Fritz the Cat

I came of age in New York City during the 1960s and shared many of the same trials and tribulations of Fritz the Cat. It's hard to find your kicks when everyone around you is spaced out and hung up on aggression. All us long-hairs got a bad rap, like Fritz, because we were confused about what it is we wanted. For those of us who lived, we began to age to the point of getting knowledge and understanding. Of course by the time we understood that it was too late to do anything about it. The scene was too weird and we were too confused. Fritz the Cat is like a lot of the guys I hung around with; full of ideas and short on ambition. This film is a perfect view of what some people saw in the 1960s. 3 1/2 stars out of 4.

From what I had heard of this film and the other user comments posted, I was expecting a simple little shock cartoon. What I got was good kick in the pants. And I mean that in a good way. "Fritz the Cat" in many ways exposes the 1960's more than the live action films of its own decade.

The movie starts with 3 construction workers talking on top of an unfinished building. The dialogue is very spontaneous and almost seems ad-libbed. These types of conversations are sprinkled throughout the 80 minute film.

It then transitions to Fritz the cat, a college student who, like many of that era I'm sure, is not sure what it's all for. He decides to "do something real" and ventures into Harlem. From here he meets a wide assortment of people, incites a riot, and has sex with many a woman. It may not always have a point, but the movie has one fun segment after another with little breathing room. Sometimes unnecessarily shocking, sometimes surprisingly inspired, but always quick on its feet.

So please give it a chance. It's a lot more than the notorious cartoon porn it's been labeled as. It's a fun romp through the deprived New York of the 60's, except this time with cartoon characters! What's not to like?

7/10

The idea of taking certain concepts to the extreme has been happening forever and it's no stranger to the film industry. Originally, the thought of making animated movies was scoffed at, until Disney made theirs. Then as time progressed, people began to treat animated features with more relevance towards adults. However, it wasn't until the experimental era of rock, fornication and drugs did that particular push come into play. Classic cartoons that came before the 1950s were considered for adults, but they didn't contain blatant drug abuse and graphic sexual content. That is until Ralph Bakshi became one of those pioneers of said genre. Having worked on several other animated projects prior, Bakshi was very familiar with this aspect of filmmaking, which led him to his feature film directorial debut.

Fritz the Cat (1972) is Bakshi's satirical take and social commentary on the 1960's in the United States. Plot wise, it follows the adventures of Fritz the cat (Skip Hinnant) looking to fine the "inner meaning" to life and such. Being a college student, he floats around hopping to different places and experiencing different kinds of people with their ideologies. Also written by Bakshi, the script finds itself bogged down with a hodgepodge of events and underdeveloped motives for the audiences' "protagonist". It's rather unfortunate because the film itself isn't meant to really make Fritz a likable character, but the film also partially fails to provide any sort of understanding as to why he acts the way he acts. It's just Fritz being hypocritical doing things with different people; which was already spoiled in the plot synopsis.

In a way, it feels like Bakshi's version of Alice in Wonderland but grittier and graphic. The audience bumbles along with Fritz on his misadventures watching him try to fit in with all sorts of individuals that in no way fit him. Worst yet, is that Fritz himself feels weightless in his motivations. He just keeps searching, and searching, not really getting to a definitive state of understanding. Fritz is a lost puppy....how oxymoronic. Along his travels, Fritz tries drugs, fornicates with whatever character he finds appealing that he can woo over, joins extremely dangerous cults and causes tensions between different groups of people. All to find that "inner meaning" he so desperately wants to understand. In some ways, it feels like what some of the 1960s were about, but was it that chaotic and scatterbrained?

The acting is fine despite the cast being a very short list. Skip Hinnant as Fritz is fine, he gets the job done adequately. He didn't perform very much after this, returning for The Nine Lives of Fritz the Cat (1974) and I Go Pogo (1980). Rosetta LeNoire also plays the role of Bertha in this film. She does fine for the role while also voicing other characters too. LeNoire would later have roles in The Brother from Another Planet (1984), Gimme a Break! and Family Matters. There are some other actors involved in this production, but their contribution is so little in comparison and they didn't go on to do much later, so it's not worth covering. If there's one thing Bakshi got right, it was making this cartoon directed towards adults because no youth should see the amount of graphic nudity and violence that is in this picture. There's blood, private parts and racial undertones that would not be accepted at all today by any means.

As for the visual aspects, it's a little confusing as to why two cinematographers were needed as this was an animated film. There are some settings where the picture gets rotated but I'm not sure if camerawork was needed for that. As for the animation itself, the colors and movements to the characters are good. The textures to the animation are unique too since it was most likely cell animation. The coloring in every stage of the animation looks like no frame was filled in exactly the same. It's a different look for sure. Lastly the music composed by Ed Bogas was okay for the time and budget it was produced on. Bogas would also go on to compose for The Charlie Brown and Snoopy Show and Garfield and Friends. He would also go onto compose music for video games like Gameboy's Swamp Thing and even the dreaded NES Action 52 cartridge. Very interesting indeed.

As a whole, the movie should be looked at more as a trial in pushing the limits of acceptable animated films. Sadly, this movie tries to make a point but doesn't. The animation, music, social commentary and acting are okay, but the point of it is lost with its haphazard story, overly graphic detail and half-baked script.

That is how the 1960s were described by the narrator in the beginning of this film. Fritz the Cat is a famous movie for a number of reasons, most stemming from it being the first feature-length adult cartoon and having an "X" rating. There were controversies surrounding its creation with director Ralph Bakshi and character creator Robert Crumb. The film is like nothing I have ever seen before. It has a unique animation process that makes everything reek seediness, despair, and cry for social change. Bakshi wrote the script which really is nothing more than the knife that cuts through all the 60's BS - from existentialism to the drug culture to the love generation to African-American perspectives to militancy. Nothing is spared as the counterculture is laid bared and examined through the eyes, ears, fears, and desires of Fritz the Cat. Along the way, Fritz experiments with just about anything - including lots of sex, drugs, and sex. While the film definitely is quite vulgar in many ways with some of the most odious characterizations of otherwise cute and cuddly animals and depicting lots of strong sexual situations(though in no way deserving the "X" by today's standards), Fritz the Cat is also an intelligent look at one character's drive to find himself and meaning in his life - perhaps a symbol for the whole decade the film is examining. The end result is nothing conclusive - also perhaps a symbol. Bakshi's script is in some ways profound and thought-provoking and in some ways infantile and vile - his obvious dislike of police just one example. But what had my attention more than anything else was the animation - particularly in exterior shots not containing characters. There is one scene where the slums of Harlem are integral to the story. Bakshi uses his camera to zoom in on quite an impressive animated background shot of a field lost amongst the slums of Harlem. It is the very essence of seedy existence in an uncaring world. There are many other shots too that have that same power, but let's not forget that even with the intelligent at times script and the animation, much of Fritz the Cat is used solely to arouse - either arouse some primal feelings or arouse offense. A landmark film at any rate whether for good or for bad.

Anyone who didn't like Fritz the Cat is not looking at the film in the right way. A lot of the reviews I've read basically said that it is nothing more than a bad film that strives only on shock value to get an audience. I also read that it doesn't have much of a storyline and only revolves around sex and drugs......so what else did you expect a movie about the slackers of the 60s to have? Did the stoners of that decade NOT behave the way Fritz does in the movie? In order to understand the point of the movie you have to put yourself into Fritz's shoes and let him guide you through his life as a college drop-out trying to find his purpose (Existentialism for those who are not familiar with philosophy) in life and still have a good time. Of course his journey leads you to animal orgies and a crow that hides pot in awkward places, but that is the beauty of this movie--it's about freedom! I also do not believe it is outdated because Fritz's trippy surroundings and his pseudo-intellectual thoughts were enough to make me melt! It's all about the mood. The animation and music put the viewer in a hypnotic state where nothing else matters except pleasure and happiness. If you can't identify with Fritz then you have lost the feel of what it's like being young.

And just for some peoples' info. the movie is not X-rated because it has explicit sex scenes (any viewer of pornography, also X-rated in some form, knows that we have seen much more of the human body then is depicted in this film), it is X-rated because there are CARTOON ANIMALS HAVING SEX. Anyone who would give this film an R-rating because there are no close-ups should not plan on an MPAA career in the near future