IMDb RATING
7.0/10
1.3K
YOUR RATING
A poor girl sold into prostitution soon becomes the focus of a detective's investigation when a series of murders occur at the brothel where she works.A poor girl sold into prostitution soon becomes the focus of a detective's investigation when a series of murders occur at the brothel where she works.A poor girl sold into prostitution soon becomes the focus of a detective's investigation when a series of murders occur at the brothel where she works.
- Director
- Writer
- Stars
Fan Mei-Sheng
- Wu Hua-tien
- (as Mei Sheng Fan)
Chen Hao
- Liao Kuo-kuang
- (as Hao Chen)
Sze-Ma Wah-Lung
- Governor Chou
- (as Hua-Lung Szema)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A woman named Ainu is kidnapped and sold to a brothel. She tries to resist & escape but fails being caught immediately. Given the choice between dying or accepting her position in the brothel she chooses the latter. Soon after is rented to four wealthy clients and secretly vows revenge. Also becoming the lover of the brothel's lesbian Madame.
There is several scenes of martial arts action. Something Shaw Brothers were well known for. Included is a little blood, of course a bright red color, another thing the Shaws were known for. But wait, there's more. The storyline is still the main focus. It's an interesting story on its own. Throw in a little minor nudity as well.
From beginning to end is a strong script. The action for the most part is well choreographed. The acting is good to excellent. This is one of the most well known Hong Kong films of its type. A true classic.
There is several scenes of martial arts action. Something Shaw Brothers were well known for. Included is a little blood, of course a bright red color, another thing the Shaws were known for. But wait, there's more. The storyline is still the main focus. It's an interesting story on its own. Throw in a little minor nudity as well.
From beginning to end is a strong script. The action for the most part is well choreographed. The acting is good to excellent. This is one of the most well known Hong Kong films of its type. A true classic.
A woman learns martial arts to assassinate the men who raped her. She uses sexual wiles to get close to them. A memorable scene is where one of her victims is wary, having heard of the deaths of several colleagues. She reassures him that she cannot be the assassin. She takes off her clothes to show she is carrying no weapons. He fails to notice that her hair is held up by a large pin...
Absolutely marvellous Shaw brothers classic. Definitely strong influence on Kill Bill. I watched the dubbed version which seemed OK. Art direction terrific. The ending is an over the top bloodbath
Fantastic
Fantastic
I saw this movie in an English Cinema, in Birmingham, in the mid- 1970's, and was quite bowled over by its startling originality, at least to my eyes as a western viewer. It is far better constructed than most of the Kung Fu type movies that have world popularity, and will appeal to a discerning audience. The intricate plot deals with the fate and adventures of two women, masters of their marshal arts, and sworn to vengeance. The significance of the relationship between the two women grows until it becomes central to the film. That alone was original enough in the 1970's - but amazingly it is still original now.
The film has a legendary, classical feel to it, and is absolutely not self-conscious about the role of its female leads. The plot twists and turns down to its tragic denouement, breathtaking in its melodrama and beauty. I don't know enough about this but it felt very rooted in chinese culture , and had the classical structure of a greek or shakespearian tragedy.
It is also beautifully filmed, and has many of those chinese fencing scenes the mass public has only really just become familiar with in Crouching Tiger Hidden Dragon. But the latter is really not a patch on the earlier film.
There may be many more like this - I don't know - and although it didn't feel formulaic to me, perhaps it might to the chinese audience. So I only gave it eight, rather than the nine that was tempting me.
So why is this film so unknown, alone and unrated? That, I think, is the result of the unfortunate terms of its original release. Subtitled chinese movies at the time would appeal only to a specialist audience - (and Enter the Dragon had not yet appeared to change all that ) . But the specialist audience would instantly have been put off by the unfortunate "Confessions" marketing title, which immediately put it into the category of the contemporary naff British comedy series "Confessions of a window cleaner" and the like. Many a time I have tried to recommend this film title to friends only to be looked at incredulously as if - oh dear - how pathetic. Not that they would have found it easy to see it - it can't have enjoyed wide release.
Now is the time for re-release.
The film has a legendary, classical feel to it, and is absolutely not self-conscious about the role of its female leads. The plot twists and turns down to its tragic denouement, breathtaking in its melodrama and beauty. I don't know enough about this but it felt very rooted in chinese culture , and had the classical structure of a greek or shakespearian tragedy.
It is also beautifully filmed, and has many of those chinese fencing scenes the mass public has only really just become familiar with in Crouching Tiger Hidden Dragon. But the latter is really not a patch on the earlier film.
There may be many more like this - I don't know - and although it didn't feel formulaic to me, perhaps it might to the chinese audience. So I only gave it eight, rather than the nine that was tempting me.
So why is this film so unknown, alone and unrated? That, I think, is the result of the unfortunate terms of its original release. Subtitled chinese movies at the time would appeal only to a specialist audience - (and Enter the Dragon had not yet appeared to change all that ) . But the specialist audience would instantly have been put off by the unfortunate "Confessions" marketing title, which immediately put it into the category of the contemporary naff British comedy series "Confessions of a window cleaner" and the like. Many a time I have tried to recommend this film title to friends only to be looked at incredulously as if - oh dear - how pathetic. Not that they would have found it easy to see it - it can't have enjoyed wide release.
Now is the time for re-release.
This film essentially begins with a young woman by the name of "Ainu" (Lilly Ho) being kidnapped by slave merchants and taken to a brothel owned and operated by a beautiful but extremely evil woman named "Lady Chun" (Betty Pei Ti). Although Ainu tries to escape and does everything in her power to resist she eventually is auctioned off to four men in particular who each take their turn raping her one day after another before returning her back to Lady Chun. However, after these ordeals are finished she not only gains the respect of Lady Chun but subsequently wins her affection as well. Yet in spite of her elevated status, Ainu still nurtures a hatred in her heart for those four men and as a result she patiently waits for the right time to gain her revenge. Now rather than reveal any more I will just say that, although I would have preferred a bit more depth and intrigue, this still turned out to be an entertaining martial arts movie for the most part. Likewise, it certainly didn't hurt to have two beautiful actresses like the aforementioned Lilly Ho and Betty Pei Ti. Be that as it may, while I don't consider this to be a great martial arts film by any means, it was certainly good enough for the time spent and for that reason I have rated it accordingly. Slightly above average.
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