Oh! Calcutta!

If you're into nostalgia for the 60's and 70's this film of the stage play is a good choice. Like a 60's commune or "house" you will find a make-shift family looking to explore their sexuality safely amongst those they can trust. The actors are naked much of the time and the play is about sex, however it is packaged with statements about choice, freedom, and trust. With these three virtues, nudity and sex lose their sense of taboo. In fact, I found the characters respecting each other more when they were undressed! The filmed audience seemed like explorers wondering what this was all about and walked away at the end of the show somehow a little relieved that it wasn't as pornographic as they had thought it would be. Not just clothes were removed in Oh! Calcutta, but taboos too.

In the early eighties I was in a revival-sequel called Calcutta Revisited! with a small experimental theater group. Looking back I believe most of the actors got involved because we wanted to see each other naked. We were all closet exhibitionists who wanted a chance to see what it was like to be nude on stage with strangers, family, and friends looking on. The audience was an equal mix of the avant garde art house crowd weened on female performance artists smearing peanut butter on their breasts, lesbians who heard about my passion filled kissing scenes with two other actresses, nerdy guys who read about the play in the weekly reader, and of course our friends, family members, co-workers from our day jobs, roomies, and neighbors. The audience walked away a little disappointed that it wasn't a bit more pornographic. Full frontal nudity was no longer enough even with the addition of the lesbian scenes.

So please rent Oh Calcutta! (if you can find it) and visit a period of our past that wasn't so bad.

After the musical Hair combined a little nudity with a lot of witty, tuneful songs, Oh Calcutta came along and combined a lot of nudity with a number of remarkably dull sketches.

For the most part, these sketches appear to have a humorous intent, yet none of them come close to be really funny, although one short sketch about masturbating is mildly amusing. And at the end the actors put words in the mouths of the audience, and some of those lines are actually pretty good.

My first inclination was to stop watching altogether, but when I looked up the play in Wikipedia I saw that the sketches had been written by a number of famous people, including Jules Pfeiffer and Sam Shepard. So what I did was, I would watch the first few minutes of a sketch, fast forward when I got bored, check out a little of the sketch later on to see if it got better, which it never did, and go to the next sketch.

There are also a couple of naked dance numbers, which, like everything else, aren't especially good. And there are a few songs, co-written by the guy who created P.D.Q. Bach, that are really cheesy and bland.

In terms of the filming of the play, the beginning is awful. You see the audience (clearly not a real audience but actors chosen to look like an uptight crowd) and then backstage footage of the actors. Then there's some annoying video effects when the play starts. After that the director settles down for the most part and just lets the play unfold, but since it's a bad play, that's little comfort.

Why was Oh Calcutta one of the longest running Broadway plays? I've got to assume it's all the naked people. I think at the time it just seemed daring to go watch naked people grope each other on stage and talk about masturbation and wife swapping. It was transgressive and revolutionary. Unfortunately, it was also really bad.

It's so annoying that there's video of the original Oh Calcutta but none, so far as I can tell, of the original Hair. All we have is that horrible movie made in the seventies in which they took the name and a few of the songs and created something new and much worse. How is that fair?

This move is a mostly funny mostly naked satire of sexuality of the times, circa 1970, that still holds up today.The bodies are perfect and most of the gags are right on the money.It was written by some of the best writers of this century and the acting is superb.The dance numbers are some of the most innovative ever choreographed and the people are naked--isn't that what your always wanted to see in a modern dance routine anyway!Be sure to check out the "Sex Clinic" sketch, it will leave you in stitches!

I rented this for the same reason people went to see it when it was filmed: I'd heard about the sex & nudity and I was curious. I got a lot more than that; it's a time capsule.

The video was made from a closed-circuit TV recording at a live theater performance. I can only assume it's a fairly honest reproduction of the real thing. It's a few nude dance numbers along with quite a few skits. The skits are comedic, nearly all involve nudity, and are all about sex in one way or another. Topics range from masturbation to swinging to kinky toys and more. They're at least as amusing as, and only slightly more sophisticated than, your basic Benny Hill Show. On face value alone it was worth the $1 rental (as long as you're not one who takes his theater experience too seriously).

Its real value comes from its representation of the sexual revolution. It's hard to imagine that it had problems with obscenity laws considering what's available from a wide variety of sources today. It was controversial simply because people talked freely about sex and were naked. When the actors were naked, they neither hid nor flaunted it; they simply were, and appeared happy to be so. They cheerfully acted out skits that portrayed sex as neither serious nor dirty but just plain silly and fun. Compared to the modern business of sex, this is a breath of fresh air which made me long for a simpler time that I barely remember (and may not have ever actually existed).

The same day I saw this was the Janet Jackson/SuperBowl brouhaha, later described as "a perfect opportunity to both sell sex and condemn it." Oh! Calcutta! does neither. The closing number has the cast stripping to nude and dancing gleefully to a song whose chorus is "I don't care what you say / I'll do it anyway / Because it's mine!" That's the sexual revolution in a nutshell; for us to deny ourselves the pleasure our bodies bring us is to remove a large part of the joy of living. But today it's just one more thing for sale.

Cast member and choreographer Margo Sappington has gone on to become a somewhat influential figure in the world of dance.

I saw the original stage version of Oh! Calcutta! when they performed in San Francisco in the early 1970s. We didn't know what to expect and were a little hesitant about going to a play that was often raided!

We paid a princely sum for our tickets - $35 and that wasn't for the first row! Our seats were second row-center and those rows were very narrow! You can imagine our surprise at being so close to the action! As soon as the production began, several people in the front row stood up and left the theater, which only made our seats that much better!

It was a great play! We loved it and laughed through most of it. The only tense part of the play was when we heard the sirens of emergency vehicles in the street outside of the theater! For a moment, we thought it was one of the raids! We held our ground and remained seated and were the richer for it!

See the movie and see a part of our sexual history! I know I will!