Death Line

DEATH LINE

(USA: Raw Meat)

Aspect ratio: 1.85:1

Sound format: Mono

Trapped by falling masonry during construction of the London Underground, a group of Victorian workers survive in the bowels of the earth for more than a century, breeding amongst themselves and cannibalizing the dead. A hundred years after their ordeal began, the last remaining descendant (Hugh Armstrong) finds his way back to the surface and begins to abduct people from station platforms in a desperate bid for food and companionship...

With its unique premise and uncompromising attention to grisly detail, Gary Sherman's directorial feature debut has gained something of a cult reputation over the years, and not without good reason. Dominated by Donald Pleasence's central performance as a cynical copper who treats everyone - innocent and guilty alike - with equal contempt, the film strikes a precarious balance between eccentricity and horror, reaching its emotional highpoint during scenes depicting Armstrong's ghoulish underground 'home', strewn with rotting corpses. Art direction (by Denis Gordon-Orr) and cinematography (by veteran Alex Thomson) are uniformly excellent, generating a vivid illusion of ancient decay, and the production benefits from atmospheric location work in abandoned train stations dating back to the Victorian era.

Juvenile leads David Ladd and Sharon Gurney are a dreary pair, and they're completely overshadowed by Pleasence's crowd-pleasing theatrics, but the film survives by virtue of its distinctive plot line and extraordinary setting, and there's at least ONE good scare that will lift viewers right out of their seats! Casual observers may find the opening scenes a little heavy-going, but Ceri Jones' admirable screenplay describes a fascinating narrative arc, and horror fans will be gripped throughout. Christopher Lee exchanges fruity insults with Pleasence during a brief cameo appearance, shot in a couple of hours and intended solely for marquee value.

The premise for this film is brilliant. The underground setting is brilliantly used, with striking photography and visual story-telling. The film's last line is something like, "Did they really live like this?", seeing the squalor of the underground lair. Sequences are fantastically gruesome, in documentary style. Not only is the film well shot, it has some points to make about oppression. See this film if you get the chance, it deserves a much higher IMDb rating.

There's something pretty grisly going on under London in the Tube tunnels between Holborn and Russell Square.

When a top civil servant becomes the latest to disappear down there Scotland Yard start to take the matter seriously.

Helping them are a young couple who get nearer to the horrors underground than they would wish.

Very 70s, but not all that great. The problem is this is sort of a quasimodo frankenstein-ish movie and it takes itself seriously, but it's just not all that compelling.

Lots of long segments with the "monster" (for lack of a better term) wallowing in the dark wet space of the London tubes. But it wears thin when nothing happened for so long.

One every so often you come across a real, unclassifiable gem - one of those low-budget cult movies you see, late at night on TV, then spend years thereafter raving about to your puzzled, disbelieving friends. "See, there's this disused Tube tunnel, with a tribe of degenerate Victorian plague cannibals down there, and they pull people off the platform and eat them, only sometimes they try to mate with them... and Donald Pleasance gives possibly the most monumentally weird performance of his LIFE... and there's this really cheesy proto-electronic score... and... and... and..." As folks wander away from you, shaking their heads sadly, you do not mind. You smile. For you have seen Death Line.

Raw Meat also titled Subhumans is a classic horror movie about terrible happenings occur at London underground. As a top civil servant disappears in the Tube tunnels , then Scotland Yard goes into action . As Police Inspector Donald Pleasence and his helper investigate the bizarre deeds. A young couple, witnesses of the weird events , David Ladd and Sharon Gudney, give some clues about the twisted case. But other murders and kidnapping take place and things go wrong.

This yarn is one of the highest earning horror movies of the seventies .Original terror movie, nowsadays considered to be a cult movie . There is primitive gore , suspense , thrills , chills and creepy scenes.The subhumans appearances are the highest points of the movie , the ghastly characters deliver the goods full of screams , shocks and tension. Interpretations are pretty well , particularly by Donald Pleasence as a sarcastically cynical Inspector, he is supported by a botcher sub-inspector and righ-hand well played Norman Rossington. Along with David Ladd, Alan Ladd's son who as a little boy performed some films with his daddy. David Ladd has made a decent career as a film producer. And , of course, a brief intervention by the great Christopher Lee in a suspect role as a meddlesome MI5 agent .The movie has an acceptable production design plenty of decrepit lairs, dark tunnels , eerie skeletons and excellent make-up with crusted , bruised faces . Adequate and evocative cinematograpjy filled with shades and lights by Alex Thomson. Thrilling and terrifyng musical score by Malone and Jeremy Rose.

The motion picture was well directed by Gary Sherman and it was reedited for American audiencies and released under the title Raw Meat. Gary Sherman is an expert on action genre as he proved in Wanted : dead or alive with Rutger Hauer , Vice Squad with Wing Hauser and being specialist on Terror films as Death Line , Poltergeist III , and "Dead and buried" that is deemed to be his best one . Rating 6.5/10 . Good ,acceptable and decent terror movie