Night Call Nurses

If there was ever any proof that Roger Corman's New World Pictures would produce anything to make a buck, Night Call Nurses is it. Although, how this made money is beyond my comprehension (it is common knowledge that Corman never lost money with any films he produced). But then again, I assume this would have been predominantly show at drive-ins, and how many spectators would actually be watching the film? Anyway, the film begins with a topless girl jumping from the roof of a hospital, and then is never mentioned again, as we are introduced to our trio of "sexy" psychiatric nurses, Barbara (Patty Byrne), Janis (Alana Stewart), and Sandra (Mittie Lawrence).

The film is simply a series of non-sequential, rambling, unconnected stories (and story is too strong a word for the concept). We see a cowboy-style trucker, Kit (Dennis Dugan), who comes in cause he is tripping, starring at his hands (this scene is repeated later, as he enters a lighting fantasy in a truck cab, as he stars at his mirrored hands). Bathrode Benny (Martin Ashe) exposes himself at regular intervals, and the nurses break several doctor/patient restrictions by have relationships with patients (Janis with the tripping trucker, and Sandra with a black revolutionary that wasn't pleasant when they first met).

Barbara however, bizarrely gets therapy, but is then forced into psychosis, which manifests itself in a group meeting, where a bunch of clichéd hippie-types sitting round a living room, as the male doctor encourages the women in the group to take their clothes off, in a bid to shake off any lack of confidence - it's this side of the sexual revolution that is rarely talked about, the lecherous side of men. There are also a series of car chases, explosions and smuggling out a revolutionary, but it's all just very silly and pointless. Kit does however, have one great (but very silly) piece of dialogue. Being seen out of the hospital by Janis, he reads her name badge: "Janis. Is that your name, or the name of your left titty?" Yeah, it's juvenile, but within the context of this pointless drama, it is a joy amongst the nonsense.

www.the-wrath-of-blog.blogspot.com

I don't know what to say about "Night Call Nurses". The experience of watching it was so light and negligible I was barely aware I was watching a movie. And it was so dull that mostly, I wasn't really watching it anyway, I was just waiting for it to end.

The movie seems to be about three nurses at a psychiatric ward. One becomes obsessed with a charismatic psychiatrist... or cult leader, another has an affair with a truck driving good ole boy with a cowboy hat, and another nurse does something with a black militant or something.

Let's be real: there's only one reason why anybody would watch "Night Call Nurses" when it came out, and only one reason why they'd watch it now. In both cases, it's the nudity, and particularly coming from nurses, whom men fantasize about like women fantasize about firemen.

So how's that nudity? It's pretty underwhelming. For some reason they weren't allowed to do full frontal, and thus it seems oddly restrained. There's too much... plot (?) and it's impossible to care about any of it.

Just recently started to view some of the work of the classic Roger Corman B movies and I must say that this 70's flick "Night Call Nurses" is plenty of fun. And true this is not your typical hospital of helping caring nurses, that is in the way you would think. As these gals are the type that will bend over backwards and break the rules to have a feel good fun time. These ladies help the desperate and deranged it's like giving into all of their patients intensive needs. You name it this film has it all from car chases, prison escapes,explosions, to strange late night love making scenes. These are the type of nurses that any man would want to check into the hospital for! Roger was clearly different a rule breaker a guy who made film for fun and with this picture it shows! Overall this is one feel good guilt pleasure flick.

Night Call Nurses, which follows the travails of three young ladies (as director Jonathan Kaplan says on the Shout factory DVD, it was told he had to have three girls), one involved in a rather salacious story (the girl who is tricked mentally to snap), one just involved with an amiable redneck-speed freak, and another (the black girl) with a political story as she tries to help get a guy who is on suicide watch out of the hospital, is a lot better and more fun than it has any right to be.

Kaplan, very early in his career (and recommended by Scorsese to Corman), brought a lot to the table as a director - he tries a lot of things, not least of which having that speed freak guy having a meltdown early on (how he meets the nurse he's hooked up with) via an LSD trip where he keeps seeing mad things on the road, and overall this has a breezy, free-wheeling and shaggy feel. Not to mention this has some actually decent dramatic bits (or at least it tries, and it doesn't feel unearned), gleefully stupid twists (one of them involves, no joke, the guy who would eventually direct numerous Happy Madison productions, Dennis Dugan), and a climax that really decides to go all out on the fifteen cents they were able to throw at the thing. The girls are also good actors, or at least they *try* more than in Candy Striped Nurses, which came out two years later.

Don't expect art; this is a joyful, sexy romp with a few wtf moments, and of course that guy Dick Miller!

Classic 70's low budget with very witty writing. Armitage is a genius. Very much ahead of its time in terms of the dialog concerning politics, pharmaceuticals and personal psychology. A cult classic in that sense. The character Barbara is gorgeous and the opening sequence was ripped off and used in Constantine, the latest Keanu Reeves quasi occult film. If you can get past the 70's cheese, there is a very clever and rewarding piece of writing underneath, if you don't think much or cant read between lines you'll concur with the other review. The film moves all over the place and one of the main story lines seams to get resolved in a flash. There is a classic use of voice overs to cut around a lame blonde beauty performance, but it works and is a good lesson in salvage editing for the student. The strength is in the writing of this film, seems there may have been some fluff added by the others involved and if you get the DVD, the original trailers will have you rolling on the floor.