The Night Strangler

This is the sequel to the hugely successful "Night Stalker" and unlike most sequels this one was just as frightening and just as funny as the original. The story has just the right mix of horror and humor to have made it as successful as it was. The fact that it never took itself seriously and Darrin McGavin's performance helped to make this a very memorable film. After this the critically acclaimed, but short lived series was released the next year and it like this film and its predecessor are still great to watch.

The intrepid reporter Carl Kolchak (McGavin) returns to familiar paranormal territory as he uncovers a case of an apparently 'undead' fiend, maniacally bumping off hot models for their blood. Typically, his agitator brand of journalism and puritanical pursuit of integrity, rubs his superiors the wrong way leading to another double edged sword. Not as good as the predecessor ("The Night Stalker"), but still entertaining fare with another capable cast and effective chills.

The characterisations are, essentially, the same as the aforementioned picture, with different actors in the respective parts; Scott Brady is in the Claude Akins role, John Carradine vice Kent Smith, Richard Anderson vs Barry Atwater, Jo Ann Pflug in for Carol Lynley etc etc. Despite the carbon copy, the set design is superior here, and the storyline involves a few more angles, even if the comedic tone is more pronounced. Dialogue remains taut and functional, and Simon Oakland is again borderline self-parody as Kolchak's long suffering editor, Tony Vincenzo. Overall, the key distinction here is that director Curtis (who served as producer on the first picture) treats the subject matter with much more humour.

In spite of its age and relative confinement (TV scale), brevity keeps things absorbing and the appearance of beauties Pflug, Nina Wayne and Anne Randall (in a prominent cameo as a feisty policewoman) is a welcome sight amid all the macabre.

Follow-up to the 1972 TV movie "The Night Stalker". Carl Kolchak (Darren McGavin) is now in Seattle. It seems women are being killed and drained of their blood. It also seems this happens every 21 years. Kolchak investigates helped by a wacky woman (Jo Ann Pflug).

This is nowhere near as good as "The Night Stalker" despite having most of the same crew involved. The story is kind of vague and the comedy and scares don't really work. Still it looks fantastic, has great atmosphere and good acting. McGavin and Simon Oakland reprise their roles and are great. Pflug is too but her character is annoying. This lead to a TV show called "Kolchak the Night Stalker" which was not a hit but has a cult following now. So this is an OK movie elevated by good acting and atmosphere.

After an estimated 75,000,000 viewers tuned in to ABC-TV on Tuesday, January 11, 1972, television history was made. That night, one-third of America was transfixed to its TV sets as the tale of an intrepid, hard-nosed reporter named Carl Kolchak pursued an elusive modern-day vampire across Las Vegas before dispatching the bloodsucker with an inevitable stake-through-the-heart. At the time, THE NIGHT STALKER, an ABC Circle Film, became the most watched television program in the history of the medium, which enticed the ABC brass to quickly reassemble key players of the telefilm (actor Darren McGavin, producer Dan Curtis, and writer Richard Matheson) to lay plans for its sequel.

Thus, THE NIGHT STRANGLER hit the airwaves a year after its popular predecessor. The talented Darren McGavin reprises his role as Kolchak, the tenacious newsman in trademark straw porkpie hat and rumply seersucker suit, who arrives in Seattle, meets up with his cantankerous former editor Tony Vincenzo, and lands another unearthly assignment. This time around, the locum tenens of the vampire is an immortal alchemist named Dr. Richard Malcolm, an ex-Civil War physician who gains superhuman strength and avoids death by concocting an elixir of life, a substance whose main ingredient is human blood! Every 21 years since the end of the Civil War, Malcolm returns to the Seattle streets to procure blood from the bases of strangled women's skulls. But Kolchak manages to locate the undead medico's lair in Old Seattle's underground ruins and foils the creature's attempts at another 21 years of dormancy. Again, local authorities ice his chances at publishing his macabre story and the hapless reporter becomes footloose once more.

Like THE NIGHT STALKER, THE NIGHT STRANGLER is a bone-chilling tale that blends gritty detective drama with a touch of the supernatural. Fast-paced plot, nail-biting suspense, and above-average dialogue highlight this sequel, which rivals the original telefilm for originality and overall quality. Contrary to popular opinion, THE NIGHT STALKER and THE NIGHT STRANGLER are much better TV fare than any episode of the much-overrated Kolchak rip-off THE X-FILES, and these telefilms serve to remind viewers that TV has indeed produced some outstanding programs, programs which mark the halcyon days of the medium.

Relocated to Seattle, reporter Kolchak stumbles on yet another series of murders, a series which seems to be repeated every twenty-one years. Of the two movies, `The Night Strangler' has the slight edge. This is possibly down to its location, Seattle. Very unfamiliar to me, it adds certain freshness to the story, while the underground ‘old' Seattle is a fantastic location, macabre and memorable; it sticks in my mind long after watching the movie. The candle lit, cob-webbed corpses are perhaps one of the most vivid images in American genre television.

Also of note is Richard Anderson's villain, a crazed, immortality seeking Doctor, he is far more impressive than the original's vampire. A more assured script (which is genuinely funny in places), plus some enjoyable cameo's (Carradine, Hamilton), help make this a rare sequel which is better than the original.

Sadly, plans for a third movie were abandoned and instead a short-lived, inferior television series (without Matheson's involvement) resulted. A patchy effort, despite McGavin's best efforts it never attained the quality of the two movies.