Butterflies Are Free

Blinded since birth, Don Baker (Edward Albert) has a place in San Francisco. It's the first time he's living away from his overprotective mother (Eileen Heckart). His free-spirit neighbor Jill Tanner (Goldie Hawn) visits and is surprised by his blindness. She's a 19 year old aspiring actress divorcée. They get together and then his mother visits.

Goldie Hawn is the definition of free-spirit IT girl. It's a fine pairing that heightens when they are joined by Heckart. Her entry just elevates the humor to another level but it becomes more than a comedy. Goldie takes a turn that takes the story into good emotional drama. Heckart rides this roller-coaster role. This has a bit of characters-stuck-in-a-room feel from its source material as a play. Nevertheless, these are compelling characters.

Need strong proof to support the argument that Goldie Hawn is the finest of actresses? Watch this classic one along with her masterpiece Private Benjamin. In Butterflies she's funny, tragic, serious and as endearing as she could possibly could be as Jill, the wacky new girl in town who finds herself surprised when her neighbour Don (Edward Albert, Eddie Albert's son) reveals to her that he's completely blind. They have lunch, go shopping, get to know each other, and worst of all meet Don's mother. Don't mistake Eileen Heckart or her awards in the role of the domineering matriarch, she ain't just any aging woman playing a mother. The character is annoying, callous, loving and wise and the relationship that develops between the three characters is very moving. All this presented with great dialogue provided by Leonard Gershe (based on his own stage play).

I randomly put this movie on today, and I was pleasantly surprised. So much that I took the time to register and write the only review of a movie I've ever written. The movie feels more like a play, with a majority of the movie occurring in one space. The bulk of the movie is dialog, the main character Donny is blind. The movie is about his struggle for independence from his enabling mother and his interaction with his newfound roommate, Jill. I found all the actors delivery to be exceptional, and the interactions dynamic and entertaining. Most of the movie is conversations between the characters with quick replies and wit worthy of note. There's not much going on in the film outside of a simple plot, but the movie touches on some very serious, emotional moments as well as humorous. I think Donny's character is played excellently, and the other roles very convincing as well. Overall I found the movie to be really well done, entertaining and not at all bland, although it is definitely more like a play than a movie, so it might take a little more creativity and thought to make it as appealing, but that's what I enjoy anyway. Very impressed, haven't enjoyed a movie that much in a while. And it's 34 years old.

I really enjoyed the movie, but one thing I noticed and appreciated was the long shots. Modern movies usually are changing angles and context every few seconds; while like a play, this movie will hold a shot for minutes at a time. I think it shows the strength of the actors, while most contemporary movies can mask poor acting with editing. This is especially true towards the end of the movie, in the scene where Don and Jill confront each other's feelings. I was amazed at how Goldie was able to hold the emotion of the scene and keep me drawn in for such an extended period.

I've never been a big Goldie fan, but I had never seen this movie until recently. I have to say this movie changes my opinion and makes we wonder what other films of hers from this period are like.

I have been wanting to see this hard to find flick since I had the chance to play the "Goldy" character in the stage play.

Although the film dates to '72 it really isn't even dated, although in one segment it does reference two out of operation airlines--sign of the times.

The cinematic version retains many of the features one would find in the stage play. I found the experience of watching "Butterflies are Free" so much more rewarding then many more countless modern pictures I've forked out 8 bucks for at the theater.

The character development is fantastic, Goldie Hahn is really classic as a

"reformed hippie" San Fran transplant.

However, I feel the supporting characters really shine with their nuanced

performances. The long camera angles and the sets really allow you to see the interaction between the actors and the talent shines. This film is entertaining and enjoyable without expensive special effects, graphic violence or vulgarity-- just a young Goldie in her cute panties and tiny, svelte figure.