Cancel My Reservation

I, like many other viewers have stated, got an opportunity to see this as a youngster on TV...probably late one night back when television stations would play movies like this into the wee hours of the evening/morning. I didn't remember much. Of course there was Bob Hope. I remembered Keenan Wynn for some reason and knew it was about murder in the desert. Well, I finally acquired a copy and was pleasantly surprised. Yes, Bob Hope's game is off. He is 69 or so here(looks absolutely incredible for his age). He turns out a one liner almost every minute he is on screen - which is almost every minute for the film. Most fail, but after awhile I was laughing at some of them - some because they were pretty good and others because he was trying SO terribly hard. Hope glides through the film with his typical Hope persona. Enjoyable but nothing great to be sure. The supporting cast is also equally enjoyable. Keenan Wynn playing a crusty sheriff with his usual flair for such roles. Ralph Bellamy and Forrest Tucker as a local rancher and his henchman. Bellamy is wheelchair-bound and as always quite good with dialog. Tucker looks tired though. Eve Marie saint plays Hope's wife. She is okay but has a dazzling set of legs which she shows off quite a bit. This is Anne Archer's first major film role and she is stunning - a buffet for the eyes and also quite good in her role. The plot is something out of the 40s with a body, then a missing body, and that kind of stuff. Nothing great but watching established pros work with inferior material makes it rise to a level no-talents could not achieve. There is a dream sequence with cameos by John Wayne, Johnny Carson, Flip Wilson, and old Bing Crosby himself. It is pretty brief but nice nonetheless. So this stroll down memory lane was enjoyable. Scenes I saw decades ago started to come back to me, and I will most definitely watch the film again soon as well as check out some more Bob Hope films. Honestly, I miss this stuff. Nothing today, though there is awesome television and good filmmaking abounding, creates the same kind of feel for me as that stuff I watched as a kid. Guess that is how it will be for young people today too.

Unlike many of the these reviewers, Cancel My Reservation does not take itself too seriously. It is no more than a fun flick, without pretensions of high drama. Much of the seemingly stilted dialogue may indeed be deliberate self-parody. The film reminds me of the old Saturday double feature presentations, for those of you who can remember those afternoons at the movies. Relax, and enjoy it as a pleasant diversion, as well as for nostalgic reminders of actors and comics of years past. Bob Hope is a true classic, who provided us with years of pleasure, and who had the courage to tackle many forms of entertainment. He was able to laugh at himself about his film flops, much as Jack Benny did with his The Horn Blows at Midnight. (And the critics are on the mark about the nubile Ms. Archer.)

What a horrible little film--so many talented players wasted in a piece of ephemeral tripe! Bob Hope's gags consist mainly of long outdated topical references. He says, 'Johnny Carson' or 'Dick Cavett', and we are supposed to fall about laughing. Hope, by 1972, was far too old for this sort of role. It is a flop as a comedy, is in no sense a mystery, and mostly it is tedious in the extreme. If you see this film on your TV program, avoid it--it will disappoint you.

The narrator of Louis L'Amour's novel, "The Broken Gun" is a rugged novelist adventurer, a great deal like the author himself. The only character who comes from the book accurately is the evil ranch foreman, Reese, played by Forrest Tucker. Apparently, from the novel's dedication, Louis L'Amour visualized Alan Ladd as Dan, the hero. The William Bendix character would have been the lawman, Riley.

Bob Hope sought to recapture the magic of his vastly superior mystery-comedies, "The Cat and the Canary" and "Ghost Breakers" with Paulette Goddard; "My Favorite Blonde" with Madeleine Carroll; "My Favorite Brunette" with Dorothy L'Amour; and "My Favorite Spy" with Hedy Lamarr. "Cancel My Reservation" suffers from dated gags just meant to get a quick laugh, rather than to move the story ahead.

Paul Bogart directed this picture, in a nominal sense; but Bob was the executive producer. Any credit or blame goes to our star, who was otherwise a great entertainer.

The best scene is a skit within the movie, when Bob visualizes his lynching, attended gleefully by Bing Crosby (of course), Johnny Carson, John Wayne, and the latest hot TV star, Flip Wilson. Johnny observes, "He'll do anything to win an Oscar."

The screenwriter of this movie was Arthur Marx, son of Groucho. Arthur and Bob must have had a major falling out, since the writer penned a vicious unauthorized biography of his former boss. Other writers remained loyal to their former benefactor, such as Larry Gelbart, Sherwood Schwartz, and Melville Shavelson.

"Cancel My Reservation" is just what it wants to be. In other words, it's a very successful movie, even if it's just successful at being completely confusing and silly. Bob Hope fumbles through this movie looking old and confused (even this far back), and the dated sexual roles and racist overtones are just one more factor that makes the viewer wince. There is a cute sight gag or two, but the movie just seems like a drawn out Hope skit from a television special. Fans of Johnny Carson or John Wayne can catch short cameos that will bring a smile.