Antony and Cleopatra

It would be very interesting to see how audiences in the 21st century would react to this movie if it were just released and shown in theaters -- the very same film, cast and all. My guess is that it would go over big. If for no other reason, than for the lavishness of the film and the tremendous action scenes. Many may also go for the love affair between the two leads. And, literary folks today would no doubt find it an interesting discussion topic for comparison with Shakespeare's play. Of course, historians might enter the discussion regarding the Battle of Actium, the personages, the politics and even the authenticity of costumes, ships, weapons, etc.

That should be enough to arouse the interest of any modern youths and older who have not seen this film. Because, "Antony and Cleopatra" was and is a first rate movie production of both a famous play, and of a piece of history that Shakespeare's play is about. It's not a great film, but a good one. Most of the filming was done in Spain, and the sea battle scenes were taken from earlier footage shot for the 1959 film, "Ben-Hur."

After watching this film again recently, I enjoyed it as much as I must have when I first saw it in a theater decades ago. It wasn't a blockbuster then, and due to some negative criticism after its release in Europe in 1972, it had only limited release in the U.S. in 1973. I don't know of anyone who saw it then that didn't think it was a very good film.

I think that movies of this nature and scale don't lose their appeal or impact with audiences. They are types of historical classics made on a grand scale. And that should make them appealing to audiences far into the future. Indeed, with all of the production involved, with so many properties, sets, costumes and more, such films reduce the need for future remakes. And, it doesn't hurt more recent generations and audiences to become familiar with the actors of the past who are in these roles.

All of the cast give fine performances. Charlton Heston helped produce and also directed the film, besides starring in it. Among superb roles and acting are those of Hildegarde Neil as Cleopatra and John Castle as Octavius Caesar. This is an entertaining fictional historical and literary-based movie. If William Shakespeare were alive to see it, my guess is that he would like this film as an extension of his play and for its historical portrayals.

In Fraser Heston's forward to his father's Anthony And Cleopatra that is on the DVD that I just bought he mentions that his father was ever mindful of the mammoth Elizabeth Taylor film that only came out nine years earlier. He wanted to do something different and in that I felt that Charlton Heston failed.

Not that this is not a good production, it most certainly is, but it did not break any new ground in that regard in the way that Laurence Olivier's Shakespeare films had done. Heston is a stalwart and resolute Mark Antony who for the first time in his pantheon of classical heroes on the screen is really quite the fool, but a fool for love as history has brought Antony down to us.

He terribly underestimates Octavian played by John Castle who is best known as Prince Geoffrey of Anjou in The Lion In Winter. Heston marries Carmen Sevilla as Octavia and Castle thinks him and his following tied to the Caesar family. But Heston has a yen for Hildegarde Neil who is every bit as beguiling and seductive as Elizabeth Taylor or Claudette Colbert ever were as Cleopatra.

The sea battle of Actium is always mentioned by historians as one of the twenty or so decisive battles in world history. What is shown here is that it need not be fought, but Heston spoiling for a fight and eager to dust off this young punk Octavian commits to a sea battle with inexperienced Egyptian sailors. That was his downfall or the beginning thereof.

Speaking of which Actium is a nicely staged sequence and done for less money than you would think. Fraser Heston's narrative tells us how.

Antony And Cleopatra is a fine production, not the best Shakespeare adaption, but still quite good. Look for John Castle as Octavian, he really has the character down perfectly.

This is Shakespeare lite in the sense that the play has been cut to fit a movie, not a play. It has been done quite well and the balance between movie and classic play is well proportioned.

Where the movie excels is in the locations, the epic battles and the camera work. It is a very strong production in the Hollywood way. It serves as a fine introduction should anyone wish to experience the original text.

The actors are all in good form and make the lines serve their character. The conditional here is Chuck Heston. He is of the Olivier 'ham' school of acting. Each line is painfully rendered, the jaw clenches, the syllables come as if Heston may then expire. There are some parts where he is just fine: the battles, especially but he seems ill at ease compared to the other actors.

After Julius Caesar to be killed by Bruto and Casio , in Roman empire happens the second triumvirate : Marc Anthony (Charlton Heston) commands Egypt , Lepido (Fernando Rey) rules Africa and Octavio Augustus (John Castle) governs over Rome and Hispania . After the death of Julius , Cleopatra (Hildegard Neil , though Irene Papas was runner-up for the role and Heston wanted to cast Diana Rigg, who had co-starred with him in Julius Caesar) queen of Egypt , becomes infatuated with Marcus Antonius . However , Marc Anthony is married to Octavia (Carmen Sevilla) , Augustus's sister . Cleopatra who seduced the conqueror Julius to gain a kingdom , now she pins her hopes on rash Mark Anthony and then he is wedded to Cleopatra , but things don't turn out so well and they are defeated by Octavio Augustus in Actium .

Co-production England/Switzerland/Spain by Rank Organisation and Izaro Films . This is a peculiar symbiosis between theatrical colossal and Peplum . The dialog , cinematography , and direction combine to cast a potent and enjoyable movie . Imposing sets , lavish costumes , good stars , massive scope , opulent interiors , including great spectacle of crowd scenes well staged by Joe Canutt who was Heston's stunt stand-in for Ben-Hur, most notably during the famous chariot race . Runtime is overlong , it's a little bit boring but the history aficionados will appeal too much . This is a special version of the Egyptian temptress's lust for Marco Antonio after Julius Caesar's death and results to be an intermittently extravaganza by Charlton Heston who is a tower of strength , as always . Charlton ¨Chuck¨ seem to be enjoying herself in the lead character in this hokey , spectacular as well as theatrical adaptation based on Shakespeare's play .This marked the third and final time Charlton Heston would play Mark Antony , he did so previously in Julius Caesar and also in Julius Caesar . For a middle budget of three million dollars , Heston asked Metro Goldwyn Mayer footage from ¨Ben Hur¨ , as was added stock-shots of the famous sea battle. Superb British/Spanish support cast such as Eric Porter , Peter Arne , Julian Glover , Douglas Wilmer , Warren Clarke , Freddie Jones as Pompey and Juan Luis Galiardo , Sancho Gracia , Aldo Sambrell and Fernando Rey who was wounded by an armour dressed by Heston . Evocative and sensitive musical score composed by John Scott and performed by London Symphony Orchestra , and musical additional by Augusto Alguero . Colorful and glamorous photography in stunning Technicolor by one of the best Spanish cameraman , Rafael Pacheco . Sumptuous sets and impressive production design by Jose Maria Alarcon and Jose Alguero , and breathtaking battles especially aboard ships and rousing final fight among two armies . It was completely shot in Spain , at Moro , Sevilla Films , Madrid studios , and on location in Aranjuez , Tabernas , Cabo De Gata and Roquetas De Mar (Almeria) . In Cabo De Gata was filmed a naval battle in which took part two ships .

Other films dealing with the infamous Egyptian Queen and her Roman lovers saga are the following : Silent version ¨Cleopatra¨ with Theda Bara ; ¨Caesar and Cleopatra¨ by Gabriel Pascal with Claude Rains , Vivien Leigh and Flora Robson , ¨Cleopatra¨ by Cecil B De Mille with Claudette Colbert , Warren William and Henry Wilconson ; ¨Cleopatra¨ by Joseph L . Mankiewicz with Elizabeth Taylor , Rex Harrison and Richard Burton and TV adaptation ¨Marcus Antonius and Cleopatra¨ with Richard Johnson and Janet Suzman and ¨Cleopatra¨ TV series by Frank Roddan with Leonor Varela , Timothy Dalton and Billy Zane .

This epic period drama produced in the early-'70s was Charlton Heston's third cinematic performance as Marc Antony a propos of versions of 'Julius Caesar' produced earlier in his career in 1950 and 1970 - the latter starred that great English classical actor Sir John Gielgud as Caesar. Financed by Folio Films, the Rank Organisation, Zurich-based Transac and the Spanish backer Izaro Films and filmed at Madrid's Moro Studios, Alcazaba and Aranjuez plus the deserts of Tabernas in Almeria between June and August 1971 and released in that greyest of hippy years -1972 - this is a very credible, economic production and is full of classical things. I was most impressed by the visual relationships - a vigorous gladiatorial combat scene, the alien pyramids and temples, lavish costumes, interesting props that include a huge marble head of Apollo and statues of Venus, glittery bronze door panels, an ebony throne, high-stepping feather-plumed plumed Roman horses etc plus a lush romantic light classical score composed by John Scott. The abundant Spanish sun is astonishing and the camera records the zeitgeist and passage of time in the summer and autumn of 1971 so well. Heston's grandiloquent performance in some scenes can be compared to the flair of those other important American stars - Marlon Brando and Kirk Douglas in two adventure films: ''Burn!'' (1968-1970) and ''The Light at the Edge of the World'' (1971) respectively, also produced at the end of the '60s/beginning of the '70s. In the aftermath of the Battle of Actium, Heston with his hawk-like profile seems strangely self-willed - sporting an auburn caesar cut and black cape he bestrides the Mediterranean surf like a colossus - he shows an astonishing sense of projection. Antony's death scene - when he is stabbed by his servant features a strange Spanish night-time setting - the subdued light is very evocative while the funeral scene features a monumental square grey-blue slab and other interesting classical world props. The English actors - the young blond John Castle as Octavian and thin, greyhaired and dark-eyed Eric Porter as Enobarbus are very good. Charlton Heston's 16-year-old son Fraser was involved on the set and in an interview from 2009 featured on the retail DVD he remarks that his father was inspired by the 'mystique' of Spain. Hildegard Neil who plays Cleopatra is married in real life to Yorkshireman Brian Blessed who played Augustus in the B. B. C. Period drama series ''I, Claudius'' (1976). For me, this is Chuck's second most interesting performance after his epic role in Peckinpah's ''Major Dundee'' ('64-65) which was filmed in Mexico.