Fist of Fury

Film maker Lo Wei directed this Bruce Lee classic Fist of Fury immediately after the success of Lee's first martial art film, The Big Boss. Fist of Fury tells the story of Chen (Lee) who arrives in Shanghai to his martial art school, only to learn that his beloved teacher has died and the funeral is going on when he arrives. Soon it is revealed that the death was without a doubt a murder and our fierce hero is going to solve the mystery..With the power of his fists and kicks.

This film is prehaps little too racist towards Japanese since they are depicted as dirty and greedy criminals here and some lines in the script are very underlining and judge the Japanese people too much. Then again, the film makes me wonder about racism in general since there is so much mayhem in the film and so many Chinese and Japanese get killed by each other, so maybe this film was not meant to be racist at all. Maybe the intention was to tell something about us who cannot live in peace with each other. All these things happen even today, 30 years after the film's release so the subject matter is definitely universal as it was back then in 1972. Still I would have toned down some of the dialogue bits since they are little too strong, and I think Bruce Lee himself didn't like the film's racial elements.

On the other hand, this film is really beautiful as it depicts the sensitive love between Bruce and Nora Miao, who is very beautiful and sweet female in this film, and also in other Lee's films. The scene at the teacher's grave is one of the most sensitive scenes of love I've ever seen, and those two characters are hand touchingly full of emotion. The themes in this film are mainly about relationships between individuals and humans in general, so the film has many things to offer moreover mere action. This is action classic with heart.

The film is famous for its legendary first nunchaku fight scene at the Japanese' training camp as Bruce shows for the first time his personal fighting tool and weapon, a pair of nunchakus. That fight scene even before nunchakus is among the greatest ever filmed since the choreography and timing is totally marvellous as the one take lasts very long without edits, and Bruce kicks and hits about ten victims during that, and the timing and stunt men had to be really sharp in order to not to get hurt for real. Also, the nunchaku fights in the film are incredible as Bruce uses his weapon without flinching an eye and with fierce look on his face. This all is even more powerful in his next film, Way of the Dragon.

The film was shot mostly in studio and there are only few exteriors in Fist of Fury. The staging is very convincing and the film's bigger budget compared to that of The Big Boss' really shows. The last fight in night time at the Japanese yard is very beautifully lighted and full of cinematic magic. The film is full of details and elements from Chinese culture and traditions, so this is little more personal and interesting film than The Big Boss, which had some irritating little flaws like the sound of Bruce' necklace he got from his mother and the scene where Bruce punches a guy through a wall with funny and campy result, which director Lo definitely didn't meant to look that funny.

Fist of Fury is a stunning piece of Hong Kong and world cinema and easily among Lee's greatest films. The atmosphere is created so convincingly that even people who usually don't appreciate action films should appreciate this, since this film is many more things than just action and fighting. Fist of Fury hasn't lost any of its power and punch during these 30 years and will remain one of the most important martial arts movies ever made. 9/10

Written & directed by Wei Lo (who also plays the role of The Inspector), "The Chinese Connection" is simply a classic Bruce Lee martial arts film. It of course serves its purpose of dishing out lots of great combat (complete with hilarious over use of "impact" sounds). But there's more here going on than that. This also features some funny comedy, and some particularly potent drama. It's a tale of bigotry, as the Japanese in Shanghai treat their Chinese counterparts with contempt, and demean them.

Taking place at the turn of the 20th century, it stars Bruce as Chen Zhen, a student who returns to his school to learn that the beloved "Master" has died. Not only that, but he just might have been murdered, to boot. Naturally, Chen swears to solve the crime and get some revenge. He takes on all comers, while the carnage mounts.

There's some pretty delicious gore in this lively affair, which goes on a bit long at one hour and 47 minutes, but it still has much to recommend it. Lo and Bruce get your attention and keep it with their many intense fight sequences. It also offers a little dose of romance, as Chen hopes to marry the girl whom he loves (Nora Miao). The villains are wonderfully despicable; you love to hate them, and eagerly anticipate the inevitable showdown between Bruce and characters such as Petrov (Robert Baker), a massive Russian who shows off his superhuman strength in one amusing segment.

The acting is just fine from everybody concerned. Bruce is indeed at his best, proving his physical prowess at every turn and displaying that memorable screen presence.

Good, solid action entertainment, a must for martial arts fans.

Eight out of 10.

before i start of on the review i just want to ask,"which other essentially non-American movie star (although he was born in San Francisco) is still on TV commercials over 40 years after his last completed film? i just saw 2 commercials on TV on the same day(no less), during major time-slots, one was a major car company and the other was a leading brand soda-pop. the mans legend lives to this day and far beyond, what is it about Bruce lee?

there has been 4 major stars of kung-fu movies that actually studied the martial-arts. Bruce lee, jet-li, Donnie yen, and Vincent zhao. one was even a world champion(jet-li) for a few years. Jackie, sammo, and yuen baio don't count, because they studied peking opera dance and acrobatics. my favorite out of all of them is Bruce lee. mark my words, just like there will never be another James Dean, there will never be another Bruce lee. the mans a legend and he had a total of four completed films, the last one in 1973, after that there were countless imitations. so if you are a true fan of Bruce lee, his last completed film was "enter the dragon" in 1973. he was about to take the world by storm right before his death.

OK, on to the movie...the setting is pre-world war 2 shanghai China, and it is about his masters poisoning death by the hands of the Japanese, while Bruce was away. he comes back for the funeral and is immediately suspicious unlike his other classmates.

the investigation goes deeper, he finds out people from his school were directly involved with the death and the bodies start piling-up from there on. the pacing got a little bit slow during the middle but thats okay, it wasn't just a kung-fu movie, there was serious acting in it too.

it is just the awesome imagery Bruce lee conveys when he is doing his thing...it is like on a visceral level impossible to duplicate. i love kung-fu movies in general but i have to say, there is no one like Bruce Lee...his style was his own and everybody tried to imitate him and everybody failed miserably or it was just meant to be comical. forget about other kung-fu movie stars trying to imitate him..., ever since i can remember(early 1980's)of my childhood in NYC, i would see him on TV, i walk down the street and guys are imitating him, i see t-shirts of him and this is in the United States...i can imagine how crazy it must have been in Hong Kong.

when Bruce lee did his moves they look so real and he was incredibly quick, like a cat and the closest i've seen in speed is jet li. watching Bruce lee beat up bad-guys is like a guilty pleasure that you don't mind.

there is so many classic images from this movie and they are like burned into my mind and i will never forget those images...the initial dojo fight, the ending where the shot ends on a freeze frame and like a hundred other shots in the movie. this movie is bleaker then his other three films, but it was shot beautifully, more so then the other 3 films.

thank you for your 4 completed films and may your legend and myth live on forever!

The second of the Bruce Lee-starring movies is in terms of plot a lot less interesting than the first. Here, we have the 'student sets out to avenge his master's death' which was already the major storyline of most martial arts films. However, it is handled in a more realistic way then usual and technically it is far superior. Lee was allowed to choreograph his own fights and his battle with Japanese martial artists in their school and climactic duels with a Russian boxer and a Japanese swordsman remains classic fight scenes.

The film drags somewhat in the middle although the lengthy dialogue scene between Lee and his girlfriend was another step forward for the Hong Kong martial arts movie, vivid proof that Lee was a pretty good ACTOR. By contrast, Lee's final farewell to his girlfriend is all the more powerful for being done completely without dialogue at all. The ending is the most powerful and moving of all the Lee films, the final freeze frame managing to encapsulate Lee's grace and power in a single shot.

Many mock Lee's films as being silly and just consisting of fighting. Both accusations are completely untrue. They have far less fights than most films of this kind and, at least in the three Hong Kong films he made, there is a clear message that violence does not solve anything. They may not have the polish of the more recent works of Jackie Chan and Jet Lee but their power remains undiminished, as long as of course one does not watch the awful dubbed versions!

Undoubtedly Lee's most intense performance, Wei's powerful kung fu classic is ripe with anti-Japanese hysteria and propaganda, so much so that there's not a single pleasant Jap' in the movie (unlike the up-to-date modern re-make). That aside, essentially this is a riotous Bruce Lee vehicle, kicking out trademarks and smashing up all evil in the process. The plot (Lee's sifu poisoned by Japanese school in turn-of-the-century Shanghai) is a valid excuse to string a great line-up of fight sequences together, and what great action this is: Bruce pounds the lights out of a dojo full of evil Japs using only fists, feet and nunchakus, and the duel with Baker (Lee's real-life personal bodyguard) near the movie's end is sheer entertainment typified. Though based on factual events, the subject matter is vastly exaggerated. Nevertheless, as kung fu theatre goes, Fist of Fury is an immensely satisfying experience, and stands as probably Lee's best Hong Kong work.