Solaris

This has to be one of the best science fiction movies ever produced. Not because it's filled with gee-whiz gizmos or creepy aliens (it isn't) but because it actually gives you something to think about besides "I wonder how much they spent on *that* shot". When I was a kid, I used to love reading sci-fi because it stimulated my imagination, but as I grew up (especially once "Star Wars" came out), I found that it was harder and harder to find anything remotely resembling imagination or mystery in the genre.

Well, this movie has restored my faith in what is possible to achieve under the guise of "sci-fi" (obviously, it's older than "Star Wars", but I didn't see it until years later, when I had basically written off the whole idea of science fiction movies). I saw it 10-15 years ago when it was re-released in the USA and liked it then, but seeing it again recently has convinced me that this is an all-time classic. As I said, it actually stimulates thought (rare enough in most sci-fi movies), but on top of that, it has a real and profound emotional impact that's far beyond what you find in most "dramas", let alone "kid stuff" like sci-fi. If this movie is intended to be an "answer" to "2001" (I'm not convinced that it is), the main contrast is that "Solaris" concerns itself with real human emotions, whereas the most interesting character in "2001" is the computer.

For those who complain that it's boring, just go see something else. You'll obviously never get it. If the opening shot of water and plant life didn't tip you off to the fact that this movie is intentionally paced a little bit more deliberately than, say, "Buckaroo Banzai", then you should go out and try to get some sort of clue before watching this movie. It's not boring... it's SLOW. It's *meant* to be slow. Some of the scenes exist solely to set a mood, not to advance the plot. If you can't handle that, then this isn't the movie or you. But if you're able to sit still for 3 hours without squirming, and if you're able to enjoy a movie without having every idea spelled out in giant neon letters, then you just might like "Solaris", and find that it haunts you for years to come.

This line from Dr Zhivago says all you have to know about Tarkovsky. He was a thinker and a poet. An artist who's work was at once smart, engaging and aesthetically beautiful! Solaris is a world that materialized thoughts and absorbs creatures into its own consciousness. "Solaris" is an allegory on man's place in the universe, the twisted concept of reality, the meaning of love, grief and - ultimately - life. Psychiatrist Kris Kelvin goes to the station orbiting the planet-entity to assess whether the madness of it's occupants means all exploration should be discontinued. What he finds there are all the demons he has brought with him. You the viewer shall experience the same thing, for Solaris is an inviting and questioning but never manipulative film. What you'll get out of it depends on what you bring with you.

Solaris is often accused of being slow. This is a common misinterpretation: Solaris makes you anxious, and willingly so. Too many segments are like mirrors that invite your mind to venture off into many uncomfortable a place (the traffic scene comes to mind: an allegory for the space voyage but also for fading life and powerlessness). Solaris also makes you fear, with a sense that something isn't quite right and as with the best horror films, what you dread often isn't even on screen. Solaris makes you heart ache on several occasions as well. It makes you miss loved ones and it makes you feel homesick. every additional minute that separates you from the gorgeous opening shots of nature makes you long for Earth.

Solaris is many things but above all it is simply more than entertainment: it is a voyage for the senses, like a favorite song that binds countless disconnected feelings and thoughts. It is a poem.

Haven't seen any other Tarkofsky. I hear that this is the film he is least fond of. I intend to see more of him.

As some other reviewer said, I had the feeling through the first one hour or so that some scenes went on for too long, or seemed a bit unnecessary and that it was too slow for the message to clearly be presented. But after a while, the slow pacing DID have a positive impact on the context of the film and on the "dialogue" between the film and the viewer. Anyway, after its plain & simple beginning, when the "action" is taken to the space station things get more and more interesting. No spoon-feeding here, as well. If you want all the mysteries in a film to be solved and explained, then you might not wanna see this, because the film is up to the viewer to think and dive in deep. Anyway, it ended up satisfying and leaving one in thoughts.

I am so glad I got to see this fabulous thoughtful movie. It's full of nice visuals and context. A recommendation to all who are fed up with Hollywood crap - but even Hollywood geeks could find many in this, if they can tolerate with the slow pace...

Shame on me for not realisng the 2002 film with George Clooney was essentially a remake of a Russian film made 30 years previously. I ought to have known, I am that sort of person.

So comes December 2009, and Film 4 show both Solaris films. I sat transfixed by the Russian film. Visually it is a thing of beauty, and it is a rare thing - a film which requires input from the viewer. This movie requires you to think for yourself...and some people find that difficult.

I enjoy a rip-snorting entertaining action movie as much as most people, but rare films like Solaris leave me feeling so much more fulfilled. There are ambiguities, not so much loose ends untied as dots which the viewer is required to connect for himself.

Try Solaris. If you find yourself twiddling your thumbs after 15 minutes then its probably not for you. If you find yourself glued to the screen then you know how I feel about this film.

I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.

I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.

It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.

You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.

So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.