The Revengers

At first glance this would seem to be just another violent western of the same class as "The Wild Bunch". Look more deeply into the characters and you will find several interesting changes over the course of the movie. Each character shows a human and sometimes frail side that belies the hard person that they have become.

Mediocre Western with a relentless revenger , William Holden , post-¨Wild Bunch¨. The rancher named John Benedict (William Holden) goes back his ranch when he meets his family has been slaughtered by a gang of marauding Comancheros and his farm is devastated . Holden is decided to take a group of prisoners and strike a blow against the Comancheros bandits . He goes to a Territorial Prison where he gets a gang of misfit thieves, and other mean convicts . As he assembles a band of outlaws prisoners to act as his posse as they chase the bunch responsible for the deaths of his loved ones . The misfit group is formed by lawless of various countries as a French (Roger Hanin), German (Reinhard Kolldehoff), Mexican (Jorge Hoyos) , a mestizo (Jorge Luke) , an ex-slave ( Woody Strode ) and of course the Yankees (played by William Holden and Ernest Borgnine ), but the men came too late and stayed too long . After that , they go across Mexican territory , being led by Benedict and his ragtag team . At the ending the Wild Bunch makes a violent stand against Indians who besiege a northern fort.

This average Western packs lots of action, shootouts, and explosive violence . Taut excitement throughout, beautifully photographed and with spectacular bloodletting but lousy realized with flaws and gaps . William Holden is good as peaceful rancher who turns apart , becoming two-fisted avenger. As Holden is nice as the older gunfighters with their own ethic codes . Furthermore, fine secondaries as Arthur Hunnicutt , Woody Strode , an excessive acting of Ernest Borgnine and Susan Hayward in her last film gives one of the best performances as spinster who falls in love with Holden in some silly love scenes . The story is exactly like ¨The magnificent seven ride ¡ by George McCowan¨ in which the starring, Lee Van Cleef-a Holden lookalike role, after massacred his family enlists convicts in ¨Dirty dozen¨ style with customary outlaws band formed by an eclectic group ; adding brief touches Spaghetti Western with usual theme as 'Vengeance' as leitmotif . The film gets action Western, exciting go riding , shoot outs, it's entertaining , although nothing new but displays a bad pace . The movie contains some moment of grisly violence and even touching on the relationships between the inmates . Colorful cinematography filmed in Mexico by Gabriel Torres Estudios Churubusco Azteca, Mexico City, Distrito Federal, Mexico (studio) and on location in Lagunas de Zempoala, Morelos, Parral, Chihuahua, Torreón, Coahuíla,Tres Marias, Morelos,Viesca, Coahuíla. Atmospheric musical score fitting to action Wesstern by Pino Calvi. The motion picture is regularly directed by Daniel Mann , an expert on dramas as ¨Come back little Seba , Rose Tattoo , Last hungry man ¨, but no in Western genre. Recently restored and reissued with perfect remastering is agreeable seeing for spectacular Mexican outdoors. Rating : 5, 5 , passable.

As others here and elsewhere have noted, "The Revengers" is an obvious attempt to emulate "The Wild Bunch" and "The Dirty Dozen", from its casting William Holden and Ernest Borgnine, to the idea of hiring criminals to go on a dangerous mission. Though as derivative this movie is, it could all the same been a lot of fun in the right hands, but the movie ends up being kind of flat. One of the biggest problems with the movie is the direction by Daniel Mann. The movie is lacking grit and the necessary hard edge a revenge western really needs. Even the times when the bullets start to fly, the action mostly has a been there, done that feeling. (Though the climatic sequence does have some excitement.) But there are problems with the script as well. It doesn't script that many action moments, for one thing (it takes almost half the movie before the first true action scene comes.) The story also plods along with a lot of filler, such as the whole unnecessary sequence with Susan Hayward. While the movie never gets to the point of being boring, it is definitely lacking sufficient punch to entertain more than just die hard western fans. It's no surprise that it was a box office disappointment, though the then declining popularity of the western genre as a whole probably played a part as well.

A homesteader's family are wiped out by a renegade Injun party and he vows his revenge

" Wow Theo . That sounds like so many other dire generic Westerns . Tell us why you gave it seven out of ten "

Easily explained . It's an old fashioned premise done in the New Hollywood style . Hollywood had done way with the dichotomy of good and bad and decided to paint everything in grey . Some people have mentioned both THE WILD BUNCH and THE DIRTY DOZEN in their comments and you can see some very obvious parallels as the protagonist hires some cut throat prisoners as a posse and you're left with a feeling this might simply backfire on him

Another aspect is the rather bloodthirsty element . New Hollywood had torn up the Hays Code rulebook and consigned it to history a few years earlier and THE WILD BUNCH was responsible for this more than any other film and whilst it doesn't have the same directorial style as Peckinpah would have brought to the movie it's enjoyably mean enough to appeal to audience members who aren't keen on the genre

Indians led by a renegade kill William Holden's family, so he rides from Colorado to Mexico to pick out violent prisoners to lead in a vengeful raid.

This western remake of THE DIRTY DOZEN has some fine performers in its ranks, including Ernest Borgnine (who overacts), Woody Strode, Arthur Hunnicutt and, in her final film role, Susan Hayward sporting an Irish accent. There's a nice bit of writing, involving points that the earlier, better known movie often slides over: here, the violent criminals are not team players. The ending may look like they ran out of money for the production, or as if Holden wanted to get back to drinking in Africa, but it's decently set-up, and there are plenty of explosions.

Cinematographer Gabriel Torres shoots springtime Mexico in a style that suggests the Hudson Valley school of painting as it evolved in the second half of the 20th Century.