Treasure Island

Treasure Island with O Wells is simply the best adaptation of the Stevenson story ever done. Why ? Beside the great play of Wells, and others good actors, i would say that the movie keep alive the spirit of the book which is the one of people who like the old seaman story, who like the wind, the sea, the waves, this touch of tough adventure and sea. BUT MORE important than anything else, the movie keeps and makes everyone feel strongly this specific young spirit with the which one Stevenson himself started his book : spirit which is necessary to enjoy this sort of story. Really better than the one of Walt Disney ( too sugary ), this Treasure Island will enjoy people who like to be told a story like when one read the book for hours and hours, unable to leave it. Or like children, exactly the expectation of Stevenson, who told too about the young of his time : "may be too wise young..." "Too wise", meaning unable to taste the spirit of adventure and ability to dream, sail full of wind and salt ! The music is great too. N.

This version may be one of the weaker versions of the classic story, it's nowhere near as good as the 1990 Charlton Heston or the 1934 Wallace Beery versions(Muppet Treasure Island is great too) but it is a long way from bad. And I really do have to respectfully disagree with the commentator who said that this was the worst Treasure Island, the uncomfortably bizarre 1998 Jack Palance version is by far the worst. The film may be lower in budget than most of the versions of Treasure Island, with some of the camera work(which can be too reliant on close ups though most of it is inventive and appropriate) and the handsomely rendered if very undersized Hispagnola it does show but it was decent compared to most lower-in-budget films personally seen, the shadowy lighting was quite effective and the locations are splendid. The script is amusingly tongue in cheek with some darkly tense moments too.

The story is suspenseful and lots of fun on the most part with the storytelling at least coherent and structurally relatively faithful. The start of the film suitably intense and sets up the story well and the action is staged surprisingly well with a Spaghetti Western vibe in places. Some of the treasure hunting scenes are a little leisurely however and are slightly lacking in urgency. The acting is mostly good with Orson Welles giving the most memorable one, he can be charmingly sympathetic but he drips with evil as well, some of the performance is very fruity but I appreciated the restraint he gave the character here. Kim Burfield is an appealing Jim, Walter Slezak brings out the conflicts of Squire Trelawny's character very well- sometimes blustering, other times refined- and Jean Lefevbre an amusing Ben Gunn. Lionel Stander however is too gangster boss-like as Billy Bones and Angel del Pozo is a dull Dr Livesey.

Where the film is least successful is in the music score and especially the dubbing. The score is nowhere near "rousing adventure"-like enough, sounding more like at points like "sentimental television" scoring. The dubbing is unfortunately shoddy, very stiff and some of it sounds like they're mumbling their way through their lines. Robert Rietty is the least bad, he does sound like how Welles would speak but some of his line delivery sounds like he was drunk at the time. On the whole, a long way from great or being the best version, but it's still pretty good and is miles ahead of the Palance adaptation. 6/10 Bethany Cox

So far as I've seen, this is the most commendable of all interpretations of Robert Lewis Stevenson's stirring book; yet, still a great disappointment.

Most of the cast did well enough in their rolls, with the exception of, believe it or not, Orson Welles. Mr. Welles so severely under played the part of Long John Silver he made the character completely uninteresting; that and his unintelligible mumbling fatally scuttles what should have been a great and memorable film.

The music of Natale Massara, another problem, while expertly orchestrated, is derivative of other works and does nothing to convey the feeling of a thrilling tale of the sea. It would have been better suited to an episode of "Little House On The Prairie" with it's ocean of grass.

I certainly won't say that it is a waste of time to watch this version, but if it were not for Wolf Mankowitz writing the screenplay, this might well have been a complete failure.

For a real treat, go see "Muppet Treasure Island". You won't be sorry! More information at http://www.imdb.com/title/tt0117110/ .

I agree this film is slow paced, however it has some redeeming points. Lionel Stander gives a great performance as Billy Bones. Stander was gruff looking and perfectly cast. Jim Hawkins, played by Kim Burfield, does remind one of young Jackie Cooper, in the Wallace Berry version. Walter Slezak is good as the squire, but he does not get many scenes to play out his role. Orson Welles plays Long John Silver very well, his mumbling may at times be unintelligible, however this appears to have been done so that the audience gets a good picture, or a rough, tough, sea faring man who has seen a lot in his years as a pirate. The relation ship between Jim and LJS is almost like a father son relationship. I enjoyed this version, the cinematography, and costume design are superb. A++++

In my childhood, this was a perennial on Italian TV over Christmas - but, somehow, I never got to watch it! It's surely the least of the three most renowned film versions of the R.L. Stevenson classic but, in itself, is decent enough...if still mainly interesting for the contribution (both as actor and writer) of Orson Welles.

Welles' presence alone elevates any film he appears in - though he's quite restrained here (certainly in comparison to Robert Newton) and, unwisely, adopts perhaps the silliest accent since THE LADY FROM SHANGHAI (1948)! As for his script - co-written, under the pseudonym O.W. Jeeves, with Wolf Mankowitz - it's reasonably faithful to both the spirit and letter of Stevenson's original. However, the low-budget hurts the overall effort (Welles must have identified with such a predicament, as his own films were too often plagued by compromise!) and the 'modern' score composed by Natale Massara is quite inappropriate.

Still, despite a good cast - including Kim Burfield (unexceptional but not bad as Jim Hawkins), Walter Slezak (as Squire Trelawney), Lionel Stander (as Billy Bones), Paul Muller (as Blind Pew) and Maria Rohm (as Mrs. Hawkins) - it's essentially a 'kiddie' film and is, therefore, in sharp contrast with most of producer Harry Alan Towers' output (particularly his collaborations with Jess Franco)!