Two families in Belfast, one Protestant and one Catholic, find that their long-standing friendship is threatened by the escalating sectarian violence that surrounds them.Two families in Belfast, one Protestant and one Catholic, find that their long-standing friendship is threatened by the escalating sectarian violence that surrounds them.Two families in Belfast, one Protestant and one Catholic, find that their long-standing friendship is threatened by the escalating sectarian violence that surrounds them.
- Won 1 Primetime Emmy
- 1 win & 2 nominations total
Photos
David G. Meredith
- Robbie McCullum
- (as David Meredith)
Cathleen Delany
- Mrs. Doyle
- (as Cathleen Delaney)
Des Nealon
- British Lieutenant
- (as Desmond Nealon)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I watched this film in 1973, in Dublin, as I waited for a flight to New York. It was laughable on every level. Firstly, the accents were all over the place. Those that actually sounded Irish wandered at least 100 miles south of Belfast; well into the Republic of Ireland. The acting was stage Oirish at its worst. Plotting was sublimely inauthentic, with Anthony Andrews' soldier borrowing military vehicles to visit Jenny Agutter up the Falls Road; acts which would have brought his romance to an abrupt end. The IRA prisoners were rescued from the evil Brits when an ancient crone, straight from the potato famine, teleported into the late 20th century and stepped out in front of the armed convoy, responding to the imperious complaint of the chief Brit with the immortal line "Sorry yer honour".
The location shots were so obviously Dublin, right down to the green corporation buses, that when Anthony Andrews left the post-coital bed in his rented love nest, opened the curtains and said, "You can see the river from here", a loud Dublin voice shouted "It's probably the ****** Liffey!" He brought the house down.
See it for a laugh. Thirty three years later, it's still fresh in this viewer's mind.
The location shots were so obviously Dublin, right down to the green corporation buses, that when Anthony Andrews left the post-coital bed in his rented love nest, opened the curtains and said, "You can see the river from here", a loud Dublin voice shouted "It's probably the ****** Liffey!" He brought the house down.
See it for a laugh. Thirty three years later, it's still fresh in this viewer's mind.
I understand the criticisms of some of the reviewers. I lived in Miami during the TV series Miami Vice and we used to laugh at some of the ridiculous and unrealistic happenings, particularly the geographical inconsistencies, treating Miami Beach and Miami as one location. However, I am fine with artistic liberties. If I desire perfect realism/history, I watch a documentary or read a book, and I doubt the film could've been made in Northern Ireland in 1972. Did Bert's crummy cockney accent ruin Mary Poppins? For me, the extreme power of the story completely overrode any illogical inconsistencies. I very much enjoyed the film, and cried buckets at several points (which, since I am a notorious watering pot, that may not be such a big deal!) I saw the film on TV in 1972 (or 73) and was quite moved by it. I would definitely recommend it. The acting of every single character was superb! My only criticism is that the film itself hasn't aged well; the copy I saw was very grainy and at times, difficult to hear dialogue.
To use the word "authenticity" on the same page as this piece of doggerel is either a travesty of the truth or a betrayal of the writer's ignorance. I saw it in 1973, when it was on general release in Dublin, and the audience laughed with derision throughout.
To begin with the detail, it was filmed in Dublin, with Dublin buses careering around the background. The setting could have been made believable with care, but it was a low budget production and reeked of cheapness all the way through.
The characters, for the most part, had Southern Irish accents (Yes, we do speak differently up North). What's worse, they were lazy stereotypes; stage Oirish from start to finish (of which, more later). The police and army were stage villains, worthy of pantomime. The RUC were shown beating the heroic republican prisoners with blackthorn sticks. If this was shorthand, it was unreadable. The young soldier who fell in love with Jenny Agutter's west Belfast girl, was shown borrowing a Land-Rover to drive himself around Belfast, alone and unarmed. If this is authenticity, I've clearly been on drugs for 30 years.
The finale was particularly risible. The oppressed prisoners were being transferred by armoured car and truck, across misty, high moorland, to another, probably more oppressive, concentration camp, when, out of the mist, a toothless crone appeared, clad in the obligatory shawl (everybody in Belfast wore them in the 70s, don'tchaknow). She stumbled in front of the lead armoured car, to be hailed by the villainous British officer (they're all villains - ask Mel Gibson), with words to the effect of "I say there old crone, get out of the bally way". She replied with a stereotypical Belfast riposte to British officers: "Oi'm sorry yer honour". At this point, hordes of people streamed down the mountainside and rescue the heroic prisoners.
Yes folks. It happened just like that in real life. I'm from Northern Ireland originally. I only left 7 years ago. So I can vouch for its authenticity. Even the Dublin audience could see how true to life it was. As my mother used to say, "I haven't laughed as many since I was a children".
To begin with the detail, it was filmed in Dublin, with Dublin buses careering around the background. The setting could have been made believable with care, but it was a low budget production and reeked of cheapness all the way through.
The characters, for the most part, had Southern Irish accents (Yes, we do speak differently up North). What's worse, they were lazy stereotypes; stage Oirish from start to finish (of which, more later). The police and army were stage villains, worthy of pantomime. The RUC were shown beating the heroic republican prisoners with blackthorn sticks. If this was shorthand, it was unreadable. The young soldier who fell in love with Jenny Agutter's west Belfast girl, was shown borrowing a Land-Rover to drive himself around Belfast, alone and unarmed. If this is authenticity, I've clearly been on drugs for 30 years.
The finale was particularly risible. The oppressed prisoners were being transferred by armoured car and truck, across misty, high moorland, to another, probably more oppressive, concentration camp, when, out of the mist, a toothless crone appeared, clad in the obligatory shawl (everybody in Belfast wore them in the 70s, don'tchaknow). She stumbled in front of the lead armoured car, to be hailed by the villainous British officer (they're all villains - ask Mel Gibson), with words to the effect of "I say there old crone, get out of the bally way". She replied with a stereotypical Belfast riposte to British officers: "Oi'm sorry yer honour". At this point, hordes of people streamed down the mountainside and rescue the heroic prisoners.
Yes folks. It happened just like that in real life. I'm from Northern Ireland originally. I only left 7 years ago. So I can vouch for its authenticity. Even the Dublin audience could see how true to life it was. As my mother used to say, "I haven't laughed as many since I was a children".
I recently saw this brilliant true film this year and was overwhelmed by the great storyline, acting and action. It was thought provoking and gave me new perspectives and new education relating to the Troubles in NI in the 60s - 70s. I was born in late 70s so I didn't know how bad things were in the early 70s on both sides of the conflict. It was the different circumstances throughout the film that led to different situations for families and friends. It was sad to see how a great friendship between 2 families (one was Catholic and one was Protestant) before the conflict 0 and then their friendship was torn apart overtime because of certain circumstances and situations as the NI Troubles escalated. I got emotional several times throughout the film eg when the nice Catholic mum becomes a hardcore republican and the 2 wee boys friendship breaking up. What really got me overwhelmed was the true love story which was the strong relationship between a Catholic girl and a British soldier which was threatened several times by the girl's own family and community and how the Catholic girl's mum (who was hardcore republican) disapproved her daughter's relationship with the British soldier and the girl's mum actually tarred and feathered her own daughter - heartbreaking movie but contains one of my all time favourite love stories about the relationship between the British soldier and a Catholic girl. I still get emotional thinking about this movie but will definitely watch it again and I definitely recommend it as it is dramatic, thought provoking, educational and making viewers see both sides of the coin. Younger people from Northern Ireland should watch this as it will show them how bad it was in the early 70s and you can see both sides of the coin on different situations and circumstances.
I have not seen this movie in over thirty years and yet I can never forget the ending of this movie.As an African-American,I did not find anything to laugh about in this movie with all the discrepancies and inaccuracies that a few reviewers have mentioned. That the British soldiers' uniform may not have been accurate or where the movie was actually shot were not issues that mattered to me while watching this movie. There may have been some illogical plot twists in this movie but overall, the movie achieved its main point of how war affects children.I only remember how such a thing as hate can destroy people's lives and of course, that children are the first casualties.This movie first made me aware of the troubles in Ireland.I was impressed by the acting of the young actors.
Did you know
- TriviaDebut of actress Cathleen Delany.
- ConnectionsFeatured in The 25th Annual Primetime Emmy Awards (1973)
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- Ein Krieg der Kinder
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