Marjoe

I was fortunate to have a liberal minded college professor who showed this documentary in my freshman Religious studies course. Throughout, and after the viewing my classmates and I could not help but laugh at the TRULY strange character Marjoe is (the 70's garb helps). Some of us outright cracked up. Others were offended. He is so glib about bilking the masses. You find yourself sitting back at some point in the flick and saying, "See, I told you." Charisma is awesome and it is rarely seen as strong as Marjoe possesses it.

This is of the finest documentaries I've seen, and I've seen quite a few at festivals in recent years. Not only is Marjoe Gortner as intriguing as any of the great charismatics and eccentrics of documentary cinema, but the documentary technique is top notch. The cinematography in the church scenes is dynamic yet sharp and focused, and the editing keeps the momentum with a steady stream of insights and revelations, culminating in the more honest and confessional final act. It's a relatively long movie, and the goings-on inside the church take up a large proportion of the runtime, but they're shot so expertly, with brave intimacy and varying points of interest, that they never become unbearable. The music, while painfully dated, is totally authentic.

The strange interplay and connectivity between the mainstream youth counter-culture, exemplified by the film crew and Marjoe in his interviews, and the Pentecostal subculture provides most of the thematic interest. There's nothing novel about relating fervent religiosity to the kinds of drug use prevalent in the 70s, but Marjoe's embodiment of this cultural duality, and the ease with which he transitions from ecstatic evangelical to a paragon of counter-cultural values, suggests that these two polar inclinations in American culture are not as disparate as imagined. Marjoe would rather have been a money grabbing rock star like Alice Cooper, and might have been given a different upbringing, but this is as close as he can get. That he's manipulating the spiritual passions of his audience is a fact subordinate to the satisfaction of performing and connecting emotionally. And even as he spouts religious rhetoric that means nothing to him, and takes the money of those expecting miracles and salvation, is he not giving the people exactly what they want, performing the spontaneous and charismatic rites of Pentecostal Christianity in a manner that is skillful and respectful of the traditions and expectations of that faith?

I don't think I can find a single glaring flaw in the film, even as it approaches ethically questionable territory on account of its complicity in Marjoe's act and the necessity to mislead those who are being filmed or interviewed. Certainly, more interactivity with the Pentacostal churchgoers would have been welcome. One questions whether Marjoe is being completely honest in his interviews, but for someone for whom performance and chicanery are inseparable aspects of life, do the filmmakers really need to press the question? Even without a narrating voice, the point comes across with the utmost clarity.

This is good for so many reasons. First off it's just a well done and to the point documentary, but the main reason it is good is because it exposes the truth about these faith healers out there in the world.Some would say that its true that this film shows that marjoe was a fake but that doesn't go for all the faith healers out there. Here is why i believe it outs all the faith healers as fakes. Marjoe was able to do all the big things they do.He could Touch people and have them fall over and not only that but he had people shaking on the floor and speaking in tongues. Marjoe explains how to do all this. Its no different than a magic trick. Marjoe just proved that its easy to take advantage of desperate and ignorant people.

Former child evangelist Marjoe Gortner lays it on the line, presumably, in this riveting true story of his life as a traveling Pentecostal preacher in the early 1970s, long before cable TV and the "electronic church". Gortner, a tall, charming, and charismatic guy talks to a documentary film crew of counterculture hippies about his techniques and tricks of the trade. "If you're going to get into big time religion, this is the game you gotta play ... you work it as a business ... The (preachers) who are successful ... they're just businessmen; they're like Madison Avenue PR men".

The camera follows Marjoe as he preaches in various settings, including an old fashioned big tent revival meeting. He shouts hallelujah a lot, prances back and forth in front of his prey, and spews out general gospel gibberish. And, of course, there's the inevitable request for ... "a love offering". At one meeting, he intones, earnestly: "Would you get out your checkbooks tonight; would some of you get out $5 or $10; bring what you would ... come on". After everyone has left, we see him sitting on his bed counting wads of cash.

The film's technical elements are fine, although there's a tendency to dwell too long in some settings. We get the idea; truly, we do.

To watch these swindlers is infuriating, in that their con is aimed at vulnerable people, those who are in varying conditions of physical and/or mental pain. Most of these victims are low-income, poorly educated folks who cannot afford to throw their money at flimflam artists. Accordingly, viewers must surely appreciate Marjoe's successful effort through this film to expose the motivations and manipulations of these "salesmen".

Of course, a performance is a performance whether it's aimed at true believers in some revival tent, or at an audience watching a film documentary. In "Marjoe", Marjoe puts on a good show. But is his message credible? I think events of the last 35 years have shown that, for the most part, the answer is yes ... his message is credible.

Filmed before the televangelism phenomenon, this film, part biography, part expose, details the rise, fall, and self-exposure of Marjoe Gortner, a one-time child evangelist who became a church tent preacher. This film details the seamier side of what Gortner calls "the religion business", and even earned Gortner a number of death threats.

A rare find, if you can locate it, but a worthy viewing.