The Hot Rock

Robert Redford plays an ex-convict named "Dortmunder" who, with the help of Kelp (George Segal), Merch (Ron Leibman) and Greenberg (Peter Sands), undertake a goofy and delightful heist of a valuable diamond. This diamond, named the Sahara Stone, was stolen by both the United States and Africa for many generations, and Dr. Amusa (Moses Gunn) hires this unwieldy bunch to steal it back from the U.S. They steal it from a museum (using a huge car explosion), then from the prison, then from a police station before finally getting fired. However, all is not lost, for then Dortmunder actually gets the thing (with the help of a hypnotist and a gullible guard) from a maximum security bank. This is a great movie for those who like eating pizza in front of the TV!

The Hot Rock has a soft spot in my heart because the area of Brooklyn where a lot of the film was shot, I know very well, Eastern Parkway, The Botanical Gardens and most of all The Brooklyn Museum I know very well from years of living in the Borough of homes and churches. The Brooklyn Museum is where the elusive Hot Rock resides or at least where it first resides.

Robert Redford is released from prison and his brother-in-law George Segal is there to greet him. As Redford says to warden Graham Jarvis there ain't no chance in hell he's going straight. Straight into another caper that Segal has lined up for him with Ron Leibman and Paul Sand.

The amiable team is hired by African ambassador Moses Gunn from some fictional central African country to get a national treasure, a rather large diamond on display at the Brooklyn Museum. They do steal the diamond, but through an incredible combination of circumstances have to plan and execute four different break-ins before The Hot Rock is in their hands.

Redford and Segal display a good chemistry, as good as the fabled co-starring chemistry of Paul Newman and Robert Redford. Why they were not heralded as a buddy combination is beyond me.

Stealing the film in whatever scenes they are in are shyster attorney Zero Mostel and his doofus of a son, Paul Sand. In the first caper at the museum, Sand gets caught and what he does with the diamond sets up the entire rest of the film.

As for Zero we find he's an attorney with absolutely no scruples whatsoever, the kind they make excellent lawyer jokes about. But he does give us some excellent laughs.

The Hot Rock is something on the order of an American domestic version of Topkapi. The laughs in it are good and strong, although some of the Seventies fashions make me wince. Despite that the film holds up well today. I'm surprised no one is thinking of remaking this one.

"The Hot Rock" is an unusual sort of caper film. In that, at times, the plot is a bit funny as well as ridiculous. Because of this, it stands out compared to the average crime film.

The story begins with Dortmunder (Robert Redford) getting out of prison. He is apparently a brilliant crook who has a habit of getting caught And, he's also learned nothing in the process as one of the first things he plans on doing is yet another robbery...this time with the help of his brother (George Segal) and a couple new guys (Rob Liebman and Paul Sand). What makes this robbery unusual at the beginning is that they are doing it for someone...a doctor who wants a diamond stolen because his country things it's theirs. But the robbery does NOT go as planned...and this sets up yet another crime...and another...and another. The problems keep snowballing...but Dortmunder is determined NOT to give up even when things seem hopeless.

The acting is very good in this one. Redford is fine....but the weird performances by Liebman, Sand and Zero Mostel really make this a quirky and enjoyable change of pace. Not a brilliant film but a very enjoyable one.

This was my introduction to my favorite author and his prized creation (under his name anyway) Donald Westalke's John Dortmunder and crew make for a great book, so far thirteen and counting. This movie is based on the first book and one of the best.

I won't get into the plot because it's been gone over before, but Peter Yates and William Goldman crafted a pretty fine entertaining film, it may not be as good as the book (in fact it's not) but it doesn't stray too far, you got Robert Redford who's good in about everything. When i was reading the books at first i pictured him as Dortmunder, but my mental image soon switched to Walter Matthau. Then George Segal is a pitch perfect Andy Kelp, i don't think anyone could have been better. As a gearhead, my favorite character of the series is the driver Stan Murch, and Ron Leibman embodies him perfectly.

Overall the film is much better then other adaptations like "Bank Shot" with George C. Scott, and "What's the Worst that Could Happen?" with Martin Lawrence, and only slightly better than "Why Me?" with Christopher Lambert, and if you haven't read any Donald Westlake, you should. You really should, start with any of the Dortmunder books, and you'll get hooked.

Okay okay, Westlake's novels are always much better than the respective movies (take for example "What's the Worst that Could Happen"), but I must admit that director Peter Yates did a really good job. Dortmunder (the author was inspired to this name by the German beer!) is not much like Donald Westlake's original in the Dortmunder books, along with some of the other characters. Redford is too handsome. George C. Scott in "Bank Shot" was much more Dortmunderish (Westlake's master-crook John Archibald Dortmunder is worn down and pessimistic), but in the "Hot Rock" movie Yates catches the 'Zeitgeist', or spirit of the times. And that's enough.

Brilliant: Quincy Jones' soundtrack (with Gerry Mulligan playing the sax).