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Black Caesar

  • 1973
  • R
  • 1h 27m
IMDb RATING
6.4/10
4.4K
YOUR RATING
Fred Williamson and Gloria Hendry in Black Caesar (1973)
Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
Play trailer2:20
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Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.

  • Director
    • Larry Cohen
  • Writer
    • Larry Cohen
  • Stars
    • Fred Williamson
    • Gloria Hendry
    • Art Lund
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    4.4K
    YOUR RATING
    • Director
      • Larry Cohen
    • Writer
      • Larry Cohen
    • Stars
      • Fred Williamson
      • Gloria Hendry
      • Art Lund
    • 49User reviews
    • 63Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 2:20
    Trailer

    Photos17

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    Top cast21

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    Fred Williamson
    Fred Williamson
    • Tommy Gibbs
    Gloria Hendry
    Gloria Hendry
    • Helen
    Art Lund
    Art Lund
    • McKinney
    D'Urville Martin
    D'Urville Martin
    • Rev. Rufus
    Julius Harris
    Julius Harris
    • Mr. Gibbs
    • (as Julius W. Harris)
    Minnie Gentry
    • Momma Gibbs
    Philip Roye
    • Joe Washington
    William Wellman Jr.
    William Wellman Jr.
    • Alfred Coleman
    James Dixon
    James Dixon
    • 'Irish' Bryant
    Val Avery
    Val Avery
    • Cardoza
    Patrick McAllister
    • Grossfield
    Don Pedro Colley
    Don Pedro Colley
    • Crawdaddy
    Myrna Hansen
    Myrna Hansen
    • Virginia Coleman
    Omer Jeffrey
    Omer Jeffrey
    • Tommy - as a Boy
    Michael Jeffrey
    • Joe - as a Boy
    Allan Bailey
    • 'Motor'
    • (as Allen W. Bailey)
    Cecil Alonzo
    • 'Sport'
    Francisco De Gracia
    • Cab Driver
    • (as Francisco DeGracia)
    • Director
      • Larry Cohen
    • Writer
      • Larry Cohen
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews49

    6.44.3K
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    Featured reviews

    7rosscinema

    More than exploitation!

    As I watched this low budget film I came to realize that while it is exploitation, it's still a story of an angry man that deep down wanted respect from those close to him. The film starts out with a young kid in 1953 Harlem who makes money giving shoe shines and gets involved in a mob hit and is told to take a package to a building to a bad cop named McKinney (Art Lund). McKinney accuses the kid of stealing money from him and is beaten badly until he has a broken leg. Fast forward to the mid 60's and young Tommy Gibbs (Fred Williamson) is now a grown man and executes a mob hit on his own and tells a mafioso named Cardoza (Val Avery) that he's responsible and wants in with the mob and just wants to run an area in Harlem. He rises in power and has some important log books with all the information on important people on the take. He has a girl named Helen (Gloria Hendry) but doesn't have the sophistication to keep her. Finally the mob decides to get rid of him and now he's the target! This film was directed by Larry Cohen (It's Alive!) who is a veteran of low budget efforts and the film is benefited by his experience. The film is actually shot on location in Harlem and in several shots you can see people staring at the camera. Also, the Apollo Theater is seen as the camera pans the street. While this is another version of "Little Caesar" there is an aspect of the story that I found very well handled and it was the scenes where Tommy Gibbs is feeling betrayed and alone. One scene in particular that stands out is at his mothers funeral and he asks his father if he's all right. What adds to these scenes is the effective use of music that helps establish the mood of the film and these scenes in particular. The music is by James Brown and Barry DeVorzon. Even with limited funds and some poorly dubbed dialogue can't detract from the emotions in parts of this film. Fred Williamson is a former football player and his acting experience was very limited so his performance is even more impressive to watch. The guy has natural charisma on screen but he also shows that he can bare his emotions like any good actor. If you like these types of films than this is one of the classics of its genre. As much fun as it was to watch Williamson smear shoe polish on Lund and make him sing "Mammy" the film has more to offer than that. The scenes of Williamson's character feeling alone and betrayed along with the good music score are what make this film stand out from the others of its kind. Classic exploitation.
    7emm

    Hail the mighty Williamson for defining the "blaction" era.

    BLACK CAESAR is only the first half in the gangster epic of Tommy Gibbs (Fred Williamson). It has attitude, and comes up strong in detailing the urbanized ghetto culture in a gritty style. Compare this to THE GODFATHER, if you will, because there isn't a lot going on here that its second-half sequel HELL UP IN HARLEM actually offers much more to the story (Maltin, take note of this!). Both films gave Williamson the spotlight he deserved in show business with his mean, dirty style of action-packed influence. This one's just warming up. Best scene to remember: Gibbs putting on the shoe polish of a white man's face to resemble Al Jolson, only in beating the living daylights out of him as he shouts "Mammy! Mammy!". As you'd normally expect for a "blaction" classic, it's pure entertainment, and James Brown's soul music score (absent in the sequel) is the best I've heard. There is a call for examination on Gibbs' "superior" gang who wants to rule over the opposing race, a plot that sometimes goes overboard and needs to be studied. You need to check out and watch BOTH of these titles simultaneously to avoid instant confusion, letting them stick together into a three-hour movie on its own.
    DJ Inferno

    Black coolness!

    Larry Cohen´s "Black Caesar" is next to the amazing "Foxy Brown" one of my absolute favorite Blaxploitation movies! It´s full of heavy gun violence, cynical humor and Fred Williamson in the lead is probably the coolest male Afro American actor of the 1970s! Take also note of the funky disco soundtrack by the Godfather of Soul James Brown! Will catch the indirect sequel "Hell Up in Harlem" soon, so watch out for my upcoming review!
    5Uriah43

    The Sum Didn't Equal the Parts

    Having grown up in extreme poverty in New York City and seeing firsthand the corruption, racism and criminal activity of those in law enforcement, "Tommy Gibbs" (Fred Williamson) decides that he wants to rise to the top and doesn't care what it takes. So he murders a mobster in cold blood to ingratiate himself with a rival kingpin and for this is allowed to set up his own small operation in an unprofitable part of Harlem. What follows is a steady rise to power helped in great measure by his obtaining some ledgers which list all of the corrupt politicians and the payments made to them under the table. Now, as far as a "blaxploitation film" is concerned this one wasn't too bad. Fred Williamson performed decently enough but my main concern was that it seemed like the sum didn't equal the parts. To be more specific, there were some very good scenes but they weren't connected very well. All in all then it wasn't a bad film and those who enjoy movies in this genre might like this one too. I rate it as average.
    DJAkin

    Great BLACK movie of the 70s!!

    This was a great movie for BLAXPLOITATION. I recently became a HUGE FAN of this kind of movie. Fred Williamson just OOZES the essence of COOL!!! He is cool all the way through the movie. He sure does get even with that JERK OF A RACIST cop!!! I was amazed how TENSE this movie became toward the end!!! Still, Fred Williamson was buff and cool the entire movie. The music was really good as well. There was some great James Brown music. "I paid the cost to be the boss." That song personified the wonderful Fred Williamson!!! I plan to watch the commentary here pretty soon. I was shocked though at the way Fred was shot in the street yet he continued to walk around New York and nobody seemed to really care that he was shot. Very sad.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      While filming in Harlem, Larry Cohen was accosted by local gangsters who threatened to disrupt the shoot unless they were paid off. Instead, Cohen offered them small roles in the film. They helped so enthusiastically that they attended the premiere to sign autographs.
    • Goofs
      Tommy cuts off the left ear of the man in the barber's chair, but the ear he drops into the plate of spaghetti is a right ear.
    • Quotes

      Tommy Gibbs: That used to be home, sweet home, Pa. Top window. Rear

      Mr. Gibbs: Always seemed to me like a much bigger building.

      Tommy Gibbs: You must know what I do for a living.

      Mr. Gibbs: I'm not gonna lecture you. I don't have the right.

      Tommy Gibbs: Did it ever occur to you... That I've been waiting 25 years just to kill you?

      Mr. Gibbs: No. No. Wait, listen please. I mean, it was the depression. I mean, you don't know what it was like to... Then the war and my chance to get away. You never had those responsibilities. I mean, you never been trapped. Oh, no. Not knowing where to run or who to-- or who to hate. I was 20 years old, 20 years old when I enlisted. And I was a cook all through the war. I was a cook!

      Tommy Gibbs: You never sent home one allotment check. My ma had to scrub floors on her hands and knees for pennies!

      [pins his father against a wall pointing his gun at him]

      Tommy Gibbs: I'm gonna kill you!

      Mr. Gibbs: She-- she couldn't get no allotment! We wasn't married legal! Folks didn't bother much in those days.

      Tommy Gibbs: [lowers his gun and turns away] She never told me.

      Mr. Gibbs: I--I could have sent you something.

      Tommy Gibbs: Go on. Start walkin.'

      Mr. Gibbs: I didn't mean to break it to you that way. I mean, I wouldn't have said anything...

      Tommy Gibbs: Don't matter. Move on, before I change my mind. Pa! I don't ever want to see you again.

      Mr. Gibbs: I understand, son.

      Reverend Rufus: What are you going to do now? Kill your momma?

    • Alternate versions
      The European version included an additional scene before the end credits, where, after Tommy Gibbs is seen wandering in a neighborhood slum, a street gang robs him and fatally beats him up. This sequence was originally cut from U.S. prints, as AIP was already interested in making a sequel. However, in the late 1990s, when MGM bought the Orion Pictures library, the European cut made its way to home video, due to a mix-up on MGM's part. Therefore, all current video releases, to this day, feature this print.
    • Connections
      Featured in Hell Up in Harlem (1973)
    • Soundtracks
      Down and Out in New York City
      Written by Bodie Chandler & Barry De Vorzon

      Performed by James Brown

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    Details

    Edit
    • Release date
      • February 7, 1973 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Italian
    • Also known as
      • Black Cæsar
    • Filming locations
      • Los Angeles, California, USA
    • Production companies
      • American International Pictures (AIP)
      • Larco Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 27m(87 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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