IMDb RATING
6.3/10
2.9K
YOUR RATING
At his mother's funeral, banker Henry meets his Aunt Augusta, an eccentric old woman who takes him on a wild adventure to rescue an old lover.At his mother's funeral, banker Henry meets his Aunt Augusta, an eccentric old woman who takes him on a wild adventure to rescue an old lover.At his mother's funeral, banker Henry meets his Aunt Augusta, an eccentric old woman who takes him on a wild adventure to rescue an old lover.
- Director
- Writers
- Stars
- Won 1 Oscar
- 1 win & 10 nominations total
Louis Gossett Jr.
- Wordsworth
- (as Lou Gossett)
José Luis López Vázquez
- Dambreuse
- (as Jose Luis Lopez Vazquez)
Raymond Gérôme
- Mario
- (as Raymond Gerome)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Maggie Smith is questionably cast as a wacky British eccentric, enlisting the aid of her uptight "nephew" (the terrific Alec McGowen) to help her out of a complicated blackmail scheme. Lumbering comedy-drama adapted from a Graham Greene novel is heavily padded with pinched, salty wit and lots of gossipy chit-cat and theatrical flair. It can't compensate for a lack of substance in the story, nor that Smith is too smart of an actress to be completely convincing as this merry madcap. George Cukor directed, with a heavy hand. Lou Gossett and Cindy Williams are both fine in support, but the movie is a featherweight farce undercut by faded-memory pathos. More heart and humor would have sufficed. ** from ****
I was disappointed in this as so much is just great.
Cindy Williams is terrific as a hippy-dippy train passenger. Alec McCowan is wonderful as the bewildered strait-laced nephew who gradually allows himself to cut loose from his narrowly defined life. It was great to hear and see a much different Lou Gossett, with outrageous robes and an odd African accent that works in this. The location shooting was beautifully done, particularly in Paris.
Maggie Smith's performance (and I am a fan of Maggie's) was just too loud, too dramatic, just way too over the top, so that when her sad side emerged, it came across as equally phony. Her makeup as a very much older woman is flawless and when she played her younger self, it was a much more controlled performance.
I think Maggie could have used better direction here. A great story that at some time needs to be filmed again. Alec Mc Cowan's performance makes it highly watchable. He gets is just right.
I gave it a 7 out of 10.
Cindy Williams is terrific as a hippy-dippy train passenger. Alec McCowan is wonderful as the bewildered strait-laced nephew who gradually allows himself to cut loose from his narrowly defined life. It was great to hear and see a much different Lou Gossett, with outrageous robes and an odd African accent that works in this. The location shooting was beautifully done, particularly in Paris.
Maggie Smith's performance (and I am a fan of Maggie's) was just too loud, too dramatic, just way too over the top, so that when her sad side emerged, it came across as equally phony. Her makeup as a very much older woman is flawless and when she played her younger self, it was a much more controlled performance.
I think Maggie could have used better direction here. A great story that at some time needs to be filmed again. Alec Mc Cowan's performance makes it highly watchable. He gets is just right.
I gave it a 7 out of 10.
In a plot as zany as any the Marx Brothers could have hilariously mangled, the characters of Travels With My Aunt whirl you along with them through their oddball adventures. This is a film that just missed being a cinema landmark. But miss it does.
Travels With My Aunt has everything going for it: splendid performances, helzapoppin' pacing (except for one or two brief languishments in the directorial doldrums), clever writing (adapted from Graham Greene's endearing story), and a cast working the material for all it's worth. So why does it miss?
It misses because when it needs to be trying hard it lays back; and when it needs to lay back it tries too hard. And, more importantly, because it never grounds itself in the solid realm of the believable.
ALlso, every VHS print I've seen suffers from sound so muddy that I found myself rewinding to catch, and enjoy, some of the film's funniest lines. The editing on VHS prints also leaves a lot to be desired; a hectic, zany film doesn't need any "help" from eye-startling jumps past the occasional few sprocket holes.
Nevertheless the comic performances are brilliant, especially Louis Gossett Jr.'s as the patois-butchering, potheaded, half-mystical, half-cutthroat, hair-trigger-tempered Wordsworth. Maggie Smith's Aunt Augusta (a perfect name for a character who's anything but august) reigns like a mad queen over the whole cast throughout Augusta's self-narrated, self-indulgent, breathless reverie and search for her past loves & losses & triumphs. Alec McCowen plays Henry Pulling with perfectly understated aplomb, making you believe that his dowager aunt is leaving him breathless, bewildered, and yet bewitched by the world she leads him, from out of his insipid workaday life, to experience. As Tooley the young Cindy Williams deftly sends-up the pop-culture-soaked American youth of the time on a European spree: neither of Tooley's two feet ever seem to touch the earth, but her heart reaches out to touch Henry Pulling. And Henry, being Henry, manages to mismanage - but later learns that mismanaging is just part of...c'est la vie!
This film urges you to stop taking life and yourself too seriously, and to instead, as the old Schlitz beer spots used to exhort, "Grab for all the Gusto you can!" This is all well and good, but the film wants some sort of bottom, a sense of grounding, a matter of connection that's just not there despite the lovely pathos the energetic characters generate. Maybe it's that a film that's not just a vehicle for comic antics can't be all sparks and no fuel? That worked for the Marx Brothers, but their "storylines" were mere props for their well-rehearsed antics and brain-boggling doubletalk. But Travels With My Aunt actually tries to tell a touching human tale - yet, like Tooley's, the film's feet never touch the ground that an engaging tale needs to convince, to captivate its audience.
In the end, which seems to leave cast and audience suspended somewhere between earth and a fifth dimension, you wonder: is Maggie Smith's character really Henry Pulling's mother, and not his "aunt"? One thing's for sure: Henry's not going back to being a bank manager, or to anally tending his little garden where the loud trains - of life and experience and adventure - had always, until now, passed him by.
Travels With My Aunt has everything going for it: splendid performances, helzapoppin' pacing (except for one or two brief languishments in the directorial doldrums), clever writing (adapted from Graham Greene's endearing story), and a cast working the material for all it's worth. So why does it miss?
It misses because when it needs to be trying hard it lays back; and when it needs to lay back it tries too hard. And, more importantly, because it never grounds itself in the solid realm of the believable.
ALlso, every VHS print I've seen suffers from sound so muddy that I found myself rewinding to catch, and enjoy, some of the film's funniest lines. The editing on VHS prints also leaves a lot to be desired; a hectic, zany film doesn't need any "help" from eye-startling jumps past the occasional few sprocket holes.
Nevertheless the comic performances are brilliant, especially Louis Gossett Jr.'s as the patois-butchering, potheaded, half-mystical, half-cutthroat, hair-trigger-tempered Wordsworth. Maggie Smith's Aunt Augusta (a perfect name for a character who's anything but august) reigns like a mad queen over the whole cast throughout Augusta's self-narrated, self-indulgent, breathless reverie and search for her past loves & losses & triumphs. Alec McCowen plays Henry Pulling with perfectly understated aplomb, making you believe that his dowager aunt is leaving him breathless, bewildered, and yet bewitched by the world she leads him, from out of his insipid workaday life, to experience. As Tooley the young Cindy Williams deftly sends-up the pop-culture-soaked American youth of the time on a European spree: neither of Tooley's two feet ever seem to touch the earth, but her heart reaches out to touch Henry Pulling. And Henry, being Henry, manages to mismanage - but later learns that mismanaging is just part of...c'est la vie!
This film urges you to stop taking life and yourself too seriously, and to instead, as the old Schlitz beer spots used to exhort, "Grab for all the Gusto you can!" This is all well and good, but the film wants some sort of bottom, a sense of grounding, a matter of connection that's just not there despite the lovely pathos the energetic characters generate. Maybe it's that a film that's not just a vehicle for comic antics can't be all sparks and no fuel? That worked for the Marx Brothers, but their "storylines" were mere props for their well-rehearsed antics and brain-boggling doubletalk. But Travels With My Aunt actually tries to tell a touching human tale - yet, like Tooley's, the film's feet never touch the ground that an engaging tale needs to convince, to captivate its audience.
In the end, which seems to leave cast and audience suspended somewhere between earth and a fifth dimension, you wonder: is Maggie Smith's character really Henry Pulling's mother, and not his "aunt"? One thing's for sure: Henry's not going back to being a bank manager, or to anally tending his little garden where the loud trains - of life and experience and adventure - had always, until now, passed him by.
Saw it in Vietnam the year it was released, and it did what a movie is supposed to do - took me somewhere else, and made me forget reality for a while. Any movie that could hold the attention of a bunch of GI's under those circumstances has to be entertaining! Haven't seen the movie in over 30 years, but can recall enjoying it. What more can be expected of a movie?
My recollection is the main character reminded me of a composite of two of my own aunts. Made me laugh. I'm usually not too keen on period-movies, but this one didn't overdo the genre.
Good cinematography.
My recollection is the main character reminded me of a composite of two of my own aunts. Made me laugh. I'm usually not too keen on period-movies, but this one didn't overdo the genre.
Good cinematography.
This is a pretty odd movie that mixes drama with adventurous elements and yet somehow works.
The movie is definitely entertaining to watch, with a good cast, some fine comedy moments and a good solid adventurous story. Nothing too big or fancy, just a decent enjoyable movie quality movie to kill some time with.
The movie has a perfectly adventurous way of storytelling, meaning that lots of places around the world are being visited in short amount of time and many different characters come and go.
The movie obviously had some great production values, since the movie is set all around the globe, from Paris to Istanbul and everything around it and between. The movie is also looking with some lively, deliberately over-the-top looking sets and costumes (both nominated for an Oscar with the costumes even eventually winning.). But what else was to expect from a George Cukor movie. The man who is known for director cheerful and good musical mostly in the '50's and '60's including "My Fair Lady" but also comedies, like "Born Yesterday" and well known serious drama classics as well, such as "Gaslight", "The Philadelphia Story" and for some part, before he was booted from the set, also "Gone with the Wind".
He mixed all those previous styles he had worked with before in this movie. The end result is a quite unique and one of a kind movie, that works fine on the adventurous level, as well as the comical and dramatic one.
The movie is well cast with Maggie Smith in an absolutely splendid role. A role that even got her an Oscar nomination. She also had some great chemistry with Alec McCowen, who is obviously the least known actor of the main cast. His role even got him a Golden Globe nomination. Abolutely great and humorously entertaining was Louis Gossett Jr. in his role. He not only shows that he is a great actor but also how well he can handle the comedy genre. His character provides the movie with the most and biggest laughs. Too bad that his career has derailed so badly the last couple of decades, ever since his Oscar winning role for "An Officer and a Gentleman", from 1982.
But no, when you look at this movie you'll realize that it also is far from a perfect one. The story gets a bit too odd at times and the storytelling is just off. The movie also too quickly ends some potentially interesting or amusing plot lines and the different adventurous/comedy and drama elements don't always go together well.
Nevertheless it was a movie I mostly enjoyed watching and I wouldn't mind viewing it again.
A good entertaining movie, that definitely deserves to be seen.
7/10
http://bobafett1138.blogspot.com/
The movie is definitely entertaining to watch, with a good cast, some fine comedy moments and a good solid adventurous story. Nothing too big or fancy, just a decent enjoyable movie quality movie to kill some time with.
The movie has a perfectly adventurous way of storytelling, meaning that lots of places around the world are being visited in short amount of time and many different characters come and go.
The movie obviously had some great production values, since the movie is set all around the globe, from Paris to Istanbul and everything around it and between. The movie is also looking with some lively, deliberately over-the-top looking sets and costumes (both nominated for an Oscar with the costumes even eventually winning.). But what else was to expect from a George Cukor movie. The man who is known for director cheerful and good musical mostly in the '50's and '60's including "My Fair Lady" but also comedies, like "Born Yesterday" and well known serious drama classics as well, such as "Gaslight", "The Philadelphia Story" and for some part, before he was booted from the set, also "Gone with the Wind".
He mixed all those previous styles he had worked with before in this movie. The end result is a quite unique and one of a kind movie, that works fine on the adventurous level, as well as the comical and dramatic one.
The movie is well cast with Maggie Smith in an absolutely splendid role. A role that even got her an Oscar nomination. She also had some great chemistry with Alec McCowen, who is obviously the least known actor of the main cast. His role even got him a Golden Globe nomination. Abolutely great and humorously entertaining was Louis Gossett Jr. in his role. He not only shows that he is a great actor but also how well he can handle the comedy genre. His character provides the movie with the most and biggest laughs. Too bad that his career has derailed so badly the last couple of decades, ever since his Oscar winning role for "An Officer and a Gentleman", from 1982.
But no, when you look at this movie you'll realize that it also is far from a perfect one. The story gets a bit too odd at times and the storytelling is just off. The movie also too quickly ends some potentially interesting or amusing plot lines and the different adventurous/comedy and drama elements don't always go together well.
Nevertheless it was a movie I mostly enjoyed watching and I wouldn't mind viewing it again.
A good entertaining movie, that definitely deserves to be seen.
7/10
http://bobafett1138.blogspot.com/
Did you know
- TriviaLouis Gossett Jr., on working with director George Cukor on this movie: "The consummate director and a filmmaking genius. He kept shooting until he got it right. He knew when to say something to you, and he knew when to leave you alone. He was always one step ahead of everyone."
- GoofsIn the bar, the two women dressed in red and black are at the bar, then at a table, then back at the bar, all in a matter of seconds.
- Quotes
Aunt Augusta: Steward! More champagne.
Steward: But we're just about to land.
Aunt Augusta: Then you'll have to hurry, won't you?
- Crazy creditsThe painting of Augusta seen behind the opening credits winks to the audience as the credits end.
- ConnectionsFeatured in Trust: Lone Star (2018)
- How long is Travels with My Aunt?Powered by Alexa
Details
Box office
- Budget
- $3,200,000 (estimated)
- Runtime
- 1h 48m(108 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content