It Can Be Done Amigo

For a Spaghetti Western It Can Be Done...Amigo is neither among the best or worst. While less than perfect, it was entertaining if in a strange way.

While it does deserve a much better DVD with a more expansive widescreen and sharper picture quality, It Can Be Done...Amigo is not a bad-looking film at all. In fact, the scenery is very evocatively beautiful and the camera work is well-placed and doesn't try to be too ambitious or simplistic. The energetic, rousing, haunting, stylish and beautifully and cleverly orchestrated music score is the best thing about the film, plus it fits very well, while the songs are a good memorable fit. It Can Be Done...Amigo is well-directed and the acting is also not bad although the child actor is a little annoying and the dubbing is unnecessary and poorly utilised. Bud Spencer is a charismatic and imposing lead with a good flair for comic timing and Jack Palance is lots of sinister yet hammy fun despite his accent rarely staying the same. Dany Saval brings charm to her role as well.

Regarding the script and story, both are a mixed bag. A good deal of the humour is very entertaining, a couple of the running gags like with the cans and the reading glasses do really work and give off a fun vibe. but some of it does fall flat when it does get a bit too silly and bizarre. The dialogue has its moments and is appropriately good natured, but also gets too silly and awkward-sounding. The story is problematic, credit is due for it trying to do something different for a Spaghetti Western, the interaction between Spencer and the child mostly engages and the final fight is oddball but amusing and tense. Also despite how it sounds reading a synopsis it is thankfully easier to follow than you think. However the film does start very sluggishly and feels like you're riding on the shell of a snail for a lot of the first half of the film, and it ends on an abrupt note.

Overall, flawed but strangely entertaining. 6/10 Bethany Cox

Hiram Coburn is not the typical spaghetti western protagonist. He doesn't use a gun, instead opting to pound his opponents silly with his fists, and although he is as powerful as an ox, he is mellow and laid back to an annoying degree. He takes some getting used to, but by the end of the film I found myself liking this character. Jack Palance plays Sonny, an eccentric gunslinger (what Palance does best). He is very entertaining, and I would have liked to have seen more of him in the film. The weirdest thing about him is that his accent keeps changing. Sometimes he sounds like he is from the southeastern US, other times he sounds Mexican, and other times he sounds like he's from Chicago or something. I don't know if this is intentional or not, but it sure is odd, and odd is a good thing in a spaghetti western.

The music score by Bacalov is excellent. It reminds me of some of Morricone's work, which is pretty much the best compliment one could give.

The story is great, and just about the most original one I've ever seen in a spaghetti western. The movie is a comedy, but not to the extent that it becomes completely unbelievable. I may have given this movie a higher rating if I saw it in a more complete, widescreen version. The version I saw, which I assume is the most commonly available, is approximately 98 minutes long if I remember correctly, and it feels like it's been edited somewhat to shorten its length.

All in all, this one's a must-have if you are a spaghetti western nut like me.

One of Bud Spencer's star vehicles without his partner Terence Hill takes him back to familiar Spaghetti Western territory. Despite a good cast (Jack Palance, Francisco Rabal, Luciano Pigozzi) and crew (screenwriters Rafael Azcona and Ernesto Gastaldi, cinematographer Aldo Tonti and composer Luis Enriquez Bacalov), the film rambles amiably along without ever becoming sufficiently memorable.

Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.

I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible – not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.

While not exactly the same plot as True Grit, it is definitely in the same vein, but this time with slapstick humor interjected throughout. Bud Spencer chops his opponents into submission and Jack Palance goes from goon to goof as the story unfolds.

This has all the parts of a Spaghetti Western: Decent theme song, genre character actors, settings, etc. but winds up a few feet wide of the mark. The humor is decent, especially some of the interactions with Coburn and the boy, and it is an entertaining movie, but I never really warmed up to the gentle giant Coburn (Bud Spencer) and believed his connection with the kid. And I feel like I just have to at least mention the awkward spousal abuse ending ... I guess it was just being historically accurate? Anyways, there are better Western All'Italiana.

Rating: 18/40

Bud Spencer teams up with a kid in this rather charming, but cheap, Italian comedy Western. Jack Palance provides back up as a cigar chomping, riled brother of a chick Spencer slept with, hoping to marry Spencer off and then kill him (to save face). They all end up in a town run by Sheriff/Judge/Reverend Francisco Rabal, who wants the property that the kid's inherited. But why? That's up to Spencer and the kid to find out, but needless to say the kid's sitting on a fortune.

This mostly harmless western has Spencer as the reluctant hero, protecting a kid he doesn't want to protect and getting into many punch ups. Palance turns up periodically to save Spencer (he wants to kill him himself) and for some reason he's got an accent that turns from Southern to Mexican for no reason whatsoever. Everything's played pretty light (no one gets killed, save for the kid's uncle who has a heart attack).

As with all Italian comedies, the laughs are played very broad (verging on slapstick), and there's unintentional and intentional laughs. There's also a touching moment when the kid starts showing Spencer a bit of affection and you can see Spencer's torn between his duties in looking after the kid and his own need to get out of town. The film also benefits from having one of the least annoying kids in Italian cinema (If you've seen House by the Cemetery or Sweet House of Horrors, you'll know that's no understatement).

The abrupt ending seems to endorse wife-beating, however, so I'm not sure what that was about! Did give me a laugh, though…The print I viewed was awful - drained of colour, pan and scanned, with a weird echo for the first 30 minutes.