Gargoyles

"Gargoyles" is a film that many of us over 30 are familiar with from repeat viewings on late night local creature feature monster movie matinée type screenings, a form of television that has sadly gone extinct. It's been a pleasure to re-discover the film now in the digital age and find that not only does it hold up, but is a superior example of low budget horror trends of the era with it's stark southwestern American locations & dusty, arid themes of supernatural horror, ala "Race With The Devil", "The Devil's Rain", "Brotherhood Of Satan", et al.

The film was actually a CBS television production back in the age when made for TV movies were more than just product placement vehicles. The budgeting was tight and every dime is up there on the screen from a cast of convincing professionals (Cornel Wilde, Jennifer Salt looking fresh, Scott Glenn, good old Woody Chambliss and the scene-stealing Grayson Hall as an irascible drunk), a competently written screenplay by Elinor & Steven Karpf (who would later unleash the lovable "Devil Dog: The Hound of Hell" on unsuspecting audiences), and makeup genius Stan Winston's remarkable gargoyle creations. Sure, they are just stunt actors bedecked in rubber suits, but each of the film's gargoyle characters come across as an individual, and are a far more intriguing population that the film's human indigents. The movie manages to cast its "monsters" in a surprisingly sympathetic light and indeed the human protagonists come across as a bit barbaric as they propose a quick genocide to rid the world of the gargoyle menace.

Which is itself an interesting idea: The term "gargoyle" is actually a word of French derivation ("water-throat") that refers to ornamental fixtures or grotesques on Gothic era cathedrals who's mouths served as water spouts to facilitate the flow of rain buildup from their roofs. A quick search on Google reveals little as far as supernatural mythology of gargoyles and chimera, the non-functional grotesque variety that were added as pure decorations. Some mention is made of tales regarding the gargoyle forms as guarding their cathedrals during the night in a living form and then returning to their stoned state during the day, but such tales were created after the fact to explain why they were so commonly seen. Humans have always had a ghoulish, darker side to them and the forms stuck in the popular consciousness. So enterprising 14th century devotees came up with a fanciful explanation for why they were there for young inquisitive minds, perhaps as a put-on to scare kids into finishing their vegetables. In spite of the film's commanding prologue, however, there are no tales of gargoyles having banded together with Satan to do his bidding on Earth, and in fact the opposite is actually what is implied since they were guarding churches.

Regardless the film is quite convincing in it's suggestion that man and gargoyles have always been at odds (and that they like our women, the pretty ones at least), no doubt helped by the voice of "Star Trek" legend Vic Perrin as both the opening narrator and the voice of the gargoyle leader. His sonorous delivery has been ingrained with a sense of authority in popular culture and one almost expects him to start betting Quatloos on the newcomers as it is impossible to hear him speak and not make the connection. Unless, of course, you don't know your "Star Trek".

Anyway it's a surprisingly sober and professional affair considering the subject matter, with an interesting use of slow motion film effects to give an unearthly feel to the early gargoyle attack scenes that is actually mildly disturbing. This is a film that people remember having seen even after thirty five years, no easy feat. And if I might say, Cornel Wilde comes off as far more convincing as an anthropologist demonology expert who's handy with a shotgun than he did as the natural born Terminator survivalist he played in "The Naked Prey". "Gargoyles" is a better movie too.

8/10: Deserves to be re-released on DVD as an ode to the genius of Stan Winston, who went on to much bigger and ... well, bigger things. This movie rules.

OK... In this day and age of CG graphics and $100M budgets, some would say this movie wouldn't stack up. Of course most of us who have seen it love it for its nostaglic value and some very genuine scares. It always seemed to come on really late at night (was that on purpose?) and I remember at least once watching it when I was about 10 years old at our neighbors lake house when I was the only one awake and there was a nice storm going on outside. All I can say is that I jumped a number of times that night and although I've seen plenty of horror films since, I'd probably still jump during this one today. Hopefully I'll get to see it again, if not just to hear the lead gargoyle say "Diana" in that metallic, evil-sounding voice.

When I was a kid, I remember asking my dad what movies he thought were scary. He answered Night of the Living Dead and Gargoyles, so I was always nervous to watch this movie. It just looked strange and in the late 70s, it wasn't like I could on demand find it. Even today, it's hard to find on DVD (but YouTube is a whole different story).

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Originally airing on CBS on November 21st, 1972, it was directed by Bill L. Norton (Baby: Secret of the Lost Legend, More American Graffiti) and written by Steven and Elinor Karpf (Devil Dog: The Hound from Hell, The Jayne Mansfield Story), Gargoyles may be uneven, but has moments of pure joy.

It's one of the first films Stan Winston (Terminator, Aliens) worked on, providing a variety of gargoyle makeup. The look of the creatures is wonderful, as they don't all look the same. And the leader (Bernie Casey (Felix Leiter in Never Say Never Again, UN Washington in Revenge of the Nerds) has the perfect look that balances a regal bearing with an otherworldly aura. You can see why this won an Emmy. It's big budget worthy work on a shoestring budget.

Speaking of budget, the film was shot with just one camera over 18 days; a fact that chased away the original director. Temperatures at the Carlsbad, NM location baked the cast and crew, reaching 100 degrees or more the entire shoot. So it's amazing that what emerged is so interesting.

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This is one of my favorite Saturday afternoon Monster Movie Matinee (a Syracuse, NY show when I was a kid) staples. It would creep us out when the head gargoyle would flap his wings as he made an escape. There are so many glaring cinematic blunders, but MY favorite is when Cornel Wilde and his daughter are traveling through the desert (right after he first picks her up) there is a quick shot that includes the back seat area where suddenly a man's knee pops up in plain sight as the car is traversing the bumpy road! Obviously along for the ride but trying to stay out of sight. It's hysterical and I can't believe they left it in. You can't miss it.

The thing about made-for-tv movies is that the networks have a requirement that there is a chill and/or spill on every commercial break. If the formula is followed successfully, it definately pays.

Gargoyles is proof of this. It is a low-budget film, but is well-paced. I was thoroughly chilled by this when it first showed on TV, and saw it again a few years ago, then caught it again today on MoviePlex, sans commercials. It holds up very well over time, and the acting is quite good in most places. I especially liked Bernie Casey as the lead Gargoyle, though I don't know if I should call it especially inspired or deliberatly hammy. Doesn't matter, still enjoyable either way.

The effects were on the very lowest budget, so you get a whiff of 'cheese' to enjoy as well, but the monster suits were actually quite good. I only saw 'rubber stretches' once or twice. I can think of big budget films that didn't have costumes as good as these. Bernie Casey's voice was filled with some kind of static. A cheap effect, but an effective one.

The plotline was a bit slanted, the Gargoyles were dedicated to taking over the Earth, completely evil and therefore must be destroyed, something that wouldn't likely be passed today due to politcal correctness, but the ending still works nicely despite that.

I would highly recommend it to any horror fan.