A Separate Peace

Ok, I read the book too, but that was in - oh say- 1964 and I forgot it all. But the movie worked for me on its own merits. First of all, how many movies today are all about groups of 17 year old guys. Gone are the all-male schools and seminaries of the past. So it's a nice window onto a vanished (mostly, I think) subculture. Naturally someone in our own decade is going to read "homosexuality" into the relationships, but there was, in fact, a time when Finney could say to Gene "in this teenage period of your life, the best person to come to the beach with is your best pal, and we believed him. The cinematography was beautiful, even lyrical. I think the character of Finney was very well portrayed by John Heyl and wonder what ever happened to him. We know what happened to Parker Stevenson (he married Kirstie Alley). All in all, a succesful evocation of a time and place, whether or not it measured up to the themes and meanings of the book (which I note Leonard Matlin called "overrated" anyway.

I had to read this book for English and it was one of the few books I actually liked. Then we watched the movie and it was horrible. I have never seen a movie degrade a book as much as this did. The characters hardly said anything and it left out too many parts. When Leper was supposed to be skiing, when Gene was on the way to help clear the railroads, he was drawing. The acting was awful and there was no character development. They need to remake this film with characters who could act it out a little better. And then someone needs to make it so it actually follows the book.

The 1972 film version of John Knowles modern masterpiece is a class act for the reason that Paramount Pictures went to Phillips Exeter Academy and filmed it on location with all student actors from Exeter with the exception of Parker Stevenson whom attended The Brooks School. Though the acting is a little amateurish,so what,it should be, for it is the drama society of the school and alumni putting on a Paramount Film!

John Heyl,a former Exeter Student, was eighteen and son of the school's doctor. John Heyl does a great job as Finny at the age sixteen,seventeen that Finny would have been in the novel. This was also Parker Stevenson, at eighteen, his first film and in my view his best role as Gene.

It is a good adaptation of the book but I would strongly suggest that you read the novel first for the tensions of love, hate,jealously, denial, sexual undertone, and regret are pale compared to John Knowles' writing.

It is a love story with war looming closer to the boys of The Devon Academy. The viewer decides if this love is emotional and / or physical. What else could motivate ones "Best Pal" and roommate to do such a violent act as to attempt to maim him hence excorise him (Finny) from Genes life i.e. emotions so deep that Gene could not deal with at sixteen.

I have recently viewed Showtime's 2004 version which was filmed at a college in Canada and has actors that are in there late twenties playing the parts of teenagers. No sorry - Veto! John Heyl will always be Finny and Parker Stevenson will always be Gene. The 1972 film version shot at Exeter is the true "Preppy Classic".

The novel A SEPARATE PEACE is one of the benchmarks of American adolescent literature, second only to CATCHER IN THE RYE in terms of an accurate portrayal of 20th century young adult angst. The novel is a complex, ambivalent portrayal of friendship between two dissimalar friends at a stuffy New England boys' school during the opening years of WWII. The film version captures to a great extent the feel of the era and the New England setting, yet fails to really convey the conflicted feelings of Gene, the narrator in the book. The all-important scene in the tree is rendered in a murky manner; one not famililar with the book would be confused as to what had happened. And the confrontation scene in Phinney's house is poorly staged and interpreted. It's interesting to note that, with the exception of Parker Stevenson, none of these actors seem to have made good in their respective careers. Begs for a quality remake.

Many years after graduating college in New Hampshire in 1942, a nostalgic man revisits the campus of his alma mater in the off-season and reminisces about his roommate, a gregarious and reckless lad who goaded his friends into living for the day, breaking the rules and--most especially--jumping out of a tall tree into the lake below. Overlooked film version of John Knowles' semi-autobiographical novel (which, in turn, was expanded from his short story "Phineas") has a deeply personal feel even on the screen. While Knowles denied any homoerotic undercurrents in the text, those who do sense an attraction between the roommates, played here by John Heyl and Parker Stevenson, are bound to be the film's biggest admirers (when the novel is discussed in schools, it is said that homosexuality is never brought up in class, yet that hasn't stopped some schools from banning the book). There's a lovely simplicity--and, conversely, an unspoken complexity--in the friendship between the young men, which screenwriter Fred Segal cautiously, carefully tiptoes through (which is better than being tiptoed around). Director Larry Peerce works well with his actors, most of them non-professionals, and shows a keen, stylish eye for the period (surprising, since Peerce at this point had not shown much sensitivity). Not a hit with audiences, the picture grossed just under $1M at the US box office and was promptly forgotten, but it has a special sort of gleam. **1/2 from ****