gathers intensity as the murderess (the first female killer in the actual TV series) is dismissive of any intrusion by others into her family business and she becomes more manipulative and insensitive as Columbo gets closer to the truth - an effective piece of scripting and a hallmark of the series in that Columbo invariably annoyed his chief suspect almost to the point of a nervous breakdown!

The ending is also significant since Columbo's life is clearly on the line. However, the effectiveness of the irony that the killer's boyfriend unwittingly gives Columbo the vital piece of incriminating information, is undone by the fact that the clue could easily have been pinpointed earlier.

This clearly gives the impression that the script-writer had some difficulty in providing a satisfactory conclusion to an originally well-thought-out concept.

When the story begins, you see that a rich woman (Susan Clark) is struggling with a very controlling jerk of a brother (Richard Anderson)....who wants to micro-manage her life. However passive she seems, however, apparently Beth Chadwick has had enough...and soon she hatches her evil plan. She kills the brother and then pretends she shot him because she thought he was a burglar! Can she get away with it? And, does anyone care if she shot the brother?! I was actually rooting for this--especially after seeing her mother!!

Apart from the excessive use of weird electronic music throughout the episode, I enjoyed this one quite a bit. The story was mostly good, though the villain was a bit dumb later in the film....and did a lot to make herself look guilty. Still, an exciting story and well worth seeing.