In New Orleans, a relationship between a black man and a white girl leads to a string of murders.In New Orleans, a relationship between a black man and a white girl leads to a string of murders.In New Orleans, a relationship between a black man and a white girl leads to a string of murders.
- Director
- Writers
- Stars
Warren Kenner
- Willie
- (as Warren J. Kenner)
Harold Sylvester
- Jim Bunch
- (as Harold Sylvester Jr.)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Watch out!...this early 1970s anti-racist mystery has more murders than the mafia. I mean I watch giallos on a level that most people wouldn't consider sane and I haven't seen a body count like this outside of a slasher flick from at least ten years later. That's not a good thing, I'm not a gore hound, and the sheer level of murder that people get away with in this cheesy flick in order to make the end "work" is laughably absurd.
People are just dropping like flies from beginning to end despite the victims being regular average folks on college campuses in broad freaking daylight and in the upper middle class white suburbs of New Orleans.
To top it all off, one of the Monkees - Mickey Dolenz, looking just as much like a Monchhichi doll as ever - is a main character yet never once breaks into song. AND...the "night of the strangler" never actually happens, unless you count a drowning. There are however an abnormal number of Asian snakes and poison darts.
People are just dropping like flies from beginning to end despite the victims being regular average folks on college campuses in broad freaking daylight and in the upper middle class white suburbs of New Orleans.
To top it all off, one of the Monkees - Mickey Dolenz, looking just as much like a Monchhichi doll as ever - is a main character yet never once breaks into song. AND...the "night of the strangler" never actually happens, unless you count a drowning. There are however an abnormal number of Asian snakes and poison darts.
When college student Denise (Susan McCullough) announces to her brothers that she's dropping out of school to get married, oh and she's also pregnant, oh and the husband-to-be is black, their reactions are somewhat different. Younger sensitive brother Vance (Mickey Dolenz) is shocked yet supportive, while older brother Dan (James Ralston) is enraged, spewing out virulent racist comments between swings of his fists. After Denise's fiancee is shot by an assassin, a whole series of murders begin to occur, leaving the police baffled. Maybe recently returned priest Father Jessie (Chuck Patterson) can put an end to it.
Former Monkee Mickey Dolenz will be the main draw for curious viewers these days, but I warn them: this very low budget effort is a chore to sit through. The acting is bad, the script is worse, and the filmmaking comes in dead last. The film seems to want to shine a light on the destructive power of racism, but it's done in such a stupid, incoherent manner as to minimize any messaging that was intended. That would be perfectly fine if either the mystery or thriller elements were well handled, but they're not. The mystery's resolution is dumb and a cheat, while the suspense is non-existent, since you don't care if these people live or die. I've seen this movie listed in horror books over the years, but it's not a horror film at all, so don't expect one. Oh, and no one is strangled, either.
Former Monkee Mickey Dolenz will be the main draw for curious viewers these days, but I warn them: this very low budget effort is a chore to sit through. The acting is bad, the script is worse, and the filmmaking comes in dead last. The film seems to want to shine a light on the destructive power of racism, but it's done in such a stupid, incoherent manner as to minimize any messaging that was intended. That would be perfectly fine if either the mystery or thriller elements were well handled, but they're not. The mystery's resolution is dumb and a cheat, while the suspense is non-existent, since you don't care if these people live or die. I've seen this movie listed in horror books over the years, but it's not a horror film at all, so don't expect one. Oh, and no one is strangled, either.
For an older movie with less usage of money, the movie was really weird but in a way scared me. I personally thought it was great, but with a sad ending..well just sad together. If you are a Micky Dolenz/Monkees fan, this movie is a must to get.
Probably the most well-rounded film I've seen from thriftbudget auteur Joy N. Houk, NIGHT OF THE STRANGLER touches on Southern U.S. racial tensions in an otherwise boilerplate whodunit which some may regard as a slasher genre prototype(take note that the "strangler" of the title kills in a variety of ways...none of which are by strangling!). The story in play recounts two at-odds brothers imputing one another in the suspicious deaths of their interracially intimate(and pregnant) sister and her lover. Roused suspicions result in more killings and a muster of potential offenders as the mystery snowballs to a sufficing, though slightly deflating, "surprise" denouement.
While the film never really manages to camouflage its third-string foundations, it works well enough as basal entertainment despite a few flat stretches and uneven scripting(and it features a fun go-go groovy psychedelic opening theme played on some old Farfisa-type organ). MONKEES bandmember Micky Dolenz provides a satisfactory performance, and the rest of the cast follows suit(although, to no derogation of the performers, their roles aren't exactly what one might call "demanding").
A tenantable B film for the general votary of secondary 70s cinema, though far from a crucial one. 5/10
While the film never really manages to camouflage its third-string foundations, it works well enough as basal entertainment despite a few flat stretches and uneven scripting(and it features a fun go-go groovy psychedelic opening theme played on some old Farfisa-type organ). MONKEES bandmember Micky Dolenz provides a satisfactory performance, and the rest of the cast follows suit(although, to no derogation of the performers, their roles aren't exactly what one might call "demanding").
A tenantable B film for the general votary of secondary 70s cinema, though far from a crucial one. 5/10
The Night of the Strangler (1972)
** (out of 4)
A woman starts off a wave of murders when she returns home to announce that she's getting married. Her older brother Dan (James Ralston) isn't too happy but he goes balistic when he learns that she's also pregnant with a black man's baby. Soon her baby daddy is dead and the sister is too shortly after. Soon the entire family gets wrapped up in a murder plot.
THE NIGHT OF THE STRANGLER was sold as a horror movie but it's really not one. I guess you could say it was an attempt to tell a detective story based around some racial events but THE BIG SLEEP or GUESS WHO'S COMING TO DINNER it's not. For the most part this will appeal to fans of low-budget films that were made without too much thought, money or talent.
I guess the most notable thing about the picture is that Micky Dolenz plays the younger brother. His performance is certainly lacking and especially during a crying scene he has. Ralston is at least entertaining enough and especially early on with some of his racist rants. The rest of the cast ranges from decent to poor. There's some mild nudity and violence thrown in but nothing overly memorable.
THE NIGHT OF THE STRANGLER somewhat works as the mystery of who is doing the killings is handle well. There are a couple nice scenes but most just fall rather flat.
** (out of 4)
A woman starts off a wave of murders when she returns home to announce that she's getting married. Her older brother Dan (James Ralston) isn't too happy but he goes balistic when he learns that she's also pregnant with a black man's baby. Soon her baby daddy is dead and the sister is too shortly after. Soon the entire family gets wrapped up in a murder plot.
THE NIGHT OF THE STRANGLER was sold as a horror movie but it's really not one. I guess you could say it was an attempt to tell a detective story based around some racial events but THE BIG SLEEP or GUESS WHO'S COMING TO DINNER it's not. For the most part this will appeal to fans of low-budget films that were made without too much thought, money or talent.
I guess the most notable thing about the picture is that Micky Dolenz plays the younger brother. His performance is certainly lacking and especially during a crying scene he has. Ralston is at least entertaining enough and especially early on with some of his racist rants. The rest of the cast ranges from decent to poor. There's some mild nudity and violence thrown in but nothing overly memorable.
THE NIGHT OF THE STRANGLER somewhat works as the mystery of who is doing the killings is handle well. There are a couple nice scenes but most just fall rather flat.
Did you know
- TriviaThe rifle used was a Winchester Model 70, Pre 1964 action, Super Grade model. The bolt handle was hollow, the bolt was jeweled, and the forend had a black tip-all signs of the Supergrade.
- GoofsEyelashes on female corpse flutter during morgue closeup.
- ConnectionsReferenced in The Big Box: The Body Shop (2010)
Details
- Release date
- Country of origin
- Language
- Also known as
- Dirty Dan's Women
- Filming locations
- New Orleans, Louisiana, USA(main location)
- See more company credits at IMDbPro
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